| Nicky Naudé | ... | X | |
| Guillaume Tavi | ... | O |
Directed by | |||
| Acim Vasic | |||
Writing credits(in alphabetical order) | ||
| Acim Vasic | ||
Produced by | |||
| Acim Vasic | .... | executive producer | |
| Milovan Vasic | .... | co-producer | |
| Luc Walpoth | .... | executive producer | |
| Luc Walpoth | .... | producer | |
Original Music by | |||
| Stribor Kusturica | |||
| Zoran Ceda Marjanovic | |||
| Lena Vasic | |||
Cinematography by | |||
| Arnaud Carney | |||
Film Editing by | |||
| Khaled Salem | |||
Costume Design by | |||
| Acim Vasic | |||
Makeup Department | |||
| Miriam Varela | .... | makeup artist | |
Production Management | |||
| Michel Imhof | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Sophie Berney | .... | assistant director | |
Sound Department | |||
| Axel Dachet | .... | sound recordist | |
| Aleksandar Perisic | .... | sound re-recording mixer | |
| Aleksandar Protic | .... | sound designer | |
| Aleksandra Stojanovic | .... | foley artist | |
Special Effects by | |||
| Stephane Bianchi | .... | special effects makeup | |
Visual Effects by | |||
| Jeremie Bacher | .... | visual effects | |
Camera and Electrical Department | |||
| Fabrizio Dörig | .... | steadicam operator | |
| James Gattuso | .... | gaffer | |
| Bruce Pequignot | .... | electrician | |
Casting Department | |||
| Iain Alexander | .... | casting | |
| Acim Vasic | .... | casting | |
Costume and Wardrobe Department | |||
| Herve Broillet | .... | costume assistant | |
| Mila Gajin | .... | prop costume maker | |
| Hila Grumberg | .... | costumes | |
| Milica Milosavljevic | .... | prop costume maker | |
| Ninoslav Milosavljevic | .... | prop costume maker | |
| Jérôme Ricca | .... | assistant costume designer | |
| Milovan Vasic | .... | costumes | |
| Vladan Vujicic | .... | prop costume maker | |
Editorial Department | |||
| Fred Fleureau | .... | colorist | |
Music Department | |||
| Zoran Ceda Marjanovic | .... | music recording | |
| Lena Vasic | .... | violin | |
Other crew | |||
| Andrew Brooke | .... | production assistant | |
| Wissam Najm | .... | production assistant | |
| Georges Perrinjaquet | .... | stage manager | |
| Jérôme Ricca | .... | propmaster | |
| Sandy Schmid | .... | script supervisor | |
Thanks | |||
| Ben Adler | .... | special thanks | |
| Iain Alexander | .... | special thanks | |
| Aude Bornet | .... | special thanks | |
| Ariane Catton | .... | very special thanks | |
| La Commune de Villarzel | .... | special thanks | |
| Nenad Dizdarevic | .... | very special thanks | |
| Caroline Gaillard | .... | special thanks | |
| Jeffrey Goldberg | .... | very special thanks | |
| Merlyn Haycraft | .... | special thanks | |
| Claudio Hughes | .... | very special thanks | |
| Milan Janic | .... | very special thanks | |
| Mathieu Kassovitz | .... | very special thanks | |
| Geneviève Mayor | .... | special thanks | |
| Julio Mendez | .... | special thanks | |
| Jacqueline Naville | .... | special thanks | |
| Fabien Neyral | .... | special thanks | |
| Klaus Pas | .... | special thanks | |
| Jean Reusser | .... | special thanks | |
| Christophe Robledo | .... | special thanks | |
| Pierre Roggo | .... | special thanks | |
| Alex Rowe | .... | very special thanks | |
| Famille Tenthorey | .... | special thanks | |
| Ljiljana Vasic | .... | special thanks | |
| Milovan Vasic | .... | special thanks | |
| Dörthe Willmeyer | .... | special thanks | |
| Alain Wuilloud | .... | special thanks | |
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| Pushycat - Angst vor neuen Drogen | Robin Hoodwinked | Grave of the Fireflies | Mice Follies | Das Boot ist voll |
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| Full cast and crew | Company credits | External reviews |
| IMDb Short section | IMDb Switzerland section |
I saw this film on a festival in Italy, where it won the 1st prize.
It's like a small explosive. Starts slowly and carefully, but ends with a big awesome bang. It's always difficult to make a good short film, as the time is compressed. This one used the time and space exactly how short films should. Actors are good enough and carry out well their characters and the character of the film, which is unique in a way and very amusing.
Many times I didn't know if it is all supposed to be serious or funny. It was all on the edge of both. Very sarcastic. The short film is visually great, amazing location, and costumes, and some unexpectedly beautiful shots, among which ones is surely the best reloading shot in cinema history, in my very humble opinion.
Watch it if you have a chance, you won't regret, I promise.