A new police officer wants to meet up with somebody in an abandoned fort in the woods. What he doesn't know is that the place also serves as a meeting point for a group of hunters - whose prey aren't animals.
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A cop investigates the case of a missing local teen, though he discovers a dark secret that has been unleashed in his town, and an evil spirit that will stop at nothing to find its heir.
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In 1921, England is overwhelmed by the loss and grief of World War I. Hoax exposer Florence Cathcart visits a boarding school to explain sightings of a child ghost. Everything she believes unravels as the 'missing' begin to show themselves.
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Jo, Max, Gwen and Dave win the competition.Then they head off on an all expenses paid trip to New York, courtesy of the social network. As they board the private jet, they are asked to ... See full summary »
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An Iraq war veteran, Le Saint, has just started working as a police officer in a small town where many unexplained disappearances of persons have occurred within the last two years. He wants to investigate the cases, but his hot-tempered chief charges him with with the escort of a turn state's evidence. Against his chief's orders, Le Saint relocates the meeting spot to the abandoned Fort Goben in the woods. What he doesn't know is that the fort also serves as a secret meeting point for a group of ruthless hunters - whose prey aren't animals. Written by
Anonymous
This tale is so convoluted and nonsensical I can't imagine how this ever got green lit for production. Poorly written by Michael Lehman, with some questionable acting (especially from Terence Knox and Philip Correia), one can only wonder why Chris Briant, who directed and starred, didn't demand a better narrative. Either performing both duties overwhelmed Briant, or his ego exploded. Either way, knowing this was his first film for both acting and directing, the clunky storytelling may make some sense. Worst still, though one may think the editing was poor, I'm sure editor Nafi Dicko cried over this mess of story and did his best with the pitiful material he received. The ½ star, however, goes to cinematographer John B. Aronson who has given us one of the best looking worst movies ever seen, and to Steven Waddington and Tony Becker for bringing us grounded characters even in a pathetic lost cause. Sadly, what could have been a tremendous character study for both their on-screen personas, which would have provided a truly disturbing and sobering tale, was completely lost.
Why Lehman introduced a third rate police angle into the mix, and a horrendously trite and overly clichéd reveal, is beyond comprehension.
I rarely say this, but because THE HUNTERS is so poorly crafted, I recommend avoiding this mess at all costs so you won't fall prey to giving the producers one thin dime (or euro in this case).
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This tale is so convoluted and nonsensical I can't imagine how this ever got green lit for production. Poorly written by Michael Lehman, with some questionable acting (especially from Terence Knox and Philip Correia), one can only wonder why Chris Briant, who directed and starred, didn't demand a better narrative. Either performing both duties overwhelmed Briant, or his ego exploded. Either way, knowing this was his first film for both acting and directing, the clunky storytelling may make some sense. Worst still, though one may think the editing was poor, I'm sure editor Nafi Dicko cried over this mess of story and did his best with the pitiful material he received. The ½ star, however, goes to cinematographer John B. Aronson who has given us one of the best looking worst movies ever seen, and to Steven Waddington and Tony Becker for bringing us grounded characters even in a pathetic lost cause. Sadly, what could have been a tremendous character study for both their on-screen personas, which would have provided a truly disturbing and sobering tale, was completely lost.
Why Lehman introduced a third rate police angle into the mix, and a horrendously trite and overly clichéd reveal, is beyond comprehension.
I rarely say this, but because THE HUNTERS is so poorly crafted, I recommend avoiding this mess at all costs so you won't fall prey to giving the producers one thin dime (or euro in this case).