| Photos (See all 32 | slideshow) | Videos (see all 15) |
| Rorke | ... | Lieutenant Rorke (as LCDR Rorke) | |
| Dave | ... | Chief Dave (as SOC Dave) | |
| Sonny | ... | SO1 Sonny (as SOC Sonny) | |
| Weimy | ... | SO1 Weimy (as SOC Weimy) | |
| Ray | ... | SO1 Ray (as SO1 Ray) | |
| Ajay | ... | SO1 Ajay (as SO1 Ajay) | |
| Mikey | ... | SO1 Mikey (as SOC Mikey) | |
| Van D. | ... | Senior Chief Otto (as SOCS Van D) | |
| Katelyn | ... | LT Lyons (as Katelyn) | |
| Callaghan | ... | Admiral Callaghan (as Admiral Callaghan) | |
| Duncan Smith | ... | Captain Duncan Smith (as Captain Duncan Smith) | |
| Billy | ... | SWCC Boat Senior Chief (as SOCS BIlly) | |
| Roselyn Sanchez | ... | Lisa Morales | |
| Jason Cottle | ... | Abu Shabal | |
| Alex Veadov | ... | Christo | |
| Nestor Serrano | ... | Walter Ross | |
| Ailsa Marshall | ... | LT Rorke's Wife | |
| Gonzalo Menendez | ... | Commander Pedros | |
| Emilio Rivera | ... | Sanchez | |
| Dimiter D. Marinov | ... | Kerimov (as Dimiter Marinov) | |
| Thomas Rosales Jr. | ... | Christo's RHM (as Tommy Roslaes Jr.) | |
| Marc Margulies | ... | US Ambassador | |
| Dan Southworth | ... | News Reporter | |
| Drea Castro | ... | Recruit | |
| Marissa Labog | ... | Recruit | |
| Aurelius DiBarsanti | ... | Recruit | |
| Reginald Long | ... | Recruit | |
| Jeffrey Barnachea | ... | Recruit | |
| Philip Un | ... | Recruit | |
| Keo Woolford | ... | Recruit | |
| Jimmy Chhiu | ... | Recruit (as Jimmy Chiu) | |
| Sarifa Salanga | ... | Recruit | |
| Nicko Sabado | ... | Recruit (as Fred Sabado) | |
| Conrad Garcia | ... | Recruit | |
| Christian Mante | ... | Recruit | |
| Craig H. Davidson | ... | Recruit | |
| Henry Pinpin | ... | Recruit | |
| Ernie Reyes Jr. | ... | Recruit | |
| Sonny Sison | ... | Recruit | |
| Carla Jimenez | ... | Screaming Mom | |
| Ed Abel Pineda | ... | Sleeping Husband | |
| Angela Mora | ... | Sleeping Wife | |
| Antoni Corone | ... | Yacht Henchman #1 | |
| Artie Malesci | ... | Surveillance Boat Driver | |
| Maria Juani | ... | Yacht Girl #1 | |
| Aspen Widowson | ... | Yacht Girl #2 | |
| Lydia Lane | ... | Yacht Girl #3 | |
| Sopheakna Ngourn | ... | Ice Cream Truck Girl | |
| Gilbert Rosales | ... | Christo's Thug | |
| Nick Gomez | ... | Christo's Thug | |
| Sam Cespedes | ... | Christo's Thug | |
| Sebastian Rey | ... | Christo's Thug | |
| Kenny Calderon | ... | Christo's Thug | |
| Victor Palacios | ... | Christo's Thug | |
| Jeymi Ramos | ... | Christo's Thug | |
| Alexander Asefa | ... | Christo's Thug | |
| Mario Perez | ... | Cartel & Mexican SOF | |
| Juan Diaz | ... | Cartel & Mexican SOF | |
| Dorian Kingi | ... | Cartel & Mexican SOF | |
| Oscar Pesqueira | ... | Cartel & Mexican SOF | |
| Richie Gaona | ... | Cartel & Mexican SOF | |
| Raul Canizales II | ... | Cartel & Mexican SOF | |
| Shawn Robinson | ... | Cartel & Mexican SOF | |
| Gilbert Mares | ... | Cartel & Mexican SOF | |
| Marco Morales | ... | Cartel & Mexican SOF | |
| Jesús Fernández | ... | Cartel & Mexican SOF | |
| Alfredo Sanchez | ... | Cartel & Mexican SOF | |
| Sam Pascua | ... | Cartel & Mexican SOF | |
| Francisco Lopez | ... | Cartel & Mexican SOF | |
| Pedro Sergio Escobedo | ... | Cartel & Mexican SOF | |
| Charles Mathers | ... | Somalian | |
| Charles Chiyangwa | ... | Somalian | |
| Zakaria Sall | ... | Somalian | |
| Jesse Cotton | ... | Somalian | |
| Ray Shirley | ... | Somalian (as R.J. Shirley) | |
| Colin Fleming | ... | Somalian | |
| Odain Watson | ... | Somalian | |
| Dyonte Griffin | ... | Somalian |
Directed by | |||
| Mike McCoy | (as Mouse McCoy) | ||
| Scott Waugh | |||
Writing credits | ||
| Kurt Johnstad | (written by) | |
Original Music by | |||
| Nathan Furst | |||
Cinematography by | |||
| Shane Hurlbut | (director of photography) | ||
Film Editing by | |||
| Siobhan Prior | |||
| Michael Tronick | |||
| Scott Waugh | |||
Casting by | |||
| Nancy Nayor | |||
Production Design by | |||
| John Zachary | |||
Art Direction by | |||
| Randy Ser | |||
Set Decoration by | |||
| Julie Kaye Fanton | |||
Costume Design by | |||
| Erica Clum | |||
Makeup Department | |||
| Brooke Baron | .... | assistant makeup artist | |
| Rachel Hoke | .... | key makeup artist | |
| Carmella McCoy | .... | hair stylist | |
| Carmella McCoy | .... | key makeup artist | |
| Shelly Willis | .... | assistant makeup artist | |
Production Management | |||
| Scott Fort | .... | production manager | |
| Brooke Gaston | .... | unit production manager | |
| Lance Holte | .... | assistant post-production supervisor | |
| Frank Kostenko Jr. | .... | production manager | |
| Jacob Rosenberg | .... | post-production supervisor | |
| Omar Veytia | .... | production manager: Mexico | |
Second Unit Director or Assistant Director | |||
| Dennis Sonin | .... | first assistant director | |
Art Department | |||
| Jessica Anderson | .... | set dresser | |
| John R. Boucher | .... | set dresser | |
| Raymard Camp | .... | leadman: set dressing | |
| Jorge Fernandez | .... | assistant property master | |
| Philip Fitzpatrick | .... | swing gang | |
| Michael Allen Glover | .... | art department assistant | |
| George Hobbs | .... | property master | |
| Adam Kedis | .... | set dresser | |
| Tim Lehman | .... | painter | |
| Masako Masuda | .... | set designer | |
| Jorma Starratt | .... | set dresser | |
| Jameson Williams | .... | set dresser | |
| Dennis Winters | .... | on-set dresser | |
| Mary Goodson | .... | set dresser (uncredited) | |
Sound Department | |||
| Paul Aronoff | .... | adr mixer | |
| Michael Baird | .... | sound effects editor | |
| Larry Benjamin | .... | sound re-recording mixer | |
| Tom Burns | .... | re-recordist | |
| Tim Chilton | .... | foley artist | |
| Bob Costanza | .... | sound effects editor | |
| Vincent Fatato | .... | boom operator | |
| Chris Fries | .... | adr | |
| Erich Gann | .... | sound effects editor | |
| Jeffrey J. Haboush | .... | sound re-recording mixer | |
| Penny Harold | .... | dialogue editor | |
| Eric Justen | .... | sound re-recording mixer | |
| Michael Kalifa | .... | sound recordist | |
| Gene Martin | .... | production sound mixer | |
| Blake Marymor | .... | sound recordist | |
| Kevin Meltcher | .... | assistant sound editor | |
| Jeffrey Perkins | .... | sound re-recording mixer | |
| Thomas Popp | .... | production sound mixer: second unit | |
| Richard S. Steele | .... | sound editor | |
| Randal S. Thomas | .... | dialogue editor | |
| David Torres | .... | foley mixer | |
| Robert Webber | .... | supervising sound editor | |
Special Effects by | |||
| Danny Cangemi | .... | special effects supervisor | |
| Joshua Herstein | .... | special effects driver | |
Visual Effects by | |||
| David Cole | .... | digital colourist | |
| Matthew Collorafice | .... | digital compositor | |
| Sean Cushing | .... | visual effects producer: Cantina Creative | |
| Andrew Furlong | .... | lead visual effects artist | |
| Brett Novak | .... | visual effects artist | |
| Siobhan Prior | .... | visual effects supervisor | |
| Edward M. Ruiz II | .... | digital compositor | |
| Ryan M. Taylor | .... | CG artist | |
| Vivian Wei | .... | compositor: Bandito Brothers | |
| Olaf Wendt | .... | visual effects | |
| David B. Wilson | .... | digital effects artist | |
Stunts | |||
| Lloyd Barachina | .... | stunts | |
| Geo Corvera | .... | stunts | |
| Craig H. Davidson | .... | stunts | |
| Roel Failma | .... | stunts | |
| Richie Gaona | .... | stunts | |
| Toby Holguin | .... | stunts | |
| Dorian Kingi | .... | stunts | |
| Henry Kingi | .... | stunts | |
| Marissa Labog | .... | stunts | |
| Marco Morales | .... | stunts | |
| Eddie Perez | .... | stunts | |
| Mario Perez | .... | stunts | |
| Chad Randall | .... | stunt coordinator | |
| Ernie Reyes Jr. | .... | stunts | |
| Shawn Robinson | .... | stunts | |
| Sonny Sison | .... | stunts | |
| Hector Toro | .... | stunt performer | |
| Greg Tracy | .... | stunts | |
| Jose L. Vasquez | .... | stunts | |
| Keo Woolford | .... | stunts | |
| David Lee Valle | .... | stunt performer (uncredited) | |
Casting Department | |||
| James Bearb | .... | extras casting | |
| Joe Cappelletti | .... | voice casting | |
| Olivia Thomas | .... | casting associate | |
Costume and Wardrobe Department | |||
| Carmella McCoy | .... | key costumer | |
| Tiffany Nesson | .... | key costumer | |
| Michelle Rodriguez | .... | wardrobe assistant | |
| Monika Rydel | .... | wardrobe assistant | |
| Lesli Wood | .... | costume supervisor | |
Editorial Department | |||
| Chris Hall | .... | additional colorist | |
| Lance Holte | .... | on-line supervisor | |
| Michael A. McCarthy | .... | post-production engineer | |
| Harry Muller | .... | color timer | |
| Siobhan Prior | .... | post-production supervisor | |
| Fernando Raigoza Jr. | .... | post-production assistant | |
| Mark Reaser | .... | hd mastering | |
| Douglas Renn | .... | post-production assistant | |
| Noah Weisel | .... | post-production assistant | |
| Valance Eisleben | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Peter Afterman | .... | music supervisor | |
| Alan Brown | .... | composer assistant | |
| Alan Brown | .... | midi technician | |
| Mark Curry | .... | score mixer | |
| Jan Holzner | .... | orchestra recording engineer | |
| Alison Litton | .... | music supervisor | |
| Vladimir Podgoretsky | .... | music preparation | |
| Matt Shelton | .... | music editor | |
Transportation Department | |||
| Billy Hammon | .... | picture car coordinator | |
| Chris Pedersen | .... | driver | |
Thanks | |||
| Emile Gladstone | .... | special thanks | |
| Robert Lazar | .... | special thanks | |
| Dave Morrison | .... | special thanks | |
| Vashi Nedomansky | .... | thanks | |
| Kathleen Remington | .... | special thanks | |
| Mike Rizzuto | .... | very special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
If you are tired of Hollywood action movies that are poorly coordinated and where the directors just guess at everything, like I am, you are really going to like this movie.
Personally, I have actively served in the military and the thing that really bothers me is the non- realism of military roles that I see in movies. Directors and crew blatantly cut corners, hire no nothing actors and extras to portray military roles. Actual direction to the actors and extras that I have heard straight from their lips: "just to pretend because the audience doesn't know any better and doesn't care." Well WRONG, we do care...
There are of course directors that DO care for realism such as Ridley Scott & Oliver Stone. Directors that care hire people like Dale Dye or equivalent to produce such realism. It is a very hard thing to do when the "sides" or script simply say "insert tech talk" or "insert military maneuver" and your movie doesn't even have the technical adviser.
For someone who has been there and done that it is excruciating to see actors do everything wrong, shoulder rifles wrong and hear stupid and unrealistic dialog. Since my service ended I have been working in film and TV myself to somewhat try and make a difference in this manner.
This movie may not have Oscar winning acting, but it gave me a true chilling effect of realism. Some say they were not real active duty. Well I can't vouch for that but what I can tell you is that everything they did and said were extremely accurate and I have little problem in doubting that statement.
See/view the film as you want, some will see it as propaganda... Well, anyone showing pride in something is going to show everything at it's best and only the people who have never been there will confuse pride with propaganda. Freedom It is the right to be able to question and doubt everything, but it is the soldier that actually fights to provide this very freedom that everyone else takes advantage of. Sure others will see this film as a recruitment tool. Sure, and again when pride is shown in a cool way of course the young may choose a career in the military. The same being said with movies with doctors, firemen or policemen.
See this movie as a statement to reality in a technical way, pay attention to how things are spoken, how weapons are suppose to be used, held, fired and reloaded on the fly. When you use real military there is an automatic understanding of positioning. I understand that Hollywood need to be in there to actually film things and understand the need to make changes to do so but I could not find very much wrong with what I did see.
To mention live rounds... this is unheard of in film just because of the danger level and would never be accepted in civilian North America. That is why the movie was shot where it was and on live fire ranges. I am impressed.
I very much liked it and the portrayal of the soldier. I felt pride, technically things, were accurate and as they should be. Good Job!