| Photos (See all 16 | slideshow) | Videos (see all 18) |
| Patrick Wilson | ... | Josh Lambert | |
| Rose Byrne | ... | Renai Lambert | |
| Ty Simpkins | ... | Dalton Lambert | |
| Lin Shaye | ... | Elise Rainier | |
| Leigh Whannell | ... | Specs | |
| Angus Sampson | ... | Tucker | |
| Barbara Hershey | ... | Lorraine Lambert | |
| Andrew Astor | ... | Foster Lambert | |
| Corbett Tuck | ... | Nurse Adele / Doll Girl #2 | |
| Heather Tocquigny | ... | Nurse Kelly | |
| Ruben Pla | ... | Dr. Sercarz | |
| John Henry Binder | ... | Father Martin | |
| Joseph Bishara | ... | Lipstick-Face Demon | |
| Philip Friedman | ... | Old Woman | |
| J. LaRose | ... | Long Haired Fiend | |
| Kelly Devoto | ... | Doll Girl #1 | |
| rest of cast listed alphabetically: | |||
| Josh Feldman | ... | Young Josh (uncredited) | |
| Caslin Rose | ... | Contortionist / Ghoul (uncredited) | |
| Omar Apanco Salgado | ... | Hispanic Student (uncredited) | |
| Jeannette Sousa | ... | Dr. Thimble (uncredited) | |
Directed by | |||
| James Wan | |||
Writing credits(WGA) | ||
| Leigh Whannell | (written by) | |
Produced by | |||
| Jason Blum | .... | producer | |
| Jeanette Brill | .... | line producer (as Jeanette Volturno-Brill) | |
| Brian Kavanaugh-Jones | .... | executive producer | |
| John R. Leonetti | .... | co-producer | |
| Oren Peli | .... | producer | |
| Steven Schneider | .... | producer | |
| Aaron Sims | .... | co-producer | |
Original Music by | |||
| Joseph Bishara | |||
Cinematography by | |||
| David M. Brewer | (director of photography) | ||
| John R. Leonetti | (director of photography) | ||
Film Editing by | |||
| Kirk M. Morri | (as Kirk Morri) | ||
| James Wan | |||
Casting by | |||
| Kellie Gesell | |||
| Anne McCarthy | (as Annie McCarthy) | ||
Production Design by | |||
| Aaron Sims | |||
Art Direction by | |||
| Jennifer Spence | |||
Set Decoration by | |||
| Charlie Leal | (as Charles Leal) | ||
Costume Design by | |||
| Kristin M. Burke | |||
Makeup Department | |||
| Cici Andersen | .... | hair stylist | |
| Leslie Borchard | .... | hair stylist | |
| Nikki Carbonetta | .... | makeup artist | |
| Mandi Crane | .... | makeup artist | |
| Rocky Faulkner | .... | makeup artist | |
| Kelly Golden | .... | key makeup effects artist | |
| Kimberly Graczyk | .... | makeup artist | |
| Brian Kinney | .... | makeup artist | |
| David Larson | .... | hair stylist | |
| Liz Mendoza | .... | makeup artist | |
| Tijen Osman | .... | hair stylist | |
| Yesim 'Shimmy' Osman | .... | hair department head | |
| Justin Raleigh | .... | special makeup effects department head | |
| Tracy Richards | .... | swing hair/makeup | |
| Eleanor Sabaduquia | .... | makeup department head | |
| Wendy Southard | .... | hair stylist | |
Production Management | |||
| John Darko | .... | behind the scenes | |
| James K. Jensen | .... | post-production supervisor | |
| Rick Osako | .... | unit production manager (as Rick A. Osako) | |
| Bill Wohlken | .... | post-production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Jeff Bilger | .... | second assistant director | |
| Albert Cho | .... | first assistant director | |
Art Department | |||
| Aaron Becker | .... | main title design | |
| Eduardo Cisneros | .... | designer: gas mask pov | |
| Eric Cohn | .... | set dresser | |
| Matt Donaldson | .... | property master | |
| Kaylee Fisher | .... | set dresser | |
| Jeff Guignard | .... | set dresser | |
| Brett Hatcher | .... | art productions assistant | |
| Niko Hovartos | .... | on-set dresser | |
| Kate Mallor | .... | set dresser | |
| Heather Michel | .... | set dresser | |
| Max Moreno | .... | art swing | |
| Steve Neff | .... | art swing | |
| Richard Roraback | .... | leadman | |
| Thomas Spence | .... | co-art director (as Thom Spence) | |
| Brendan McDonald | .... | carpenter (uncredited) | |
Sound Department | |||
| Robert Cross | .... | sound designer | |
| Joe Dzuban | .... | sound designer | |
| Joe Dzuban | .... | sound re-recording mixer | |
| Joe Dzuban | .... | supervising sound editor | |
| Stefan Fraticelli | .... | foley artist | |
| Tim D. Lloyd | .... | boom operator (as Tim Lloyd) | |
| Ryan Lukasik | .... | foley assistant | |
| Zsolt Magyar | .... | sound mixer | |
| Craig Mann | .... | sound re-recording mixer | |
| George Pereyra | .... | sound effects editor | |
| Kevin Schultz | .... | foley recordist | |
| Paul Seradarian | .... | sound editor | |
| John Sievert | .... | foley artist | |
| Randy Wilson | .... | foley recordist | |
| Zach Wrobel | .... | boom operator (as Zachary Wrobel) | |
| Rob Nokes | .... | adr mixer (uncredited) | |
| Rob Nokes | .... | adr recordist (uncredited) | |
| Paul Seradarian | .... | dialogue editor (uncredited) | |
| Greg Zimmerman | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Bart Dion | .... | special effects coordinator | |
Visual Effects by | |||
| Adam Berk | .... | digital artist | |
| Jesse Capper | .... | animator | |
| Stephen DeLuca | .... | compositor: Spy | |
| Nick Giassullo | .... | matte painter | |
| Todd Gill | .... | matchmove artist | |
| Orin Green | .... | compositor | |
| Amy Hollywood Wixson | .... | senior visual effects producer | |
| Michael Janov | .... | visual effects supervisor | |
| Jin Yong Kim | .... | matchmove artist | |
| Heath Kraynak | .... | compositor | |
| Michael Lester | .... | CG supervisor | |
| Javier León | .... | digital artist | |
| Darren Orr | .... | visual effects supervisor | |
| Richard Pang | .... | compositor | |
| Schuyler Pappas | .... | visual effects production manager | |
| Colin Price | .... | compositor | |
| Salvador Ruiz | .... | animator | |
| Brian Tolle | .... | matchmove artist | |
| Nathan Walker | .... | compositor | |
| Gordon T. Wittmann | .... | visual effects producer (as Gordon Wittmann) | |
| Matthew Frederick Johnson | .... | visual effects assistant data wrangler (uncredited) | |
| John Norris | .... | visual effects business affairs (uncredited) | |
Stunts | |||
| Loren Dennis | .... | stunt rigger | |
| Danny Downey | .... | stunts | |
| Tom Elliott | .... | stunts | |
| Sandra Lee Gimpel | .... | stunts (as Sandra Gimpel) | |
| Joel Kramer | .... | stunt coordinator | |
| Scott Leva | .... | stunt co-coordinator | |
| Samuel Reynolds | .... | stunts | |
| Katina Waters | .... | stunts | |
| Justin T. Woods | .... | stunts | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Laura Cresswell | .... | key costumer | |
| Megan Stark Evans | .... | costumer | |
| Hannah Greene | .... | costume intern | |
| Sami Martin Sarmiento | .... | additional costumer (as Sami Martin-Sarmiento) | |
| Sarah Schuessler | .... | additional costumer | |
| Anthony Tran | .... | costume intern | |
Editorial Department | |||
| Dennis Alaniz | .... | additional editor | |
| Dennis Alaniz | .... | first assistant editor | |
| Mark Griffith | .... | digital intermediate artist (as Mark 'Griff' Griffith) | |
| Chelsea Kammeyer | .... | second assistant editor | |
| Jose Parra | .... | digital intermediate producer | |
| Bill Schultz | .... | digital intermediate general manager | |
| Bob Semmer | .... | digital intermediate chief operating officer | |
| George Chavez | .... | color timer (uncredited) | |
| Richard A. Eisenstein | .... | post-production technician (uncredited) | |
| Dan Muscarella | .... | lab timer (uncredited) | |
Music Department | |||
| Toddy Allen | .... | additional music engineer | |
| Alisa Burket | .... | music assistant | |
| Alisa Burket | .... | musician: additional piano | |
| Saar Hendelman | .... | musician: piano | |
| Jeffrey Holmes | .... | music arranger | |
| Jeffrey Holmes | .... | music conductor | |
| Julie Sessing | .... | music clearance | |
| Chris Spilfogel | .... | score engineer | |
| Chris Spilfogel | .... | score mixer | |
Transportation Department | |||
| James G. Brill | .... | transportation coordinator | |
| Jason Messersmith | .... | transportation captain (as Jason 'Messy' Messersmith) | |
Other crew | |||
| Grant Adam | .... | technical consultant | |
| Laura Altmann | .... | production coordinator | |
| Renetta G. Amador | .... | script supervisor (as Renetta Amador) | |
| Aaron Becker | .... | title designer: main titles | |
| Lisa Cabello | .... | craft service production assistant | |
| Angie Conners | .... | international marketing | |
| Joshua Cubero | .... | craft service production assistant | |
| Jeff Fukuhara | .... | craft service production assistant | |
| Michael A. Galasso | .... | production coordinator (as Michael Galasso) | |
| Larissa Grudt | .... | set production assistant | |
| David Halagarda | .... | production office assistant | |
| Layla Halfhill | .... | technical consultant | |
| Jessica L. Hall | .... | assistant: Jason Blum (as Jessica Hall) | |
| Robert Holeman III | .... | intern | |
| Joseph Hui | .... | craft service (as Joe Hui) | |
| Joseph Hui | .... | crafts services (as Joe Hui) | |
| Carole Levine | .... | studio teacher | |
| Sam May | .... | set production assistant | |
| Lydia McIntosh | .... | craft service production assistant | |
| Peter Musooli | .... | set production assistant (as Peter 'Mus' Musooli) | |
| Jonathan Nava | .... | caterer | |
| Ruben Nava | .... | caterer | |
| Derek Nguyen | .... | craft service production assistant | |
| Brian Patrick | .... | technical consultant | |
| Brittany Poulton | .... | assistant: James Wan | |
| Hiroki Shirota | .... | production office assistant | |
| Owen Sloane | .... | legal counsel: Gladstone Michel Weisberg Willner & Sloane (as Owen J. Sloane) | |
| Rachel Stilwell | .... | legal counsel: Gladstone Michel Weisberg Willner & Sloane | |
| Adam M. Stone | .... | product placement coordinator (as Adam Stone) | |
| Cat Stone | .... | product placement coordinator | |
| David Thornsberry | .... | location manager | |
| Jenna Kaye Thornsberry | .... | assistant location manager (as Jenna Thornsberry) | |
| Erin Vitali | .... | office production assistant: reshoots | |
| Randi Woxland | .... | set medic | |
| Bailey Conway | .... | assistant: Brian Kavanaugh-Jones (uncredited) | |
Thanks | |||
| Arielle Brachfeld | .... | the producers wish to thank | |
| Linda C. Brent | .... | the producers wish to thank | |
| Kelly Cabral | .... | the producers wish to thank | |
| Eduardo Cisneros | .... | the producers wish to thank | |
| Lary Crews | .... | the producers wish to thank | |
| Leigh Davis | .... | the producers wish to thank | |
| Dylan | .... | the producers wish to thank | |
| David Fox | .... | the producers wish to thank | |
| Colin Geddes | .... | the producers wish to thank | |
| Kevin Greutert | .... | the producers wish to thank | |
| Scott Henderson | .... | the producers wish to thank | |
| Kimberly Ables Jindra | .... | the producers wish to thank (as Kimberly Jindra) | |
| Mike Mendez | .... | the producers wish to thank | |
| Derrick Oliver | .... | the producers wish to thank | |
| Jose Prendes | .... | the producers wish to thank | |
| Stephany Rose | .... | the producers wish to thank | |
| Seh Eng Soo | .... | the producers wish to thank | |
| Stacey Testro | .... | the producers wish to thank | |
| Jeffrey Wolman | .... | the producers wish to thank (as Jeff Wolman) | |
| Ben E. Woolt | .... | the producers wish to thank | |
| Katie Ybarra | .... | the producers wish to thank | |
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| Dead Silence | Darkness Falls | 1408 | The Grudge | The Unborn |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Haunted houses and questionable children have composed many a horror film, but there's a reason they work. When they do so despite years of being recycled, it's usually thanks to talent. "Saw" director James Wan found something of promise in "Saw" writer Leigh Whannell's story "Insidious" and the same must've gone for stars Rose Byrne and Patrick Wilson. Horror films rarely get that infusion of talent, and as such, "Insidious" does not get lost in that dark dimension of forgettable horror.
Josh (Wilson) and Renai (Byrne) Lambert have moved into a new home with their two young boys and infant girl. Like always, paranormal oddities occur in small doses here and there until one morning they find their son Dalton in a coma. A few months pass and they move Dalton back home. The freaky incidences increase and eventually Renai sees the ghosts. She convinces Josh to move them into a new home, but it gets worse, so they bring in a paranormal expert (Lin Shaye) who provides them with some shocking revelations about the state of their son.
Like "Paranormal Activity" (a film thats producers have credits on this film unsurprisingly), the idea is to mount tension through paranormal phenomena and expert suspense. Wan provides a number of perfect angles and color to achieve the various moods. As much as you've been spooked this way by films before, you can't simply shirk the way the film creeps in Wan won't have any of it. In fact, nothing here in terms of scare tactics will come as a revelation; many with a higher jumpiness tolerance will likely find it boring in many regards. No gore or horrific images to be found here "Insidious" does it old school.
Once Shaye's character Elise and her two employees arrive on scene, the story mutates from paranormal suspense to other-worldly mystery. Elise explains what's going on something that involves Dalton's soul being lost in a realm called The Further and now they must rescue him. Whannell constructs an interesting mythology here and the story goes from horror to more of a mystery/thriller with demonic elements. In a sense he borrows from science fiction in establishing the rules of what's going on. It's mostly interesting, but in many instances flat-out weird to the point that horror purists might not like it.
The best way to describe "Insidious" is first half "Paranormal Activity" and second half something akin to Sam Raimi's "Drag Me To Hell," which equates to a nice balance between self-seriousness and horror fun. The "X" factor would be the performances. Byrne keeps Renai from becoming an obnoxious scaredy cat as her role's importance dwindles in the latter half of the film, in which time she still keeps Renai relevant. Wilson's character is no typical over- macho father figure or anything. Together they provide an unusual boost for horror, which typically strives for random faces with questionable experience.
In general, "Insidious" possesses a professionalism not often seen in the genre; most horror films go for cheap across the board from the budget to the talent to the thrills. Although "Insidious" lacks distinctiveness in terms of story, not an ounce of it can be perceived as immature or hollow. What a rare (but not unusual) treat.
~Steven C
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