| Isabelle Huppert | ... | Alice Bergerac | |
| Bouli Lanners | ... | Xavier Demestre | |
| Sabila Moussadek | ... | Juliette | |
| Richard Debuisne | ... | Pierre Cassagne | |
| Valérie Dréville | ... | Hélène Demestre | |
| Mathieu Carrière | ... | Robert Masse | |
| Didier Bezace | ... | L'homme heureux et triste | |
| Frédéric Longbois | ... | Le travesti | |
| Christophe Odent | ... | Le collectionneur de pipes | |
| Jean-François Wolff | ... | Le client pédophile | |
| Gilles Cohen | ... | L'homme violent | |
| Frédéric Pierrot | ... | François Briand | |
| Karim Leklou | ... | Bruno | |
| Christophe Lambert | ... | Olive | |
| Vincent Lecuyer | ... | Le chapelier de l'évêque | |
| Valérie Bodson | ... | Elisabeth | |
| Serge Hutry | ... | Le commissaire-priseur | |
| Patricia Miroy | ... | La vendeuse | |
| Anne Fournier | ... | La caissière | |
| Hélène Moor | ... | La concierge hôtel | |
| Fabienne Mainguet | ... | La secrétaire hôpital | |
| Nicolas Leroy | ... | L'employé hôpital | |
| Nathalie Kutzner | ... | L'infirmière psychiatrique | |
| Mohamed Ouachen | ... | Le livreur | |
| Marcos Adamantiadis | ... | Le guide | |
| Leonardo Rivillo | ... | Le vigile club | |
| Paolo Signorini | ... | L'homme à la torche | |
| Nicole Legros | ... | Béatrice | |
| Malika Benhadj | ... | La femme au cochon | |
| Hélène Herrmann | ... | La religieuse | |
| Rafaële Chauvin | ... | La mariée | |
| Yero Mbow | ... | L'amant de la mariée | |
| Marine Drouhet | ... | La femme sur la croix | |
| Alice Fenwick | ... | La femme en robe rouge | |
| Slimane Kacioui | ... | Joueur de dés 1 | |
| Grégory Corre | ... | Joueur de dés 2 | |
| Rodolphe Guilloux | ... | Joueur de dés 3 | |
| Kastrat Hasaj | ... | Joueur de dés 4 | |
| Hakim Attia | ... | Joueur de dés 5 | |
| Hugo Lalire | ... | Joueur de dés 6 |
Directed by | |||
| Jeanne Labrune | |||
Writing credits(in alphabetical order) | ||
| Richard Debuisne | ||
| Jeanne Labrune | ||
Produced by | |||
| Jani Thiltges | .... | producer | |
| Serge Zeitoun | .... | executive producer | |
Cinematography by | |||
| Virginie Saint-Martin | |||
Film Editing by | |||
| Anja Lüdcke | |||
Casting by | |||
| Aurélie Guichard | |||
Set Decoration by | |||
| Regine Constant | |||
Makeup Department | |||
| Patrick Girault | .... | key hair stylist | |
| Antje Huchel | .... | makeup artist | |
| Thi-Loan Nguyen | .... | makeup artist | |
| Katja Reinert-Alexis | .... | makeup designer | |
Production Management | |||
| Aurore Benoit | .... | unit manager (as Aurore Benoît) | |
| Jérôme Briand | .... | assistant production manager | |
| Sylvie Demaizière | .... | unit manager | |
| Brigitte Kerger-Santos | .... | production manager | |
| Audrey Legendre | .... | assistant unit manager | |
| Sabrina Seillier | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Matthieu Blanchard | .... | first assistant director | |
| Olivier Coutard | .... | pre-production assistant director | |
| Camille Guyot | .... | third assistant director | |
| Gary Lebel | .... | third assistant director | |
| Gaëtan Leboutte | .... | third assistant director | |
| Christine Marrou | .... | second assistant director | |
Art Department | |||
| Lydia Cettiga | .... | painter | |
| Thomas Ferrandis | .... | carpenter | |
| Claude Petit | .... | painter | |
| Tiziana Raffaelli | .... | painter | |
| Alberto Sebastiani | .... | head painter | |
Sound Department | |||
| Fred Demolder | .... | sound editor | |
| Valène Leroy | .... | dialogue editor | |
| Luc Thomas | .... | sound re-recording mixer | |
| Carlo Thoss | .... | production sound mixer | |
| Philippe van Leer | .... | foley artist | |
Camera and Electrical Department | |||
| Gauthier Berlaimont | .... | electrician | |
| Stéphane Boissier | .... | video assistant | |
| Renaud Charlier | .... | additional grip | |
| Stéphane Donnerup | .... | video assist | |
| Olivier Godaert | .... | gaffer | |
| Bertrand Monette | .... | additional electrician | |
| Patrick Muller | .... | still photographer | |
| Julien Pamart | .... | second assistant camera | |
| Jérôme Prébois | .... | photographer: poster | |
| Thierry Ramanana | .... | grip | |
| Jean-François Roqueplo | .... | key grip | |
| Honoré Soubrie | .... | grip | |
| Edwin Van Den Hove | .... | additional grip | |
| Richard Vidal | .... | electrician | |
Casting Department | |||
| Michaël Bier | .... | casting: Belgium | |
| Doriane Flamand | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Claire Fraisse | .... | costume supervisor | |
| Eugenia Giesbrecht | .... | daily costume assistant | |
Editorial Department | |||
| Paul Maas | .... | assistant editor | |
| David Magalhaes | .... | telecine dailies colorist | |
Transportation Department | |||
| Gaby Meyers | .... | facility/truck driver | |
| Paolo Signorini | .... | transportation | |
Other crew | |||
| Nicolas Babilon | .... | assistant: unit manager | |
| Patrick Blocman | .... | location manager | |
| Elsa Pardo | .... | administrator | |
| Jessica Reavis | .... | production coordinator | |
| Emilie Renault | .... | production assistant | |
| Antoine Richy | .... | production assistant | |
| Emmanuel Van Melkebeke | .... | legal counsel | |
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| My Wife Is an Actress | Klimt | The Oldest Profession | New York, I Love You | The Children of the Century |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
Alice Bergerac (Isabelle Huppert) is a upper-class prostitute who 'specialises' in role playing for businessmen in order to pay for certain antique items she enjoys collecting. Xavier Demestre (Bouli Lanners) is an uptight, angry psychoanalyst whose marriage is falling apart. These two end up crossing paths, and changing each others lives for the better. What appears to be a very promising film about the relationship between psychoanalysis and prostitution ends up being very underwhelming and unsure of itself.
The similarities drawn between the two professions are not subtle, with the patient/client interactions and payment methods all much the same. The performances in these scenes, and generally across the board are fantastic. Huppert is particularly good, especially in the second half as we witness her question her career and future. It is the characterisation and story that are the weak points, as there are many sub-plots and characters throughout, all of which could have been taken fascinating directions, but none feel fleshed out or even completed. The film ends in a very conventional manner, and by this time it feels like we have seen a series of disjointed scenes rather than a proper film.
Unfortunately, there are many good ideas here, and technically the film is fantastic. The score creates an interesting, almost menacing atmosphere throughout, and the film is shot beautifully, but there is not enough story for this movie to be anything other than a bit above average.
3/5