This film is an experimental mix of documentary and fiction. The film crew travels from the Thai countryside to Bangkok, asking the people they encounter along the way to continue a story ... See full summary »
This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. Even in ... See full summary »
Suffering from acute kidney failure, Uncle Boonmee has chosen to spend his final days surrounded by his loved ones in the countryside. Surprisingly, the ghost of his deceased wife appears to care for him, and his long lost son returns home in a non-human form. Contemplating the reasons for his illness, Boonmee treks through the jungle with his family to a mysterious hilltop cave - the birthplace of his first life. Written by
Inspired by the book "A Man Who Can Recall Past Lives" by Phra Sripariyattiweti of Sang Arun Forest Monastery, Khon Kaen. Published in August 23, 1983. See more »
The first time a ghost appears, during dinner, the nephew passes the ghost a glass of water. You can see the ghost image superimposed over the nephew's arm when he places the glass of water on the table. See more »
Written, Produced, and Vocals by Jettamon Malayota (as Jettamont Malayoda)
Mixed Down and Mastered by Penguin Villa and Vannareut Pongprayoon
at Smallroom Publishing Rights and Copyright: Smallroom Co., Ltd. See more »
Incoherent, unpredictable, mystical, yet undoubtedly original, "Uncle Boonmee Who Call Recall His Past Lives" is a pseudo-profound cinematic venture that reeks with allegory and mythical undertones. After watching this film, I've come to a conclusion that it is certainly not for everyone.
Despite its strange recurring themes about supernatural beings, spirits, Buddhist philosophy, karma, and reincarnation, it will bathe you with its gentleness and natural ornateness. It is intimate and surprisingly elegant, though not without its flaws.
Much like Terrence Malick's "Tree of Life," this motion picture lacks a linear narrative. It doesn't have what most of us would require from a movie: a plot. It heavily relies on hypnotic images captured into still wide frames that often drag longer than the easily-bored viewer can bear.
Then there's the noticeable absence of a musical score. You never get to hear music until the last few minutes of the film; all you'll hear besides the dialogues are crickets, the rustling of leaves, a water buffalo, the sound of an electric fly swatter zapping flying bugs, footsteps, a waterfall, and a talking catfish that made love to a disfigured princess.
Simple and ambitious; primitive and modern; eerie and comforting; senseless and driven; and dull and brilliant, this Thai film gives you a one-of-a-kind viewing experience. If you are into esoteric art films, this is something I would highly recommend. If you loathe movies that seem to have no meaning, then this is not for you.
Confounding as it is, "Uncle Boonmee..." is a film that doesn't need to be understood; it simply has to be FELT.
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