Sleeping Beauty
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3 items from 2017


The Ladies of Downton Abbey Get Goofy in Charming Disneyland Reunion

10 February 2017 4:03 PM, PST | PEOPLE.com | See recent PEOPLE.com news »

It’s a small world after all!

On Friday, Downton Abbey costars Michelle Dockery (Lady Mary Crawley) and Laura Carmichael (Lady Edith Crawley) enjoyed quite the magical reunion at one of the happiest places on earth — Disneyland!

The British stars, joined by Michael Fox, Jessica de Gouw and Kelly Paterniti, embraced hugs from the lovable Goofy outside of the Sleeping Beauty Castle at the Anaheim, California theme park.

Though the BBC show came to an end in 2015, the cast has remained tight with one another.

Recently, the Downton cast, including Dockery, Elizabeth McGovern, Lesley Nicol, Allen Leech, Phyllis Logan and more, »

- Christina Dugan

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Scott Reviews Alex Ross Perry’s Golden Exits [Sundace 2017]

25 January 2017 1:27 PM, PST | CriterionCast | See recent CriterionCast news »

Prolificacy can catch up to even the most dogged of artists. For writer/director Alex Ross Perry, one of the most distinct and sharp voices of his generation, Golden Exits is the moment his speed (this is his third feature in a three-year span) has caught up. The whole movie revolves about exhaustion – the exhaustion of carrying on youthful enthusiasms into middle age, of maintaining relationships that have lost their spark, of answering the same questions about your life for fifteen straight years. So, too, can one nearly feel the exhaustion in making it. The gradual plodding of the keyboard and lack of interest in revision permeate a 94-minute film that manages to be both well-structured and underwritten. I looked at his 2014 breakout film, Listen Up Philip, and saw a man who wanted to reach the heights of Woody Allen at his most creatively feverish and emotionally unsteady. Three years later, »

- Scott Nye

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Sundance Film Review: ‘Golden Exits’

24 January 2017 4:21 PM, PST | Variety - Film News | See recent Variety - Film News news »

“People never make films about ordinary people who don’t really do anything,” a young woman complains near the beginning of Alex Ross Perry’s “Golden Exits,” a dense, defiantly prickly film about ordinary people who don’t really do anything. Sure to raise a laugh from audiences who know what they’re in for, it’s both the most self-reflexive and self-congratulatory moment in a film that challenges viewers to connect the subtextual dots between its variously dissatisfied quinoa-class Brooklynites — one man’s “ordinary” is another man’s alien, after all — whose conflicts and yearnings don’t build to a tidy thematic destination. Many will accuse Perry of navel-gazing here, but that’s partly the point: “Golden Exits” means to frustrate, even to abrade, in its coolly articulate portrait of cosseted people who want for nothing and vaguely desire everything. An intriguingly motley ensemble, ranging from the Beastie Boys »

- Guy Lodge

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2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010

3 items from 2017


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