When a young Prince and his trusted aid learn of a beautiful Princess's cursed eternal slumber, they embark on a journey to rescue her. They must battle an evil queen and legions of undead monsters before she will be free.
Casper Van Dien
Grace Van Dien,
Edmond, a man in his sixties whose wife has recently passed away, is told about a secret establishment where men can spend an entire night in bed alongside beautiful, sleeping young women, ... See full summary »
Anna Rydell returns home to her sister (and best friend) Alex after a stint in a mental hospital, though her recovery is jeopardized thanks to her cruel stepmother, aloof father, and the presence of a ghost in their home.
The beautiful Aurora is cursed into everlasting sleep by an evil witch for a crime she didn't commit. The brave Commander of the Guard, William, embarks on a quest inspired by both love and loyalty to free the doomed princess.
Lucy is a university student who is working a number of jobs. She volunteers at a research lab, works at a coffee shop, and as a photocopy clerk in an office. She responds to an advertisement and embarks on an erotic freelance job in which she is required to sleep in bed alongside paying customers. Written by
This movie's trailer got people talking because of its very Kubrick vibe. And, in fact, the movie explores territory very similar to 'Eyes Wide Shut'. How sex has become more liberal and extreme, yet also sterile and disconnected.
The lead character, Lucy, (Emily Browning - a long way from Lemony Snicket) exhibits this. She'll sleep with people at the drop of a hat, yet with little evidence of desire. In fact, there's hardly any evidence that she processes strong emotions at all. She just goes about her business. Things happen to her, and she's too reticent to shrug them off.
To solve financial worries, Lucy gets a job at a posh, exclusive establishment where she is willingly placed naked and unconscious in a bedroom for a client, to do with her as he wishes (except penetration).
Through Lucy and the various clients, we see how we need vulnerability in others to relax the masks that we wear. Otherwise, we are so preoccupied with maintaining an image that we don't even try and connect with others. Emily Browning does well at rounding out the expressionless Lucy, and the voyeuristic nature of the material makes the movie entertaining. Unfortunately, the ending, though a pretty logical conclusion, also feel anti-climatic, a tad obvious and leaves us feeling short-changed.
The film is an interesting, respectful, non-gratuitous effort, yet many will ultimately find it like the leading lady - pretty impenetrable.
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