| Eliú Armas | ... | Julio | |
| Fernando Moreno | ... | Daniel | |
| rest of cast listed alphabetically: | |||
| Beto Benites | ... | Morocho | |
| Gonzalo Cubero | ... | Roberto | |
| Marcela Girón | ... | Graciela | |
| Jackson Gutierrez | ... | Malandro | |
| Gabriel Rojas | ... | Eliecer | |
| Alí Rondon | ... | Max | |
Directed by | |||
| Marcel Rasquin | |||
Writing credits(in alphabetical order) | ||
| Rohan Jones | ||
| Marcel Rasquin | ||
Produced by | |||
| Enrique Aular | .... | executive producer | |
| Enrique Aular | .... | producer | |
| Alejandro Batista | .... | associate producer | |
| Teresa Correa | .... | associate producer | |
| Juan Antonio Diaz | .... | co-producer | |
| Juan Carlos Echeandía | .... | associate producer | |
| Rohan Jones | .... | development producer | |
| Liz Mago Bosch | .... | executive producer | |
| Marcel Rasquin | .... | producer | |
| José Vicente Scheuren | .... | co-producer | |
| Fabiana Serfaty | .... | associate producer | |
Original Music by | |||
| Rigel Michelena | |||
Cinematography by | |||
| Enrique Aular | |||
Film Editing by | |||
| Carolina Aular | |||
| Juan Carlos Melian | |||
Casting by | |||
| Beto Benites | |||
Production Design by | |||
| Maya Oloe | |||
Art Direction by | |||
| Maya Oloe | |||
Production Management | |||
| Carlos Luis Betancourt | .... | production manager | |
| Nella Illas | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Valeria Valentina Bolívar | .... | second assistant director (as Valeria Bolívar) | |
| Mario Rodriguez | .... | first assistant director | |
Sound Department | |||
| German Gutierrez Ross | .... | sound editor | |
| Nerio Gutiérrez | .... | supervising sound editor | |
| Alejandro Navas | .... | sound effects editor | |
| Frank Rojas | .... | sound mixer | |
Camera and Electrical Department | |||
| Jesús Santiago | .... | camera operator | |
Editorial Department | |||
| Juan Carlos Melian | .... | director of post-production | |
Other crew | |||
| Prakriti Maduro | .... | acting coach | |
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| Sin saber qué pensar | mfloresv |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Venezuela section |
One of the big problems of Venezuela's film industry is that the slums are portrayed as meaningless wallpapers in which the story moves. Hermano is not the case, as a Venezuelan I can say I felt the movie was filmed in a way no other film was: Dialogs, people and even the story (except for the high speed pace of it) finally sounded/looked real. That is on a personal level, now on a more technical one, the photography is very well done, the soundtrack is accurate and full of Venezuelan songs (not very usual here) and the story is so rich that I actually think the script or a script-based novel should be published, that is a book I'd read!! On the downside, well for reality's sake... Our soccer team sucks and it is not as popular in the barrio (baseball or basketball would have made a bit more real of a story). I already mentioned it but the pace is too fast and there are a couple of stories that were not important or even necessary for the plot. I am nothing but a regular viewer but if you trust me go watch it.