Dispatched from his basement room on an errand for his widowed mother, slacker Jeff might discover his destiny (finally) when he spends the day with his unhappily married brother as he tracks his possibly adulterous wife.
Four struggling actors retreat to a cabin in Big Bear, California in order to write a screenplay that will make them all stars. Problem is: What happens when their story idea -- a horror flick about a group of friends tormented by a villain with a bag over his head -- starts to come true?
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But, when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
Devastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah's traveling to the same resort as her ex - and she's bringing along her new boyfriend.
Jeff, at 30, lives in his mom's basement, unemployed, looking for signs about what to do with his life. He answers a wrong-number call for "Kevin". Later, on a bus, he sees someone wearing a jersey with "Kevin" on the back. Jeff follows him. Meanwhile, Jeff's brother, Pat, a tone-deaf salesman, upsets his wife by buying a Porsche they cannot afford; Pat runs into Jeff soon after and they see Pat's wife with another man. At her job, Jeff and Pat's mom receives e-mails from a secret admirer; she tries to figure out who it is. Misunderstandings, errors, and confrontations abound. A backup on the Lake Pontchartrain Causeway brings things to a head. Written by
Everybody has a quirky movie that they, and few other people or critics, like. It just might be that a movie simply comes along at the right point in our lives and interlocks with events in it. I certainly have a number of movies among my favorites that fit into this category, and I have a feeling that Jeff, Who lives at Home might have been admitted to it.
Although it is billed as a comedy, and there are certainly comic elements to it, there is a more serious component that underlies it and gives it some depth. Jason Segel plays a slacker who, at the age of 30, has few prospects (and living at home at 30 seems to be the modern stereotype of a loser). Jeff clings to the idea that some 'sign' will appear to show him the way. In fact, he is viewed as nothing but a loser by his mother, brother, and just about everyone else. When someone mistakenly calls his number asking for Kevin, Jeff, seeing this as the sign he's been waiting for, begins his search for his role in the universe, brushing aside all ridicule in the process.
I like movies that show how small, apparently insignificant, choices can lead to life changing events. I also like movies in which a character is redeemed by adhering to principles that everyone else thinks are insane. In its own subtle way, the movie questions many of the basic premises that underlie modern society. Yeah, I know, maybe I'm reading too much into this, but, I suppose, that's why we all like certain movies that others don't.
You're not going to get a better guy to play a slacker-loser than Segel. The other actors hold up their roles well. I admit that I expected little of this movie, but I found it engaging right from the opening scene. Give it a chance and I foolishly believe you will not be disappointed
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