| Photos (See all 10 | slideshow) | Videos (see all 11) |
| Byung-hun Lee | ... | Kim Soo-hyeon | |
| Min-sik Choi | ... | Kyung-chul | |
| In-seo Kim | ... | Se-jung | |
| San-ha Oh | ... | Joo-yeon | |
| Seung-ah Yoon | ... | The Cannibal's Girlfriend | |
| Chun Ho-jin | ... | Section Chief Oh | |
| Yoon-seo Kim | ... | Se-yeon | |
| Gook-hwan Jeon | ... | Squad Chief Jang | |
| Bo-ra Nam | ... | Section chief's daughter | |
| Moo-Seong Choi | ... | Tae-joo | |
| Ji-yoon Jeong | ... | Junior high female student | |
| Yoon Chae-Yeong | ... | Nurse Han Song-i | |
| Jin-ho Choi | ... | Planning director | |
| Yeong-Soon Son | ... | Keyong-cheol 's mother | |
| Nam Hyeon-joo | ... | Section chief Oh's wife | |
| Tae-goo Eom | ... | Detective 4 | |
| Kil Geum-Seong | ... | Man at harbor | |
| Seol-gu Lee | ... | Taxi burglar 1 | |
| Kim Kap Soo | ... | Planning team deputy head | |
| Kim Chae-Yeon | ... | Joo-yeon's cousin | |
| Cheol-woo Han | ... | Detective Park | |
| Lee Hang-soo | ... | Investigation team leader | |
| Kim Yeong-Seon | ... | Nun 1 | |
| Park Ji-Yeon | ... | Tutor teacher | |
| Park Seo-Yeon | ... | Woman at pension | |
| Han Song-i | ... | Joo-yeon's friend | |
| Kim Yeong-Chan | ... | Young pharmacist | |
| Deok-jae Jo | ... | Detective Kang | |
| Lee Ji-eun | ... | Children at stream | |
| Kim Kang-il | ... | Park Han-gi | |
| Han Se-joo | ... | Woman on bus | |
| Jang Jeong-won | ... | Keyong-cheol 's son | |
| Hyeon-hwa Heo | ... | Family of woman at pension, picture | |
| Heo Seul | ... | Nun 2 | |
| Seol Chang-hee | ... | Plainclothes detective | |
| Lee Hye-rin | ... | Junior high female student 1 | |
| Ahn Hee-joo | ... | Junior high female student | |
| Lee Hyeon-Yong | ... | Child at stream | |
| Sin Yeong-sik | ... | Taxi driver | |
| Lee Joon-Hyeok | ... | Agent | |
| Jo Seung-min | ... | Hospital room police | |
| Choi Don-Gyoo | ... | Middle-aged couple | |
| Park Min-soo | ... | Child at stream | |
| Kim Min-Yeong | ... | Junior high female student | |
| Kim Hwa-Hyeon | ... | Family of woman at pension, picture | |
| Choi Seong-ho | ... | Joo-yeon's cousin | |
| Jang Ha-Neul | ... | Junior high female student | |
| Park Jeong-gi | ... | Sergeant | |
| Choi Moon-Sook | ... | Joo-yeon's aunt | |
| Seung-Ri Ha | ... | Female high school student at harbor | |
| Jo Myeong-Yeon | ... | Detective 3 | |
| Kim Bong-soo | ... | Keyong-cheol 's father | |
| Jeong Mi-nam | ... | Taxi burglar 2 | |
| Park Mi-Seon | ... | Junior high female student | |
| Sin Jeong-Hoon | ... | Police at stream | |
| Kim Seon-Nyeo | ... | Middle-aged couple | |
| Yoon Byeong-hee | ... | Jjang-goo / Bulging head | |
| Jeong Tae-Seong | ... | Hotel worker | |
| Yoo Yeong-bok | ... | Family of woman at pension, picture | |
| Goo Yong-wan | ... | Corporal | |
| Yang Mi-Ryeong | ... | Joo-yeon's friend | |
| Kim Dae-hye | ... | Hospital worker | |
| Jae-geon Kim | ... | Old doctor | |
| Lee Hwan-goo | ... | Joo-yeon's uncle | |
| Sin Sin-Beom | ... | Old pharmacist |
Directed by | |||
| Kim Jee-Woon | |||
Writing credits(in alphabetical order) | ||
| Hoon-jung Park | screenplay | |
Produced by | |||
| Kee-young Cheong | .... | co-executive producer | |
| Hyung-cho Il | .... | co-executive producer | |
| Hun-you Jeong | .... | executive producer | |
| Seong-weon Jo | .... | co-producer | |
| Yeong-shin Kang | .... | co-executive producer | |
| Byung-ki Kim | .... | co-executive producer | |
| Hyun-woo Kim | .... | producer | |
| Jae-young Kim | .... | associate producer | |
| Jung-hwa Kim | .... | associate producer | |
| Kil-soo Kim | .... | co-executive producer | |
| Greg Moon | .... | executive producer | |
| Jae-sik Moon | .... | co-executive producer | |
| Sungho Nam | .... | line producer | |
| Bryan Song | .... | co-executive producer | |
| Youngjoo Suh | .... | co-executive producer | |
Original Music by | |||
| Mowg | |||
Cinematography by | |||
| Mo-gae Lee | |||
Film Editing by | |||
| Na-young Nam | |||
Production Design by | |||
| Hwa-sung Cho | |||
Costume Design by | |||
| Yoo-jin Kwon | |||
Makeup Department | |||
| Tae-young Kwak | .... | special makeup effects artist | |
| Hee Eun Lee | .... | special makeup effects artist | |
Sound Department | |||
| Romain Bigorgne | .... | sound effects editor | |
| Tae-young Choi | .... | sound re-recording mixer | |
| Tae-young Choi | .... | supervising sound editor | |
| Kim Dong-Han | .... | sound effects editor | |
| Hye Young Kang | .... | sound designer | |
| Min Kyu Kim | .... | foley mixer | |
| Chung Gyu Lee | .... | foley artist | |
| Min Young Park | .... | dialogue editor | |
| Yong Ki Park | .... | adr mixer | |
| Yong Ki Park | .... | sound re-recording mixer | |
Visual Effects by | |||
| Kumsoon Hwang | .... | digital matte painter: DIGITALIDEA | |
| Kiyoung Jung | .... | pipeline technical director | |
| Il Hwan Na | .... | digital matte painter: DIGITAL IDEA | |
| Youngbin Park | .... | digital compositor: DIGITALIDEA | |
| Min Jung Shin | .... | digital compositor | |
Camera and Electrical Department | |||
| Jae-Hyeok Lee | .... | still photographer | |
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| The Professional: Golgo 13 | Machete | The New York Ripper | A Bay of Blood | The Departed |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb South Korea section |
Whenever I see a negative review of "I Saw the Devil", the critic always mentions (scornfully) that the movie is ultra violent and portrays women in horrifying circumstances. Yes it is, and yes it does.
But this isn't a Hollywood slasher flick. The kills in this movie are not gratifying and aren't meant to be. The women being killed are not scantily clad models running through forests from men wearing masks. There is nothing pleasant or "cool" about these scenes; they make the viewer uncomfortable, they unsettle, they bring one's mind into very dark places. It gives us a peek into the madness that every man is capable of, and does so realistically and without pulling its punches. This brutal realism makes people uncomfortable, and prompts negative reviews. This is understandable, but unfortunate. I believe that a movie should be judged on more than the amount of blood the viewer is comfortable seeing on-screen. To these people, please, do not watch Korean revenge thrillers if you are uncomfortable with torture or blood.
But enough of that rambling. This movie is excellent. Beautiful cinematography contrasts the stark, dimly lit scenes where the murders, or gritty fight scenes, occur. The camera work is simple but effective; the viewer is often treated to close-ups of both Byung-hun Lee and Mik-sik Choi, and their facial expressions tell us more than dialogue ever could. There is also contrast between Lee and Choi. Lee, clean and stoic, and Choi, filthy and madly expressive. They compliment each other very well, and play off of each others strengths effectively.
The story itself is typical of revenge films, but fantastic in its execution. Lee's character experiences a profound loss at the hands of Choi's character, and in the process of seeking revenge begins to resemble the man he so hates. The line between "victim" and "aggressor" becomes blurred between both characters. This is where the film shines. There is no black and white in "I Saw the Devil"; the viewer is left with shades of grey.
As for the acting, it was all done very well. As I mentioned, Lee and Choi work well together, and all supporting cast members did an excellent job. Choi portrays his character in an incredibly convincing manner, shifting suddenly from calmness to manic anger, but never in a way that feels unnatural or forced. Lee's character is quiet and much less expressive, but he does very well in showing immense amounts of emotion through just his eyes or subtle movements of his body. A memorable performance from them both.
As for flaws, the only thing I can think of is the strange, perhaps unrealistic behaviour of the police. Lee is a member of the NIS, and is very skilled when it comes to remaining hidden, but that shouldn't make him untouchable when directly provoking police officers or driving on the wrong side of the street. Still, though, it's a very trivial complaint that isn't worth a deducted point.
A confident 10/10 from me. If you are comfortable seeing serial murder portrayed realistically, and are able to appreciate more than just gore, please, do yourself a favour and watch this film.