Jessica, Sabrina and Daiane have dreams, just like all young people of any social class or place in the world. They live in a low-income neighborhood in the periphery of Rio de Janeiro and ... See full summary »
The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. ... See full summary »
Based upon the true story of Olga Benário, the German-born wife of Brazilian communist leader Luís Carlos Prestes. During the dictatorship of Getúlio Vargas (1930-1945) she was arrested and... See full summary »
After several behavior problems, João, a teenager (João Pedro Zappa) is admitted to a psychiatric clinic by his family. There he meets Judite ( Deborah Secco) , for who he soon falls in ... See full summary »
João Pedro Zappa,
In 2005, high-ranked criminal Barão is planning the heist that inspired the film. He needs to dig a tunnel linking a house to the Banco Central's vault in Fortaleza, where he'll steal millions of (R$) reais.
Raquel is a girl, adopted by an upper middle class family, who rebelled at 17 and left her family and studies at a traditional college in São Paulo to become a call girl. Shortly after starting work, she decided to write a blog about her experiences. Since some clients thought she looked like a surfer she adopted the name "Surfistinha" which means little surfer girl. This blog became a sensation, and quickly became one of the most popular blogs in Brazil. Becoming famous, her life changed significantly. She went on to be interviewed on Brazilian talk shows similar to Oprah and David Letterman, all the while continuing her blog about her racy exploits. She wrote a book about these experiences: "O Doce Veneno Do Escorpião". Written by
William Gonçalves and Matt Hisle
No time is lost when Deborah Seco decides to undress
"Bruna" Marcus Baldini - As if we need excuses to waste almost a couple of hours watching Deborah Seco undressing and doing it like it's hot! The story captivated me for being based on real facts that I personally didn't know. I found it interesting only because of a certain verbal gymnastics that keeps me laughing in the lexicon of the Brazilian Portuguese and the lightness in which the most serious subjects can be portrayed by Brazilian directors, sometimes even in an ethereal fashion. But this movie is worth only for the scenes with Deborah Seco, just because the emotional dimension of it is sometimes lost and one never gets to understand what leads the main character to taking such a shaky turn, one does not understand what kind of analysis is made and for trying to tell a story sometimes the film gets so close to wanting to tell too much without showing great substance. I give it a 7 out of 10, almost pulling in a 6, but our friend Deborah Seco saved the movie (although at the beginning of the movie she acting very stuck up and out of character, perhaps because they wanted her to go through an age that simply is nor hers any more).
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