| Videos (see all 2) |
| Sandra Allen | ... | Herself | |
| Marciano Batista | ... | Himself (as Father Marciano Batista) | |
| Joan Chen | ... | Herself | |
| Edward S. Feldman | ... | Himself | |
| Ross Hagen | ... | Himself | |
| Bernard Jamieson | ... | Himself | |
| Stephen Jefferies | ... | Himself | |
| Ka Keung Kwan | ... | Himself | |
| Nancy Kwan | ... | Herself | |
| Veronika Kwan-Rubinek | ... | Herself | |
| C.Y. Lee | ... | Himself | |
| Bey Logan | ... | Himself | |
| Mark Longtin | ... | Himself | |
| Elaine Forsgate Marden | ... | Herself | |
| Norbert Meisel | ... | Himself | |
| Andre Morgan | ... | Himself | |
| Marian Naman | ... | Herself | |
| France Nuyen | ... | Herself | |
| Paul Osaki | ... | Himself | |
| Renee Robertson | ... | Herself | |
| Lorea Solabarrieta | ... | Herself | |
| Robert E. Sparks | ... | Himself | |
| Vivian Stackpole | ... | Herself | |
| Camille Stoebner | ... | Herself | |
| Ted Thomas | ... | Himself | |
| Phil Whelan | ... | Himself | |
| Vivian Wu | ... | Herself |
Directed by | |||
| Brian Jamieson | |||
Writing credits(in alphabetical order) | ||
| Brian Jamieson | ||
Produced by | |||
| Brian Jamieson | .... | producer | |
| Lawrence Tseu | .... | executive producer | |
Sound Department | |||
| Paul Hollman | .... | sound re-recording mixer | |
Editorial Department | |||
| Stephanie Filo | .... | assistant editor | |
| Matt Hopkins | .... | assistant editor (as Matthew Hopkins) | |
| Bill Macomber | .... | post production supervisor | |
Other crew | |||
| Christopher L. Perez | .... | clearance counsel | |
| Nick Redman | .... | narrated | |
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| American Refugees: Homelessness in Four Movements | Shooting Blind | One in a Million | Nothing Rhymes with Ngapartji | Better Than Something: Jay Reatard |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
*** This review may contain spoilers ***
I thought the story was very interesting and gave us a glimpse inside at what it was like for Asians in show business back in the fifties and sixties. Hollywood's attitude toward ethnic actors and actresses were a bit racist and stereotypical until a young actress named Nancy Kwan (whose Chinese name is Ka Shen) broke onto the scene and helped changed the views of many. Most noted for her performances in The World of Suzie Wong and Flower Drum Song, this documentary looks at Nancy Kwan's entire career and shows us a strong, determined woman who no matter what, always pushed forward and delivered her best even when what she had to work with was not very good.
The story is solid and helps us connect by letting us in and seeing the personal hardships she has endured. The film is well shot with wonderful out takes from the various movie and television performances that Nancy did over her career, as well as interviews with some of the people that were closest to her. I also enjoyed listening to Nancy talk about her life and her thoughts about what she has been through. Many times documentaries like this are done after the person has passed away and we only hear opinions from others that knew them and what they think, so it was refreshing to hear her own accounts.
My only criticism of the film is about the constant cutting away to the scenes in the temple ruins. I felt this was way too repetitive, completely unnecessary and a bit distracting. It was almost like they were trying to stretch the film length out and used those scenes to do it. If that was their goal I think they could have found more creative ways to do so. Other than that, I found To Whom It May Concern a very enjoyable and informative piece of work. I definitely recommend it, especially to those who are cinema history buffs.