| Photos (See all 12 | slideshow) | Videos (see all 2) |
| Wyatt Denny | ... | Mickey | |
| Rob Tepper | ... | Jasper | |
| Alexandra Williams | ... | Anna | |
| Magdaleno Robles Jr. | ... | Maestro | |
| Robert Zepeda | ... | Snipes | |
| Robert Larabee | ... | Diablo | |
| John T. Woods | ... | Sami | |
| rest of cast listed alphabetically: | |||
| Jill Crenshaw | ... | Dillon | |
| Denny Dormody | ... | AA Meeting Attendee | |
| Kent Harper | ... | Hal | |
| Joni Kempner | ... | Alice | |
| Anthony Militchin | ... | Young Jasper | |
| Mac Miller | ... | Sloane | |
| Neal Polister | ... | AA Meeting Attendee | |
| Joe Robinson | ... | Dr. O'Neal | |
| Sara Schneider | ... | Girl | |
| Oliver Seitz | ... | AA Meeting Attendee | |
| Pedro Shanahan | |||
| Vivien Voss | ... | Girl | |
| Brandon J. Williams | ... | Young Mickey | |
Directed by | |||
| J.T. Gurzi | (as Jeremiah Gurzi) | ||
Writing credits(in alphabetical order) | ||
| J.T. Gurzi | (as Jeremiah Gurzi) | |
Produced by | |||
| J.T. Gurzi | .... | producer (as Jeremiah Gurzi) | |
| Mia Kirby | .... | associate producer | |
| West McDowell | .... | producer | |
| Eric Watson | .... | consulting producer | |
Original Music by | |||
| Patrick Park | |||
Cinematography by | |||
| David J. Myrick | (as David Myrick) | ||
Film Editing by | |||
| Justin LaForge | |||
Production Design by | |||
| Erika Ann Walters | |||
Art Direction by | |||
| Colleen Larson | |||
Makeup Department | |||
| Mayera Abeita | .... | makeup artist | |
| Julia LoVetere | .... | key makeup artist | |
Production Management | |||
| Kelly Thompson | .... | unit production manager | |
Sound Department | |||
| Anthony Enns | .... | sound mixer | |
| Chip Mullaney | .... | dialogue editor | |
| Richard Roy | .... | boom operator | |
| Chris Winston | .... | sound re-recording mixer | |
| Brian Wohlgemuth | .... | foley artist | |
Special Effects by | |||
| Jason 'Hawke' Hamilton | .... | special effects supervisor | |
Camera and Electrical Department | |||
| Noah Dille | .... | chief lighting technician | |
| Noah Dille | .... | steadicam operator | |
| Cary Gallagher | .... | first assistant camera | |
| Candace Higgins | .... | second assistant camera | |
| Joe Hill | .... | key grip | |
| Matt Hingstman | .... | grip | |
| Nick Huizing | .... | set lighting technician | |
| Derek Olson | .... | grip | |
| Adam Rindy | .... | still photographer | |
| Colin Stoye | .... | rigging key grip | |
| Kymm Swank | .... | first assistant camera | |
Editorial Department | |||
| Tony Dustin | .... | digital intermediate colorist | |
Other crew | |||
| Ruben Garcia | .... | meteorite consultant | |
| Mia Kirby | .... | script supervisor | |
Thanks | |||
| Scott Broadley | .... | special thanks | |
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| The Bodyguard | The Hunting Party | The Score | Forgetting Sarah Marshall | The Matador |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
First-time filmmaker JT Gurzi gets winning performances from his two leads (Wyatt Denny's character especially of note - keep an eye out for this guy and say you saw him here first), and he lays out a nicely-measured-paced, thought-provoking, crime conundrum story. Excellent camera work and a score that makes you want to buy the soundtrack help make this a solid, low-key,character-based thriller worth watching. If you like a Wim Wenders/Jim Jarmusch/John Cassavetes-like indie approach to crime stories, you should appreciate what Gurzi is doing here. I'm interested in seeing what this guy puts together next, and you should be too.