| Gabriela Maria Schmeide | ... | Kathi König | |
| Natascha Lawiszus | ... | Julia | |
| Ill-Young Kim | ... | Tien | |
| Christina Große | ... | Silke | |
| Rolf Zacher | ... | Joe | |
| Maria Happel | ... | Centerleiterin | |
| Maren Kroymann | ... | Frau Krieger | |
| Matthias Freihof | ... | Micha | |
| Pierre Sanoussi-Bliss | ... | Notarzt | |
| Jördis Triebel | ... | Daggi | |
| rest of cast listed alphabetically: | |||
| Josip Culjak | ... | Barkeeper | |
| Katharina Derr | ... | Patsy | |
| Ulla Geiger | ... | Sachbearbeiterin | |
| Mackie Heilmann | ... | Friseusenballetteuse | |
| Regine Hentschel | ... | Friseusenballetteuse | |
| Christine Krüger | ... | Kundin | |
| Tobias Lehmann | ... | Banker | |
| Marie Luxembourg | ... | Friseusenballetteuse | |
| Natascha Petz | ... | Friseusenballetteuse | |
| Heiko Pinkowski | ... | Klaus | |
| Nicoline Schubert | ... | Frau Haarig | |
| Karin Sonntag | ... | Altenheimbewohnerin | |
| Dorothea Walda | ... | Frau Peters | |
Directed by | |||
| Doris Dörrie | |||
Writing credits(in alphabetical order) | ||
| Laila Stieler | ||
Produced by | |||
| Ulrich Limmer | .... | producer | |
| Martin Moszkowicz | .... | executive producer | |
| Ruth Stadler | .... | associate producer | |
| Laila Stieler | .... | creative producer | |
| Volker Wach | .... | line producer | |
Cinematography by | |||
| Hanno Lentz | |||
Film Editing by | |||
| Frank J. Müller | |||
| Inez Regnier | |||
Production Design by | |||
| Susanne Hopf | |||
Art Direction by | |||
| Natalja Meier | |||
Costume Design by | |||
| Sabine Greuning | |||
Makeup Department | |||
| Evelyn Döhring | .... | makeup artist | |
| Katrin Schneider | .... | makeup artist | |
Art Department | |||
| Friederike Beckert | .... | set dresser | |
| Albrecht Hartmann | .... | property master: Indoor | |
| Bele Schneider | .... | property master: outdoor | |
Sound Department | |||
| Christof Ebhardt | .... | supervising sound editor | |
| Monika Gussner | .... | adr & foley editor | |
| Magda Habernickel | .... | dialogue editor | |
| Kristofer Harris | .... | boom operator | |
| Michael Hinreiner | .... | sound re-recording mixer: premixes | |
| Michael Karl Huber | .... | project coordinator sound: post production | |
| Rainer Plabst | .... | sound | |
| Max Rammler-Rogall | .... | sound mixer | |
Camera and Electrical Department | |||
| Michael Beitz | .... | gaffer | |
| Uwe Neumeister | .... | second camera | |
Costume and Wardrobe Department | |||
| Melina Scappatura | .... | wardrobe | |
Editorial Department | |||
| Jana Krohn | .... | assistant editor | |
Other crew | |||
| Melanie Fronicke | .... | continuity | |
| Felicitas Heydenreich | .... | project coordinator: HD Mastering | |
| Tobias Knips | .... | location manager | |
| Jessica Lorenz | .... | production trainee | |
| Jan Pyko | .... | set manager | |
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| The Fisherman and His Wife | Policewoman | Nobody Loves Me | Erleuchtung garantiert | Naked |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Germany section |
I am very astonished, when I read in a review that this movie is completely unfunny. As a German I consider this film to be quite funny and at the same time also reflective. It is a plot about people who are not on the sunny side of life. It is shown how they try to survive. The message is that this is easier with a positive spirit. And even when your acting is not completely legal you still remain a good hearted person. Some exaggerations are used to make this movie also funny. Obviously you need German humor to like this film. It is clear that it is difficult to translate the mood of this film into another language. There are many details which a viewer who is not familiar with German mentality and history may not understand.