Directed by | |||
| Hyung-rae Shim | |||
Writing credits(WGA) | ||
| Hyung-rae Shim | (written by) | |
Produced by | |||
| Dooho Choi | .... | producer | |
| Lorenzo O'Brien | .... | co-producer | |
Original Music by | |||
| John Lissauer | |||
Cinematography by | |||
| Mark Irwin | |||
Film Editing by | |||
| Jeff Freeman | |||
Casting by | |||
| Christine Sheaks | |||
Production Design by | |||
| Cecilia Montiel | |||
Art Direction by | |||
| Nick Ralbovsky | |||
Set Decoration by | |||
| Kathy Orlando | |||
Costume Design by | |||
| Graciela Mazón | |||
Makeup Department | |||
| Donna J. Anderson | .... | hair stylist | |
| Elena Arroy | .... | makeup artist | |
| Bonita DeHaven | .... | makeup department head | |
| Cynthia Hernandez | .... | makeup artist | |
| Tracy Manzo | .... | key makeup artist | |
| Marlene D. Williams | .... | key hair stylist | |
| Susan Zietlow-Maust | .... | hair stylist | |
Production Management | |||
| Ritchie Steven Filippi | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Christopher S. Bryson | .... | first assistant director | |
| Irina Bryson | .... | key second assistant director | |
| Marc Turchin | .... | second second assistant director | |
Art Department | |||
| Mark Brooks | .... | on-set dresser | |
| John Brunot | .... | prop master | |
| Joe Dunckley | .... | props | |
| Joey Genitempo | .... | stand-by painter | |
| Seth Goulden | .... | set dresser | |
| Laurin Guthrie | .... | set dec buyer | |
| David Lombard | .... | gang boss | |
| Geoffrey Mandel | .... | graphic designer | |
| Joe Mason | .... | storyboard artist | |
| Ian McMains | .... | props assistant | |
| Bob New | .... | set dresser | |
| Christopher Parker | .... | gang boss | |
| Diego Sandoval | .... | assistant art director | |
| Erich W. Schultz | .... | construction coordinator | |
| Harlan Spatz | .... | buyer | |
| Russell Stimson | .... | leadman | |
| Richard Blake Wester | .... | set dresser | |
| Rebecca Young | .... | art department coordinator | |
Special Effects by | |||
| Lou Carlucci | .... | pyrotechnics foreman | |
| John C. Hartigan | .... | special effects coordinator | |
| Ron Rosegard | .... | special effects supervisor | |
| Lynn Garrido | .... | special effects technician (uncredited) | |
Stunts | |||
| George B. Colucci Jr. | .... | stunt performer (as George B. Colucci) | |
| Rahman Dalrymple | .... | stunt performer | |
| Gene Hartline | .... | stunts | |
| Brian Hite | .... | stunt player | |
| Bobby C. King | .... | stunt coordinator | |
| Christian Levatino | .... | stunts | |
| Mark Riccardi | .... | stunt double: Michael Rispoli | |
| John Ross | .... | stunt double: Hyung-rae Shim | |
| Tony Snegoff | .... | stunts | |
Camera and Electrical Department | |||
| Justin Babin | .... | rigging key grip | |
| Robert J. Babin | .... | rigging key grip | |
| Brian Bishop | .... | grip | |
| Danny Brazen | .... | key grip | |
| Nicholas Davidoff | .... | camera operator: "b" camera | |
| Nicholas Davidoff | .... | steadicam operator | |
| Hilario Gonzalez | .... | grip | |
| Derek Hackett | .... | second assistant camera | |
| Joe Iverson | .... | assistant chief lighting technician | |
| Kyle Jewell | .... | first assistant "a" camera | |
| Luke Miller | .... | set lighting technician | |
| Kenneth Mills | .... | best boy grip | |
| Evan A. Nesbitt | .... | digital imaging technician | |
| Miguel Pask | .... | second assistant camera: "a" camera | |
| Trace Schneider | .... | set lighting technician | |
| Robert Sterry | .... | digital video assist operator | |
| Shawn Stone | .... | b dolly grip | |
| Matthew Thiemann | .... | set lighting technician | |
| Jaimie Trueblood | .... | still photographer | |
| Troy Webb | .... | rigging chief lighting technician | |
| Jay W. Yowler | .... | chief lighting technician | |
Costume and Wardrobe Department | |||
| Shawn Barry | .... | costume supervisor | |
| Michael Crow | .... | costumer | |
| Lisa Marie Harris | .... | set costumer | |
| Lynn Ollie | .... | set costumer | |
| Lori Jean Sacks | .... | costumer | |
| Gilbert Zamorano | .... | costumer | |
Editorial Department | |||
| Gregg Garvin | .... | digital intermediate colorist | |
| Vahe Giragol | .... | iq assist | |
| Joe Greenberg | .... | editorial department | |
| Mathieu Reid | .... | color timer | |
Music Department | |||
| Carl Sealove | .... | music editor | |
Transportation Department | |||
| Richard A. Davis | .... | transportation captain | |
| Steven Docherty | .... | transportation co-captain | |
| Tiffany Fry | .... | transportation coordinator | |
| Dave Haldeman | .... | transportation | |
| Gary Jackson | .... | production van operator | |
| Kim Magruder | .... | driver generator operator | |
| Ted Moser | .... | picture car coordinator | |
| Ted Moser | .... | transportation coordinator | |
| Tim Moser | .... | driver | |
| Kelly Murphy | .... | transportation co-captain | |
| Patsy Rust | .... | driver | |
| John F. Teeple | .... | driver | |
| Bonnie Yamahiro | .... | transportation | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
The trailer didn't look all that abysmal and it actually looked like it could have been kind of funny with John Pinette and Harvey Keitel. Please keep in mind that trailers are extremely misleading and this movie was NOT funny by any means. Sure, there were some chuckles, but it gets old real quick and you'll be wishing the movie would end sooner rather than later, believe me.
The story revolves around Don Carini (Keitel) and his decision to step down and retire as Godfather. Rather than promoting from within, he drops the bomb on his gang that he had an affair while in Asia with a woman that ultimately led to him fathering a child. The child in question is one Younggu (Shim, who also wrote and directed this turd), a mentally-challenged grown man who is to acting what Uwe Boll is to directing. Once the young successor arrives to the Don's home, he is met by the Don's gang with skepticism. The Don has Tony (Rispoli) and Macho (Pinette) look after his son and train him to be the next Don... but we all know what happens next, Younggu fouls everything up, inadvertently falls for the competition's daughter, Nancy Bonfante (Donahue) and just basically tries to play everything on screen for laughs, even if it isn't funny.
I don't mind screwball comedies if they're funny. This one just wasn't funny. It was painfully bad, with some of the worst acting I've ever seen by a writer/director/star. The main character is so annoying and unfunny, that I was just begging to see the end credits. I don't know what Keitel, Pinette and Mewes were thinking by signing on to do this dog of a film. It actually made about $17 million overseas, which is a complete shock to me. I guess even actors need to pay the bills sometimes.
You might be tempted to watch/buy or see this one for Keitel, but I urge you to rethink that decision because the movie just gets worse as it goes along. Just when you think it couldn't get any worse, it tops itself and plays the scenes for the utter ridiculous and zany. I've been trying really hard to find one good thing to say about this movie ever since I started writing the review and I just can't do it. About the only thing that this film can say it did well was the production values and filming. It does have a Hollywood-feel, meaning it doesn't look like it was filmed in my backyard and the sound is good. Yes, there was a few funny moments because of Younggu's antics, but they were more out of pity and sheer lunacy, like a shake- my- head- from- side- to- side- I- can't- believe- they- would-resort- to- that- kind- of- humor kind of laugh. If anything, watch it for John Pinette, he's able to make you laugh just with his expressions alone.
More reviews at www.soveryterry.com
Final Grade: F