| Photos (See all 37 | slideshow) | Videos (see all 13) |
| Yaniv Schulman | ... | Himself (as Yaniv 'Nev' Schulman) | |
| Ariel Schulman | ... | Himself (as Ariel 'Rel' Schulman) | |
| Henry Joost | ... | Himself | |
| Angela Wesselman-Pierce | ... | Herself (as Angela Wesselman) | |
| Melody C. Roscher | ... | Herself | |
| Wendy Whelan | ... | Dancer: Morphoses | |
| Craig Hall | ... | Dancer: Morphoses | |
| Tiler Peck | ... | Dancer: Morphoses | |
| Drew Jacoby | ... | Dancer: Morphoses | |
| Rubi Pronk | ... | Dancer: Morphoses | |
| Adrian Danchig-Waring | ... | Dancer: Morphoses |
Directed by | |||
| Henry Joost | |||
| Ariel Schulman | |||
Produced by | |||
| Andrew Jarecki | .... | producer | |
| Henry Joost | .... | producer | |
| Ryan Kavanaugh | .... | executive producer | |
| Brett Ratner | .... | executive producer | |
| Ariel Schulman | .... | producer | |
| Marc Smerling | .... | producer | |
| Zachary Stuart-Pontier | .... | co-producer | |
| Tucker Tooley | .... | executive producer | |
| Colin Wilhm | .... | associate producer | |
Original Music by | |||
| Mark Mothersbaugh | |||
Cinematography by | |||
| Henry Joost | |||
| Ariel Schulman | |||
| Yaniv Schulman | |||
Film Editing by | |||
| Zachary Stuart-Pontier | |||
Production Management | |||
| Perri B. Frank | .... | post-production supervisor | |
| Ken Halsband | .... | executive in charge of production: Relativity Media (as Kenneth Halsband) | |
Art Department | |||
| Angela Wesselman-Pierce | .... | artist: paintings (as Angela Wesselman) | |
Sound Department | |||
| Coll Anderson | .... | sound re-recording mixer | |
| Coll Anderson | .... | supervising sound editor | |
| Paul Capuano | .... | dolby sound consultant | |
| John Chiarolanzio | .... | assistant sound editor | |
| Matt Snedecor | .... | sound effects editor | |
Camera and Electrical Department | |||
| Joe Anderson | .... | additional cinematographer | |
| Nick Bentgen | .... | additional cinematographer | |
Animation Department | |||
| Andrew Zuchero | .... | animator | |
Editorial Department | |||
| Sam Daley | .... | digital intermediate colorist | |
| Christopher Kulikowski | .... | post-production consultant | |
| Jordan Lindblad | .... | assistant editor | |
| Patrick McGuinn | .... | digital intermediate producer | |
| Richie Roefaro | .... | digital content technician | |
| Daniel Silverman | .... | conform editor | |
| Michael P. Whipple | .... | digital intermediate engineer | |
| Victoria Anderson | .... | editorial assistant (uncredited) | |
| Danny Elhaj | .... | post-production assistant (uncredited) | |
Music Department | |||
| Susan Jacobs | .... | music supervisor | |
| Chris Kennedy | .... | additional music programming: Mutato Muzika | |
| Jackie Mulhearn | .... | assistant music supervisor | |
| Ilyse Wolfe Tretter | .... | music clearance coordinator | |
Other crew | |||
| Jason Barhydt | .... | senior vice president of production: Relativity Media | |
| Linda Benjamin | .... | executive vice president business and legal affairs: Relativity Media | |
| Robbie Brenner | .... | executive vice president of production: Relativity Media | |
| Paul Davidge | .... | finance executive: Relativity Media | |
| Nate Greenwald | .... | business and legal affairs: Relativity Media | |
| Clark Henderson | .... | client relations | |
| Adam Houghland | .... | choreographer: Morphoses | |
| Steve Hutensky | .... | senior vice president business affairs: Relativity Media | |
| Barbara Jean Kearney | .... | account executive | |
| Victor Kovner | .... | legal services: Ritholz Levy Sanders Chidekel & Fields | |
| Ashley Kravitz | .... | clearance coordinator | |
| Pontus Lidberg | .... | choreographer: Morphoses | |
| Thomas Loftus | .... | senior vice president business and legal affairs: Relativity Media | |
| Leisha Mack | .... | business and legal affairs: Relativity Media | |
| Greg Maxwell | .... | security and integrity consultant (as Gregory Maxwell) | |
| Alice Neuhauser | .... | senior vice president of operations: Relativity Media | |
| Brian Nurre | .... | business and legal affairs: Relativity Mdia | |
| Eva Quiroz | .... | vice president of operations: Relativity Media | |
| Raella Rothman | .... | production associate | |
| Tara Sad | .... | transcriptionist | |
| Jeff Sanders | .... | legal services: Ritholz Levy Sanders Chidekel & Fields | |
| Rachel Schwartz | .... | coordinator physical production: Relativity Media | |
| Davis Wright | .... | legal services: Ritholz Levy Sanders Chidekel & Fields (as Davis Wright Tremaine) | |
| Daniel Herther | .... | executive assistant: Mr. Kavanaugh (uncredited) | |
| Kasia Nabialczyk | .... | assistant: Brett Ratner (uncredited) | |
Thanks | |||
| J.J. Abrams | .... | special thanks | |
| Dan Beirne | .... | special thanks | |
| André Des Rochers | .... | special thanks | |
| Tony Gilroy | .... | special thanks | |
| Aimee Gonzales | .... | special thanks | |
| Emily Wiedemann | .... | thanks | |
|
|
|
|
|
| S&man | I'm Still Here | Alternative 3 | Alien Autopsy: (Fact or Fiction?) | Religulous |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
loved this documentary, it was awesome. The tagline on Catfish's deceptively dark poster read "Don't let anyone tell you what it is." The studio is totally correct in saying this, but make sure everyone tells you how good it is. Catfish is a wild pastiche of genres crammed into a brilliant criticism of the Youtube Generation's presumption that the internet is a safe place. Unlike many other TV shows and newspaper articles that have tackled a similar topic, Catfish takes this criticism to a whole new level by documenting the entire process of catching a "catfish," a person who is not quite what he seems to be. Although the movie should be questioned in terms of its veritableness, it is thrilling, sad, and often funny account of a Facebook romance with a person who does not match their profile.
*Catfish is a hard film to describe without giving too much away. In short, the film's advertising inaccurately portrays the film. It is the supposedly true story of Nev Schulman and his Facebook friend Megan Faccio. Nev, a photographer that lives in New York, met Megan through her half-sister Abby, an eight year-old who sent Nev a painting of one of his photographs that was published in the New York Times. Nev begins to become romantically intertwined with Megan. But the more he finds out about her, the less he realizes he actually knows about Megan. Catfish had this vibe the entire film like it was leading towards something dark near its conclusion. As Nev makes his way to Michigan, you get more and more anxious as he nears his destination. Even the music gets really unsettling. Is Megan's family going to be a bunch of chainsaw wielding cannibals or have Angela and Vince been keeping a kidnapped girl named Megan chained in their basement for weeks to lead young, single guys out there for them to torture as some sort of twisted way to get off? No, it's nothing like that. Catfish never really became thrilling or even came near diving into dark territory. What Catfish winds up being is an interesting character study presented as a documentary. The film's heart resides in who Megan really is and how the entire experience affects Nev. Once the pieces of the puzzle are put together and everything falls into place, Catfish turns out to be a very raw, emotional, and heartfelt film. What's intriguing is the film revolves around Facebook and with The Social Network hitting theaters in about two weeks, it seems like a bit of a bold move. Catfish demands to be seen, if only for the excellent arguments you'll have about it on the drive home.