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Unforgivable (2011)

Impardonnables (original title)
Not Rated | | Drama | 17 August 2011 (France)
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A crime writer living in Venice while working on his new novel meets and soon marries his real-estate agent. Relocated to a remote house on Sant'Erasmo Island, his obsession with his wife's daily whereabouts takes a dark turn.

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(scenario), (scenario) | 1 more credit »
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Adriana Asti ...
Mauro Conte ...
Alexis Loret ...
Roger
Zoé Duthion ...
Sandra Toffolatti ...
La comtesse
Andrea Pergolesi ...
Alvise
Stefano Scandaletti ...
Le dragueur
Niccolò Palesa ...
Ami du dragueur 1
Massimo Piovesan ...
Ami du dragueur 2
Dominique Muller ...
Mathilde
Fabio Alessandrini ...
Le vigneron
Gloria Naletto ...
L'infirmière
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Storyline

A crime writer living in Venice while working on his new novel meets and soon marries his real-estate agent. Relocated to a remote house on Sant'Erasmo Island, his obsession with his wife's daily whereabouts takes a dark turn.

Plot Summary | Add Synopsis

Taglines:

You can't escape the sins of your past.

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

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Language:

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Release Date:

17 August 2011 (France)  »

Also Known As:

Unforgivable  »

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Box Office

Opening Weekend USA:

$27,857, 1 July 2012, Limited Release

Gross USA:

$153,785, 28 October 2012
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Soundtracks

Kill Sumthin
Performed by Spank
© & (p) The Extreme Music Library Ltd
With permission of Extreme Music France
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User Reviews

 
Anyone for Venice?
16 September 2015 | by See all my reviews

For forty years now, Andre Techine has made films that have delighted me (Les roseaux sauvages, Les voleurs) or annoyed me (Le lieu du crime, Rendez-vous). He seems to be on safe ground when he deals with homosexuality, the need for family ties, and beautiful surroundings (here he can film Venice in all its splendour). He flounders when dealing with straight relationships: what is going on between Dussolier and Bouquet, anyway?-- they seem to be in different films.

Carole Bouquet is so splendid to look at that I can forgive almost any deficiency in the script in order to drink in that lovely face. Adriana Asti (Gina in Before the Revolution, the film that moved me more than any other) has the best line: "You turn everybody on but nobody turns you on!" It's so true, you admit ruefully. Melanie Thierry has a small part as Dussolier's daughter and leaves a good impression.


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