A nine-year-old amateur inventor, Francophile, and pacifist searches New York City for the lock that matches a mysterious key left behind by his father, who died in the World Trade Center on September 11, 2001.
A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction. After a painful divorce, she takes off on a round-the-world journey to "find herself".
A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Until he was downsized, affable, amiable Larry Crowne (Hanks) was a superstar team leader at the big-box company where he's worked since his time in the Navy. Underwater on his mortgage and unclear on what to do with his suddenly free days, Larry heads to his local college to start over. There he becomes part of a colorful community of outcasts, also-rans and the overlooked all trying to find a better future for themselves...often moving around town in a herd of scooters. In his public-speaking class, Larry develops an unexpected crush on his teacher Mercedes Tainot (Roberts), who has lost as much passion for teaching as she has for her husband. The simple guy who has every reason to think his life has stalled will come to learn an unexpected lesson: when you think everything worth having has passed you by, you just might discover your reason to live. Written by
During the credits you can see on the left side of the screen rapidly appearing Chinese characters and English letters rotated 90 degrees clockwise. They are the tattoo that Talia has on her back and the translation, 'soy sauce'. See more »
Saw it at European premiere. Overall it is a nice comedy. Not for hard laughs, but a somewhat sentimental story about an excellent salesman who is fired, because he doesn't have a college degree. Hence he goes back to community college and ends up falling in love.
So far so good. The entire cast is good and Julia is excellent as a hard drinking disillusioned teacher. Tom's direction is a bit slow. So is the build up of the story. It seems to move endlessly among A story, B story trying to please everyone.
Tom decided on a strange, sepia colored 70s look for this one. It's so unreal, or maybe real, I quiet was turned off by it. I suppose for a mature adult audience in their mid 40s this one works. Teenagers will see the Transporter CGI nonsense, while their parents will have a good time with this love-comedy-drama story.
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