A nine-year-old amateur inventor, Francophile, and pacifist searches New York City for the lock that matches a mysterious key left behind by his father, who died in the World Trade Center on September 11, 2001.
A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction. After a painful divorce, she takes off on a round-the-world journey to "find herself".
Two ex-government agents turned rival industrial spies have to be at the top of their game when one of their companies prepares to launch a major product. However, they distract each other in more ways than one.
Until he was downsized, affable, amiable Larry Crowne (Hanks) was a superstar team leader at the big-box company where he's worked since his time in the Navy. Underwater on his mortgage and unclear on what to do with his suddenly free days, Larry heads to his local college to start over. There he becomes part of a colorful community of outcasts, also-rans and the overlooked all trying to find a better future for themselves...often moving around town in a herd of scooters. In his public-speaking class, Larry develops an unexpected crush on his teacher Mercedes Tainot (Roberts), who has lost as much passion for teaching as she has for her husband. The simple guy who has every reason to think his life has stalled will come to learn an unexpected lesson: when you think everything worth having has passed you by, you just might discover your reason to live. Written by
Some of the roadsigns shown in the background don't have actual place names on them but words used in the movie, like 'Chilloot Park' (from a line said by Dean Tainot), or 'Break even paradox' (from a line said by Larry Crowne during Economics 1). See more »
Saw it at European premiere. Overall it is a nice comedy. Not for hard laughs, but a somewhat sentimental story about an excellent salesman who is fired, because he doesn't have a college degree. Hence he goes back to community college and ends up falling in love.
So far so good. The entire cast is good and Julia is excellent as a hard drinking disillusioned teacher. Tom's direction is a bit slow. So is the build up of the story. It seems to move endlessly among A story, B story trying to please everyone.
Tom decided on a strange, sepia colored 70s look for this one. It's so unreal, or maybe real, I quiet was turned off by it. I suppose for a mature adult audience in their mid 40s this one works. Teenagers will see the Transporter CGI nonsense, while their parents will have a good time with this love-comedy-drama story.
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