After moving with her mother to a small town, a teenager finds that an accident happened in the house at the end of the street. Things get more complicated when she befriends a boy who was the only survivor of the accident.
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Olivia Taylor Dudley
Five friends head to a remote cabin, where the discovery of a Book of the Dead leads them to unwittingly summon up demons living in the nearby woods. The evil presence possesses them until only one is left to fight for survival.
Martin was a normal teenage boy before the country collapsed in an empty pit of economic and political disaster. A vampire epidemic has swept across what is left of the nation's abandoned ... See full summary »
Newly divorced Sarah and her daughter Elissa find the house of their dreams in a small, upscale, rural town. But when startling and unexplainable events begin to happen, Sarah and Elissa learn the town is in the shadows of a chilling secret. Written by
When Elisa's mother calls the house it diverts to her cell and appears as 'Mom' on the caller ID. When the officer calls the house and it diverts it should therefore appear as a cell phone number, but in fact it says 'Home'. See more »
I want you Elissa... but I need Carrie Anne.
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Plenty of potential but plays it safe for too much of the time
HOUSE AT THE END OF THE STREET has potential as a taut thriller with a small cast, but unfortunately it has the same problems as other PG-13 fare like DISTURBIA. There's a glossy, safe Hollywood feel to the whole thing which sanitises it; it's as if you can watch and be reassured (despite the scares) that it's never going to be too nasty and that there will be a happy ending once it's all done and dusted.
The would-be mystery plot sees Jennifer Lawrence and her mother Elisabeth Shue moving into a rural property where they discover some brutal murders were committed at a neighbouring house. Eventually, Lawrence befriends the brother of the girl who committed the murders, but it all becomes very convoluted and frankly unbelievable, copying too many films that have come before. I'm disappointed that this was written by one-time director Jonathan Mostow, who directed some nice movies before his talent seemed to fall apart.
The much talked-about Lawrence isn't really a draw in this film, as her acting is average at best. I mean, she's not bad, but it's hard to know how much of her sassy, slightly obnoxious character is actual acting and how much is really her. Shue is disappointing as the histrionic mother after her solid role in PIRANHA 3D, although much of that is down to the writing on her character. Max Thieriot bags the only really sympathetic character but the writers blow that before the end, leaving this tale predictable and rather uninteresting.
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