When a teenager and her mother move to a little town, the girl finds that an accident happened in the house at the end of the street. But things get complicated when she befriends a boy who is the only survivor in the accident.
Five friends head to a remote cabin, where the discovery of a Book of the Dead leads them to unwittingly summon up demons living in the nearby woods. The evil presence possesses them until only one is left to fight for survival.
Six tourists hire an extreme tour guide who takes them to the abandoned city Pripyat, the former home to the workers of the Chernobyl nuclear reactor. During their exploration, they soon discover they are not alone.
Olivia Taylor Dudley
Martin was a normal teenage boy before the country collapsed in an empty pit of economic and political disaster. A vampire epidemic has swept across what is left of the nation's abandoned ... See full summary »
Newly divorced Sarah and her daughter Elissa find the house of their dreams in a small, upscale, rural town. But when startling and unexplainable events begin to happen, Sarah and Elissa learn the town is in the shadows of a chilling secret. Written by
The film was shot in the 2-perf Techniscope format to provide a grainy image reminiscent of older horror films and to save money on film stock and processing. Despite this, "Filmed in Panavision" is listed in the end credits. See more »
When Tyler is smashing Ryan's car he damages the driver's window and the front right headlight. However, later, when Elisa is driving the car up to Ryan's house there is no sign of any damage. See more »
I know what you're doing.
You're trying to save him.
I am not.
Yes, you are. That's what you do, you like to fix people.
Honey, sometimes people can't be fixed.
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House at the end of the street could have been so much more since it clearly shows it has the potential. This film is proof how important a director can be to translate such potential to the screen. In this case Mark Tonderai fails to.
From the title you might have gotten the impression this is one of so many haunted house stories. And there was enough there to make it seem like that way. Which would have added to the viewing experience. Yet too soon any hint towards the supernatural is crushed by a turn in the story that in my opinion came far too soon. Then the director seems to be more focused on the dynamics between mother Elisabeth Shue and daughter Jennifer Lawrence. Which was nice to set up the tension between them but it has no bearing to the overall story. And thus ends up a waste of time. Then the thriller elements kicks in that start out promising and even offer a decent amount of suspense which sadly never supersedes mediocrity. A lot could have been done to add suspense or thrills. Like adding some good old red herrings. I know some people don't care about those and want the blood and the gore. Guess what there is none. Luckily I am not one of those horror fans who find that to be necessary. One can thrill in several other ways. But director Mark Tonderai does nothing of the sort and goes for the easy and predictable solutions. Not even bothering to surprise or reward the viewer for watching at the end of this film.
So is it a title that is worth your time? It is not bad by any means. Only it's not particular good either. For me this is one of those titles I reserve for rainy Sundays when nothing else is on. I think Jennifer Lawrence fans will watch this regardless. And perhaps will fall for the charm of Max Thieriot. He shows promise and did what he could with his role and is bound to impress the ones who watch this. Other than that there is nothing going on that needs mentioning.
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