After moving with her mother to a small town, a teenager finds that an accident happened in the house at the end of the street. Things get more complicated when she befriends a boy who was the only survivor of the accident.
Kathryn Vale (Lena Olin) is a reclusive ex-movie star with a dark secret and a daughter hoping to follow in her mother's movie-star footsteps. When Kathryn attempts to make a career ... See full summary »
After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
Are you young, sexually confused, just trying to get by? Do you sing, dance or possess some other talent? Welcome to the Garden Party. At the center of the story is 15-year-old April. She ... See full summary »
A young girl buys an antique box at a yard sale, unaware that inside the collectible lives a malicious ancient spirit. The girl's father teams with his ex-wife to find a way to end the curse upon their child.
Jeffrey Dean Morgan,
A reimagining of the classic horror tale about Carrie White, a shy girl outcast by her peers and sheltered by her deeply religious mother, who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.
Newly divorced Sarah and her daughter Elissa find the house of their dreams in a small, upscale, rural town. But when startling and unexplainable events begin to happen, Sarah and Elissa learn the town is in the shadows of a chilling secret. Written by
The film was shot in the 2-perf Techniscope format to provide a grainy image reminiscent of older horror films and to save money on film stock and processing. Despite this, "Filmed in Panavision" is listed in the end credits. See more »
When called to join a party after school by Tyler, Elissa is called by her mum. First, she holds the phone in her right hand but after a brief cut to Tyler she holds the phone in her left hand. See more »
I know what you're doing.
You're trying to save him.
I am not.
Yes, you are. That's what you do, you like to fix people.
Honey, sometimes people can't be fixed.
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Plenty of potential but plays it safe for too much of the time
HOUSE AT THE END OF THE STREET has potential as a taut thriller with a small cast, but unfortunately it has the same problems as other PG-13 fare like DISTURBIA. There's a glossy, safe Hollywood feel to the whole thing which sanitises it; it's as if you can watch and be reassured (despite the scares) that it's never going to be too nasty and that there will be a happy ending once it's all done and dusted.
The would-be mystery plot sees Jennifer Lawrence and her mother Elisabeth Shue moving into a rural property where they discover some brutal murders were committed at a neighbouring house. Eventually, Lawrence befriends the brother of the girl who committed the murders, but it all becomes very convoluted and frankly unbelievable, copying too many films that have come before. I'm disappointed that this was written by one-time director Jonathan Mostow, who directed some nice movies before his talent seemed to fall apart.
The much talked-about Lawrence isn't really a draw in this film, as her acting is average at best. I mean, she's not bad, but it's hard to know how much of her sassy, slightly obnoxious character is actual acting and how much is really her. Shue is disappointing as the histrionic mother after her solid role in PIRANHA 3D, although much of that is down to the writing on her character. Max Thieriot bags the only really sympathetic character but the writers blow that before the end, leaving this tale predictable and rather uninteresting.
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