Directed by | |||
| Lance Daly | |||
Writing credits(WGA) | ||
| John Enbom | (written by) | |
Produced by | |||
| Orlando Bloom | .... | executive producer | |
| Orlando Bloom | .... | producer | |
| Dan Etheridge | .... | producer | |
| Macdara Kelleher | .... | associate producer | |
| Jonathan King | .... | producer | |
| Julia Lebedev | .... | co-producer | |
| Sharon Miller | .... | executive producer | |
| Sharon Miller | .... | executive producer | |
| Samson Mucke | .... | line producer | |
Original Music by | |||
| Brian Byrne | |||
Cinematography by | |||
| Yaron Orbach | |||
Film Editing by | |||
| Emer Reynolds | |||
Casting by | |||
| Nicole Abellera | |||
| Jeanne McCarthy | |||
Production Design by | |||
| Eve Cauley | (as Eve Cauley Turner) | ||
Art Direction by | |||
| Mark S. Turner | |||
Set Decoration by | |||
| Ron Olsen | |||
Costume Design by | |||
| Jill Newell | |||
Makeup Department | |||
| Shandra Page | .... | key hair stylist | |
| Gigi Williams | .... | makeup department head | |
Production Management | |||
| Sharon C. Dietz | .... | production supervisor | |
| Samson Mucke | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Colleen Casey | .... | second second assistant director | |
| Joel Jeffrey Nishimine | .... | first assistant director | |
| Jason Roberts | .... | second assistant director | |
Art Department | |||
| Anthony A. Altomare | .... | art department coordinator | |
| Kristopher Gifford | .... | graphic designer | |
| Jonathan R. Hodges | .... | property master | |
| Lee J. Jashinsky | .... | painter | |
| Charles Nixon III | .... | leadman | |
| Carl Nunez | .... | greens foreman | |
| Oskir Pierantoni | .... | art department assistant | |
| Palmer Schallon | .... | on-set dresser | |
| Wayne Springfield | .... | construction coordinator | |
Sound Department | |||
| Per Boström | .... | sound re-recording mixer | |
| Paul Carter | .... | sound effects editor | |
| Mark DeSimone | .... | adr mixer: (New York ) | |
| Linda Forsén | .... | foley editor | |
| Fionn Higgins | .... | dialogue editor | |
| Christer Melén | .... | sound effects editor | |
| Ulf Olausson | .... | foley artist | |
| Jan Petrov | .... | adr recordist | |
| James Shannon | .... | dolby sound consultant | |
| Joakim Sundström | .... | supervising sound editor | |
| Steven Utt | .... | sound recordist | |
| Knox White | .... | boom operator | |
Special Effects by | |||
| William Dawson | .... | special effects coordinator | |
Visual Effects by | |||
| Des Carey | .... | digital finishing supervisor | |
| Sascha Alexander Haber | .... | supervising digital colourist | |
| Ben Keenan | .... | visual effects artist | |
| Sean Rowe | .... | digital film scanner | |
Stunts | |||
| Daniel Arrias | .... | stunts | |
| Kevin Derr | .... | stunt double: Orlando Bloom | |
Camera and Electrical Department | |||
| Ryan Bradley | .... | grip | |
| Chris Cotterman | .... | grip | |
| Rick Davidson | .... | camera operator: "a" camera/steadicam | |
| Patrick R. Heffernan | .... | key grip | |
| Morgan Jenkins | .... | loader | |
| Rick Lamb | .... | additional first assistant camera | |
| Jon Lindsay | .... | second assistant camera | |
| Bryan Marks | .... | electrician | |
| Steve Mathis | .... | gaffer | |
| Jon D. Morrison | .... | rigging gaffer | |
| Dara Norman | .... | lighting technician | |
| Lyle Robbins | .... | electrician | |
| Dale Robinette | .... | still photographer | |
| Jeff Smith | .... | a dolly grip | |
| Kevin Tiesiera | .... | best boy electric | |
| Conner Vandeer | .... | electrician | |
| Benjamin Verhulst | .... | camera intern | |
Casting Department | |||
| Claire Benjamin | .... | extras casting | |
| Chris Bustard | .... | extras casting | |
| Yesi Ramirez | .... | casting associate | |
| Jessica Munks | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Scott R. Hankins | .... | principal dresser | |
| Michelle Margolis | .... | costumer | |
| Sarah Springer | .... | costume assistant | |
| Daphne Vardakis | .... | set costumer | |
Editorial Department | |||
| Niamh Burke-Kennedy | .... | assistant editor | |
| Ian de Brí | .... | digital intermediate conform editor | |
| Larry Ferguson Jr. | .... | post-production consultant | |
| Sascha Alexander Haber | .... | supervising digital colorist | |
| Gwyn Moxham | .... | technical consultant | |
| Mathieu Reid | .... | color timer | |
| Bart Verraest | .... | colorist | |
Music Department | |||
| Kieran Lynch | .... | music producer | |
Transportation Department | |||
| Michael Avallon | .... | driver | |
| Al Burton | .... | transportation coordinator | |
| Kimberly Burton | .... | transportation dispatcher | |
| Joe Handley | .... | driver | |
| John McLaughlin | .... | production van driver | |
| Harry Victor Schultz | .... | driver: Honeywagon | |
Other crew | |||
| Konstantine Anthony | .... | stand-in | |
| Prarthna Arias | .... | video playback services | |
| Mark Asaro | .... | production coordinator | |
| Jacob Bartel | .... | assistant to Mr. Bloom | |
| Julie Bernards | .... | payroll accountant | |
| Katie Botkin | .... | production assistant | |
| Michelle Cates | .... | medical consultant | |
| Katherine Cattani | .... | production assistant (as Katherine Haggerty-Cattani) | |
| Adam W. Chang | .... | set production assistant | |
| Marjorie Chodorov | .... | production accountant | |
| Michael Clark | .... | production assistant | |
| Billy Concha | .... | stand-in | |
| Susan Dolan | .... | post production assistant | |
| Jean Hodges | .... | food stylist | |
| Sean R. Jackson | .... | production assistant | |
| Emily Kacere | .... | assistant: producers | |
| Eloy Lara | .... | production medic | |
| Gail Marinelli | .... | accounting clerk | |
| Aoife McGonigal | .... | production assistant | |
| Zack Milan | .... | stand-in | |
| Dan Milner | .... | key assistant location manager | |
| Stephanie Norton | .... | assistant: director | |
| Michael M. Piehler | .... | key assistant location manager | |
| Irwin M. Rappaport | .... | production legal | |
| Erin E. Riegel | .... | office production assistant | |
| Lili Romero | .... | office production assistant | |
| Douglas I. Schwartz | .... | additional office production assistant (as Douglas Schwartz) | |
| Tracy Scott | .... | script supervisor | |
| Jason Suhrke | .... | key set production assistant | |
| Stacy Varitimos | .... | production assistant | |
| Sasa Watt | .... | first assistant accountant | |
| Billie Webster | .... | post production accountant | |
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| Athlete | In a Better World | Pacific Liner | Requiem for a Dream | Contagion |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
The Good Doctor (2011)
*** (out of 4)
Orlando Bloom plays Dr. Martin Blake, a man with a good job, a nice car, a fine apartment and he appears to have anything you'd want but he's actually quite lonely. He thinks he finds someone special in a young patient (Riley Keough) who is suffering from a kidney disease but soon the doctor's kindness turns to obsession. THE GOOD DOCTOR has gotten some fairly negative reviews but I think they were a bit unfair. Yes, if you're wanting a film that's going to explain everything to you then it's best to skip this one. In fact, we never really learn why Martin is so lonely, why he can't seem to connect with people and we really don't even get to know why he wants to be a doctor or why he becomes obsessed. This is one of those independent movies that wants to make the viewer do a lot of thinking and while it's not a complete success I still found the story compelling and the performances very good. Bloom was perfect in his role as the doctor and with the haircut and performance style I really couldn't help but think of Anthony Perkins in PSYCHO. The performance here certainly isn't legendary like that one but I found a lot of similarities between the characters. Bloom really does a great job at playing this lonely character and you believe it just by the sadness that his eyes carry. I always say that acting with your eyes can be the hardest thing to do yet Bloom gets so much across here. I also really liked Riley Keough in the role of the patient who forms this special bond with the doctor. The actors have some great chemistry together. Taraji P. Henson is excellent in her role as a nurse who doesn't get along with the doctor and we get nice support from Michael Pena and Rob Morrow. There are parts of the story that certainly don't work but I must admit that the film kept me on the edge of my seat because I was never quite certain where it was going to go or how everything was going to play out. I won't ruin the ending but I think it worked just fine but I'm sure everyone will take something different away from it.