8 items from 2017
Allan Loeb certainly isn’t a household name, but there’s a pretty good chance you’ve might’ve seen one or two of his credited movies. Whether it’s “21,” “The Switch,” “The Dilemma,” “Just Go With It,” “Wall Street: Money Never Sleeps,” “Rock of Ages” or last year’s regrettable “Collateral Beauty,” just to name a handful, Loeb is one of those screenwriters who’s quick to diversify his resume but never able to prove his skills.
Continue reading ‘The Only Living Boy In New York’ Is A Lacklustre Coming-Of-Age Dramedy [Review] at The Playlist. »
- Will Ashton
Ron Howard grew up in front of the camera, but he came of age as an artist behind it. The actor-turned-filmmaker has directed well over 20 movies throughout his career, taking an unostentatious approach to popcorn flicks and prestige pictures alike. With Inferno out this week, here’s a look back at the good, the bad, and The Dilemma. 24.) The Dilemma: What at first appears to be Howard’ attempt at a Woody Allen-style film about crisscrossing relationships gradually instead turns out to be an inert romantic dramedy. Vince Vaughn and especially Kevin James are taken well beyond their comfort zones, »
- Michael Nordine
Ron Howard, freshly tasked with taking over directing the “Star Wars” Han Solo spinoff movie, said he’s been around the space-epic franchise from the very beginning — and that he’s ready to immerse himself deeply into studying “Star Wars” lore.
“I’ve been a fan forever,” said Howard, speaking Friday at the Cannes Lions advertising and media conference. “It’s gratifying to be asked to lend my voice to the [Star Wars] universe.”
Disney’s Lucasfilm on Thursday officially tapped Howard to finish making the movie, after studio president Kathleen Kennedy fired directors Phil Lord and Chris Miller this week because the duo were seen as overstepping their remit by going off-script with comedic touches.
Howard recalled that in 1972, George Lucas told him about his plans for a “fun” sci-fi film, incorporating special effects like those used in Stanley Kubrick’s “2001: A Space Odyssey,” when Howard was appearing as an actor in Lucas’ “American Graffiti” (which also featured Harrison Ford, who went on to play Han Solo).
When “Star Wars” came out, on opening day Howard said he and his wife, Cheryl, went to go see it — and they stood in line for two hours to get in. “I was so moved by the movie,” he said. “I was transported by the movie… We literally left almost speechless.” They decided to see it again, and waited another 90 minutes in line.
Shooting on the “Star Wars” Han Solo movie was three-fourths completed when Lord and Miller were given the boot. Howard has already begun work on the project, with shooting set to resume July 10. The movie was already scheduled for five weeks of re-shoots later in 2017.
Howard appeared on stage at the Palais des Festivals’ Lumiere Theatre here with Wpp’s Sorrell and Robert Kraft, owner of the New England Patriots and Major League Soccer’s New England Revolution. (Howard and Kraft were previously scheduled to appear at a post-panel press conference but only Sorrell showed up.)
Han Solo Firing: Will Ron Howard Share Directing Credit With Lord & Miller?
Sorrell’s Wpp is an investor in Imagine Entertainment, the production company co-founded and run by Howard and Brian Grazer. With the infusion of $100 million from Raine Group last year, Howard said the company is planning to expand beyond TV and film into branded-content work.
“That’s one of the reasons I’m here [at Cannes Lions],” Howard said. “The next iteration of Imagine, the one we hope goes forward and beyond us, is all about storytelling.”
Asked by Sorrell about their thoughts on President Trump, Kraft declined to comment while Howard chimed in with this: “I’m really hopeful that when this presidency is dramatized years from now, it is as a lovely, hilarious Broadway musical called ‘Trumped.'”
Also on the panel, Kraft commented on the process of picking high-quality talent while looking for people who can check their ego at the door.
“We’re in an ego-driven business — and when we’re doing well, the question is, who gets the credit?” Kraft said. He added, however, “You have to put up with a certain amount of nonsense… People who are really talented, off the charts, are different.”
Sorrell quipped: “We have no egos in the advertising business. We don’t even know how to spell ‘ego.'”
Howard, in his 30-plus years as a filmmaker, has made more than 50 movies including “Night Shift,” “Splash,” “Cocoon,” “Parenthood,” “Backdraft,” “The Da Vinci Code,” “Apollo 13” and “A Beautiful Mind,” which won four Academy Awards including for best director and best picture. However, his more recent films, including “Inferno,” “In the Heart of the Sea,” “Rush” and “The Dilemma,” have fared poorly at the box office.
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- Todd Spangler
His hire comes after the movie’s original directors Phil Lord and Chris Miller were fired Tuesday, while in the middle of production after clashing with producer and Lucasfilm chief Kathleen Kennedy and co-writer/executive producer Lawrence Kasdan. The duo, who had previously overseen “The Lego Movie” and “21 Jump Street,” wanted to inject more humor into the storyline and encouraged improvisation, something Kasdan did not appreciate.
12 Directors Who Were Pushed from the Director’s Chair
Howard will begin work immediately. The picture still has several weeks left on its shooting schedule, and five additional weeks of pre-scheduled reshoots that were planned for later this year. The exact amount of time and money that it will take to actually complete the production (which was about three-quarters finished when the directors were fired), will vary depending on how much rewriting and reshooting Howard deems is necessary after reviewing the script and shot footage.
It is unclear just how Howard will be credited and whether he will share directing credit with Lord and Miller, or potentially take no credit at all (though that seems unlikely). Lord and Miller have the right to appeal any decision, but ultimately, the Directors Guild of America will make the call.
Howard previously worked with Lucasfilm on 1988’s “Willow,” a fantasy adventure that garnered two technical Ocscar nominations (visual effects and sound editing) but was a box office disappointment. Howard’s credits also include hits such as “Parenthood,” “Splash,” “Backdraft,” “The Da Vinci Code,” “Apollo 13” and 2001’s “A Beautiful Mind,” about the brilliant, anti-social mathematician John Nash, which won four top Academy Awards including best director and best picture.
These days, however, the former child actor is in need of a big hit. He’s had a string of duds that include “Inferno,” “In the Heart of the Sea,” “Rush,” and “The Dilemma.” His last significant success was 2009’s “Angels & Demons.”
Related stories'Star Wars' Han Solo Spinoff: Lord & Miller Firing Is Latest in Long Line of Director ExitsWhy Movies Need Directors Like Phil Lord and Chris Miller More Than Ever'Star Wars' Han Solo Spinoff: Lord & Miller Fired After Clashing With Kathleen Kennedy (Exclusive) »
- Brent Lang
Han Solo movie director? Who could replace the departed Lord & Miller? We throw some options into the ring.
We reported very early this morning that Phil Lord and Chris Miller had sadly left the in-production Star Wars spin-off movie based around the character of Han Solo. It’s a great shame as the work that the duo have done on the likes of The Lego Movie and the ‘Jump Street’ films seemed to fit the world of Han Solo perfectly. Our Han Solo movie director choices are below.
Lord & Miller’s leaving of the project as it was shooting here in London was a surprise, and supposedly due to those dastardly creative differences that dog many productions as creatives and execs butt heads. While this is clearly nobody’s fault in particular, it’s a big problem for the studio as production delays lead to big costs, and a new director will need to be found pretty darned quickly.
The film is actually months into production in London, and we’re already hearing rumblings that Ron Howard is being closely tied with the project. While his involvement could be confirmed (or denied) any minute, we thought we’d take a look at who could possibly replace Lord and Miller on the Han Solo movie and fit the mould that this particular kind of film craves.
Let’s kick off with the name that is already being associated with the movie. Ron Howard seems like a very safe choice to take the directing reigns on the project, and he’s obviously an accomplished filmmaker more than capable of guiding a film that is part-way through production home. Howard has many big-scale projects in his back catalogue; from the likes of the Robert Langdon trilogy; The Da Vinci Code, Angels & Demons and last year’s Inferno, 2015’s In The Heart Of The Sea and How The Grinch Stole Christmas, to more intimate affairs such as A Beautiful Mind. Let’s not forget, he has a huge history of comedic movies too, hailing all the way back to Parenthood in the 1990s, Matthew McConaughey-led EdTV, and more recently The Dilemma.
Of course, Howard’s biggest asset from his back-catalogue is his ties with George Lucas with the fantastical cult hit Willow. With his affiliation and previous history with the studio, the fact that he is currently free (despite having some commitments to a biopic on opera star Luciano Pavarotti) and his amazing film-making skill, his involvement is a dead cert – as long as the terms are right, of course.
With the project many months into production and development having kicked off well over twelve months ago, it may be important to bring someone in who knows the film inside out, and there’s nobody who knows it more that its screenwriter Lawrence Kasdan. Kasdan also wrote Star Wars movies The Empire Strikes Back, Return Of The Jedi, The Force Awakens, so his familiarity with the franchise is unparalleled. With eleven credits to his name as director, Kasdan is also an accomplished filmmaker with a steep history in the western genre over the years, so he could be a good fit.
Kasdan has already proved he can direct grand scale movies (Wyatt Earp) as well as comedies (The Big Chill), and although he hasn’t helmed a film since 2012, he could step out of the gates and own this one completely.
Article continues : Who will be the new Han Solo movie director >>>
The post 5 Directors Who Could Replace Lord & Miller On The Han Solo Movie appeared first on The Hollywood News. »
- Paul Heath
While “The Amazing Spider-Man” director Marc Webb is watching the franchise get rebooted, he’s not sweating it one bit. The filmmaker has returned to his indie roots in a big way, having already released “Gifted” this spring. While you weren’t looking, the Chris Evans starring dramedy has racked up an impressive $28 million worldwide, and now the filmmaker has another movie swinging into cinemas this summer, with “The Only Living Boy In New York.”
Starring Kate Beckinsale, Pierce Brosnan, Kiersey Clemons, Cynthia Nixon, Callum Turner and Jeff Bridges the long-in-the-works movie (which at one time was going to star Logan Lerman, and be directed by Seth Gordon), is worryingly penned by Allan Loeb (“21,” “The Switch,” “The Dilemma,” “Just Go With It”) and follows a recent college graduate who seeks the guidance »
- Kevin Jagernauth
Vince Vaughn (Courtesy: AP Images)
By: Scott Feinberg
The Hollywood Reporter
“I think what happened to me after The Break-Up was I was kind of more ‘booking jobs’ and not working from that same catalyst of, ‘I really believe in this and we all want to make the same movie,'” acknowledges the actor Vince Vaughn as we sit down at the London West Hollywood hotel to discuss his career on The Hollywood Reporter‘s ‘Awards Chatter’ podcast. Following a remarkable run of hit comedies in the early 2000s — among them, 2003’s Old School, 2004’s Dodgeball: A True Underdog Story and Starsky & Hutch and 2005’s Wedding Crashers — Vaughn had deliberately pivoted towards drama with the 2006 dramedy.
“But I didn’t follow through on it,” the 46-year-old says with unmistakable regret. Instead, he lost his way for a decade, during which he was humbled by critical and commercial disappointments — see Fred Claus »
- Carson Blackwelder
At some point Channing Tatum went from man-candy (what? It's been said) to movie star. His star rose when Step Up stole the hearts of romantic comedy lovers that had waited too long for a new dance film. Seemed like Save The Last Dance had been decades before, despite the fact it actually released only five years prior. But, let's take a look back at Channing's filmography and see exactly where Tatum became something more.
CSI: Miami - Bob Davenport (2004) Never saw it, lets assume he was "okay."Coach Carter - Jason Lyle (2005) Same as CSI: Miami, watching Samuel L. Jackson as a coach just seemed too easy. Yell. Throw Notebook. Win baby, win.War of the Worlds - Boy in Church (uncredited, 2005) Wuh? Did they know he was just in Coach Carter?Havoc - Nick (2005) Is this the Havoc with Anne Hatheway's nude scene? Must go back and pay »
- Tyler Richardson
8 items from 2017
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