Directed by
| Iliana Sosa | ||
Writing Credits (in alphabetical order)
| Isidore Bethel | ||
| Iliana Sosa | ||
Produced by
| Isidore Bethel | ... | co-producer |
| Katy Drake Bettner | ... | consulting producer |
| Emma D. Miller | ... | producer |
| Iliana Sosa | ... | producer |
Music by
| Camilla Uboldi | ||
Cinematography by
| Judy Phu | ||
| Iliana Sosa | ||
| Monica Wise | ||
Editing by
| Isidore Bethel | ||
Sound Department
| Heidy Carrazana | ... | dialogue editor |
| Glenda Charles | ... | sound recordist |
| Carlos Cortés Navarrete | ... | re-recording mixer |
| Lena Esquenazi | ... | sound designer and supervisor |
| Pablo Fernández | ... | backgrounds editor |
| Eduardo Gaytán | ... | foley recordist |
| Pablo Lach | ... | premix |
| Alfredo Romero | ... | foley artist |
Camera and Electrical Department
| Alexandria Bombach | ... | additional cinematographer |
| Laura Bustillos | ... | additional cinematographer |
| Mina Fitzpatrick | ... | additional cinematographer |
Editorial Department
| Lucrecia Gutierrez | ... | teaser editor |
| Chelsea Hernandez | ... | assistant editor |
| Clementina Mantellini | ... | additional editor |
| Paloma Martinez | ... | assistant editor |
| Andrés Treviño Ribó | ... | assistant editor |
| Ernie Schaeffer | ... | colorist / post-production supervisor |
Location Management
| Trinity L Beals | ... | location scout |
Music Department
| Fernando Heftye | ... | music supervisor |
Additional Crew
| Amy E. Mitchell | ... | clearance counsel |
| Jacki St. Thomas | ... | awards publicist |
