Sarah Keaton has just passed away following a difficult bout of cancer. She is survived by among others her loving executive chef/restaurateur husband, Tom Keaton, and their eight year old son, Oscar Keaton. The end of the Keatons' marriage was difficult not only because of the cancer itself, but also because they had divergently different views on treatment, and because her early prognosis was positive leading to both not treating the news of her imminent death well. Tom copes recklessly, irresponsibly and angrily in his grief, manifested by among other things indiscriminate casual sex with a multitude of partners. Also negatively affected by Tom's actions is Sarah's sister, Karen, who feels she needs to be the responsible one, especially as Oscar is often a casualty of Tom's irresponsibility. Many of the Keatons' friends and colleagues try to be there for Tom in any way they can, including Miriam, a therapist who is more a friend of a friend. Tom may have to go through much pain ... Written by
At the opening of the movie I was unsure of what was happening this did lead to some confusion as to what this movie was really about, but hang in there as half way through the movie things start to get put into place and the jigsaw comes together, like the above reviewer some sex scenes were not warranted but the intimacy between both Matthew and Bojana (as husband and wife) were what brought this movie together.
The sadness of what happens to the family left behind and how they struggle through grief and loss is heartbreaking, the hospital scenes which were portrayed in a dignifying and honest way are the sad reality of what really does happen to somebody who is terminally ill.
This move in my view is better than my sisters keeper and shows what real Australian Talent is about I recommend it to everyone - but warning bring an open mind and plenty of tissues.
9 of 12 people found this review helpful.
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