The Clock family are four-inch-tall people who live anonymously in another family's residence, borrowing simple items to make their home. Life changes for the Clocks when their daughter, Arrietty, is discovered.
A young girl finds that all the books she chooses in the library have been previously checked out by the same boy. Later she meets a very infuriating fellow... could it be her "friend" from... See full summary »
When an unconfident young woman is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking home.
In the middle of her family's move to the suburbs, a sullen 10-year-old girl wanders into a world ruled by gods, witches, and monsters; where humans are changed into animals; and a bathhouse for these creatures.
14-year-old Arrietty and the rest of the Clock family live in peaceful anonymity as they make their own home from items that they borrow from the house's human inhabitants. However, life changes for the Clocks when a human boy discovers Arrietty. Written by
Nervous at the idea of directing the film himself, Hiromasa Yonebayashi would initially always seek Hayao Miyazaki advice and opinions. He eventually realized he was on a journey he should face alone when the time came to draw the storyboard, and Miyazaki congratulated him for it. See more »
The story takes place some where in western Tokyo. Domestic cars in Japan have their steering wheels on the right side, but Aunt Sadoko's Mercedes is a left hand drive, since it is an imported car. The housekeeper Haru's red car is a right hand drive, as it is a normal, domestic Japanese car. See more »
I have to go. When is your operation?
The day after tomorrow. I'm going to be okay. You gave me the courage to live.
[Unclipping the pin from her hair & giving it to Shawn]
You protected me after all.
I hope you have the best life ever. Goodbye.
Arrietty, you're a part of me now. I'll never forget you, ever.
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You can't beat hand drawn animation. No matter how realistic your computer generated image is or how much the train conductor looks like Tom Hanks, you can't really compete with the beauty of Ghibli's animation. And that really comes across when seeing this new offering on the big screen. Along with some descent English dubbing and the humour that always accompanies tiny people with giant sugar cubes, Arrietty is the usual charming goodness from team Ghibli.
Arrietty is The Borrowers (in fact many cinemas are calling it just that) Tiny people live under the floorboards of a house where a young boy with a heart condition is gathering some much needed rest before his impending risky operation. They hide themselves from us humans waiting until night to sneak into our homes and 'Borrow' the things we wont miss, like sugar cubes and tissues. The majority of the fun in this film comes from watching the tiny borrowers clamber around the shelves using string to rappel off cupboards.
Olivia Colman (Peep Show, Hot Fuzz) Is brilliant as the panicky Mum of Arrietty constantly fretting about the humans and her daughter running off all the time. Geraldine McEwan (Miss Marple) is also great as Haru, she is a classic creepy Ghibli old lady and some of the noises she makes are making me laugh just now thinking of them.
It's easy for kids to follow and endlessly beautiful to watch. Not really surprising that they have done it again and thanks to Pixar dropping the ball (again) with Cars 2, Oscar this year please?
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