The Clock family are four-inch-tall people who live anonymously in another family's residence, borrowing simple items to make their home. Life changes for the Clocks when their daughter, Arrietty, is discovered.
A young girl finds that all the books she chooses in the library have been previously checked out by the same boy. Later she meets a very infuriating fellow... could it be her "friend" from... See full summary »
When an unconfident young woman is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking home.
In the middle of her family's move to the suburbs, a sullen 10-year-old girl wanders into a world ruled by gods, witches, and monsters; where humans are changed into animals; and a bathhouse for these creatures.
14-year-old Arrietty and the rest of the Clock family live in peaceful anonymity as they make their own home from items that they borrow from the house's human inhabitants. However, life changes for the Clocks when a human boy discovers Arrietty. Written by
French singer Cécile Corbel, a big fan of Studio Ghibli's films, had sent the studio her second album as a gift back in 2009. Toshio Suzuki listened to it, was seduced and thus decided to hire her to compose the film's score. See more »
The story takes place some where in western Tokyo. Domestic cars in Japan have their steering wheels on the right side, but Aunt Sadoko's Mercedes is a left hand drive, since it is an imported car. The housekeeper Haru's red car is a right hand drive, as it is a normal, domestic Japanese car. See more »
I have to go. When is your operation?
The day after tomorrow. I'm going to be okay. You gave me the courage to live.
[Unclipping the pin from her hair & giving it to Shawn]
You protected me after all.
I hope you have the best life ever. Goodbye.
Arrietty, you're a part of me now. I'll never forget you, ever.
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I went into this film with very limited expectations. I'm not especially a fan of animated movies, and have only seen a small handful of anime productions. So it came as a very unexpected surprise to discover that I absolutely loved this movie. It just seemed to get everything pretty much right. The visual artistry was quite beautiful, with a great deal of invention in the scenes where the little Borrowers navigate through the wide expanses of the house they live underneath. The music was quite stunningly appropriate, with the lilting Celtic sound just perfect in tone for this melancholic story, with some lovely vocal work too. And these images and sounds were combined together into a simple narrative that had an enormous amount of heart to it. I felt a warm buzz long after leaving the theatre.
The Borrower Arrietty is a beautiful film. I cannot really find fault with it. So from this reviewer who has very limited knowledge of anime I give it a near perfect nine.
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