Set during WWII, a story seen through the innocent eyes of Bruno, the eight-year-old son of the commandant at a German concentration camp, whose forbidden friendship with a Jewish boy on the other side of the camp fence has startling and unexpected consequences.
While subjected to the horrors of World War II Germany, young Liesel finds solace by stealing books and sharing them with others. In the basement of her home, a Jewish refugee is being protected by her adoptive parents.
The granddaughter of Captain Budgett, one of the World War I veterans who had inspired Michael Morpurgo to write the original story, appeared as an extra in the movie. See more »
Before leaving for France Major Stewart gives the order for battle; there is to be no polish so that a glinting bridle or stirrup would not give away their position. In the scenes set in France all the metal on the horse's bridles is freshly polished. See more »
And you've never done a brave thing in your life?
Maybe there are different ways to be brave. Did you know the French have the best carrier pigeons? And this could be the difference in the war - our messages getting through.
I don't want to hear about the birds.
They are released at the front and told to go home - this is all they know. But to get there they must fly over war. Can you imagine such a thing? Here you are flying over so much pain and terror - and you know you can never look down. ...
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This film is a treat to watch. I was keen to see it, but had reservations about watching scenes from world war one. I had no need to worry. The whole thing was beautifully handled and even the filming of the trenches and the front were carefully composed and lit. Joey the horse is the lead actor. And what an actor! What a handsome horse! He certainly stole the film. Some scenes stay with me. The race with the car, the friendship with the black horse, the Geordie regiment bagpipe player in the trench, the German soldiers helping the worn out horses drag those great guns up the slope. Joey bolting through the barbed-wire fencing. A friend I was with remarked afterwards that Roses of Picardy had not been written in 1914 and that the record it was being played on was from about three decades later. These are really small details in what appeared to me to be a meticulously researched film. I hope it has a world wide audience. It deserves one.
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