Set during World War II, a story seen through the innocent eyes of Bruno, the eight-year-old son of the commandant at a concentration camp, whose forbidden friendship with a Jewish boy on the other side of the camp fence has startling and unexpected consequences.
Famed archaeologist/adventurer Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
Dartmoor,1914: To his wife's dismay farmer Narracott buys a thoroughbred horse rather than a plough animal, but when his teenaged son Albert trains the horse and calls him Joey, the two becoming inseparable. When his harvest fails, the farmer has to sell Joey to the British cavalry and he is shipped to France where, after a disastrous offensive he is captured by the Germans and changes hands twice more before he is found, caught in the barbed wire in No Man's Land four years later and freed. He is returned behind British lines where Albert, now a private, has been temporarily blinded by gas, but still recognizes his beloved Joey. However, as the Armistice is declared Joey is set to be auctioned off. After all they have been through will Albert and Joey return home together? Written by
don @ minifie-1
Original author Michael Morpurgo's original story evolved from a chance meeting with three surviving WW1 soldiers at his local bar in Iddesleigh, Devon, Morpurgo's English hometown. After a number of meetings with the former members of the Devon yeomanry, and consultations with the Imperial War Museums (IWM), Morpurgo was able to structure a story based on the experiences of the veterans and their poignant accounts of, not just human slaughter on the battlefield, but also the wholesale carnage and starvation of horses. See more »
Towards the end of the film, when the grandfather, who has outbid Albert at the auction for Joey, informs him that he has travelled three days to get the horse back, how did he know that the horse was going to be auctioned? Albert only found out the day before. See more »
Very well made. A modern film reminiscent of the classics.
It is well understood from the first few scenes that the typical cliché of both war films and animal dramas will stain Spielberg's canvas, yet the film pushes forward, earning well-deserved praise. Quite a few scenes are captivating to say the least; as is the scene with the horse, Joey, forging through heavily barb-wired no man's land.
'War Horse' surely reminisces the older WW1 films, and epic war films in general, such as Lawrence of Arabia, that drag on forever, yet do not fail to keep you enthralled with their stunning visuals and top-notch acting. Jeremy Irvine's performance was acceptable for an actor fairly new to the game, as were the performances of the gamut of child actors in the film, but honorable mentions must go to Emily Watson, Niels Arestrup, and Peter Mullan. The production did a wonderful job to give the horse Joey a deeper personified image, as if he were an actor. The same goes for the other horses in the film, who seem to converse amongst each other and reveal a chemistry shared between animal and animal, as well as animal and man. A wonderful job on the whole. Certainly Spielberg's finest work in recent months (yes, I don't think cowboys and aliens should ever mix).
For what its worth, this picture will move you deeply, as it has done to many. 'War Horse' inspires anti-war sentiments, as Joey's endeavors help him sympathize with men on both sides of the trenches, and ultimately reminds us of the beauty of Earths beasts. Each one has its own character that strikes a chord with the audience, and this is undeniable.
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