| Photos (See all 20 | slideshow) | Videos (see all 4) |
| Daniel Hendler | ... | Coco | |
| Jazmín Stuart | ... | Pipi | |
| Yayo Guridi | ... | Horacio | |
| Federico Luppi | ... | Zanutto | |
| rest of cast listed alphabetically: | |||
| Carlos Bermejo | ... | Guglierini | |
| Gonzalo Urtizberéa | |||
| Abian Vainstein | ... | Lange | |
Directed by | |||
| Nicolás Goldbart | |||
Writing credits(in alphabetical order) | ||
| Nicolás Goldbart | written by | |
Produced by | |||
| Sebastian Aloi | .... | producer | |
| Lanfranco Pablo Burattini | .... | associate producer | |
| Tomas Elio Cohen | .... | associate producer | |
| Ricardo D'Amato | .... | associate producer | |
| Benjamin Eloi | .... | associate producer | |
| Bernard Eloli | .... | associate producer | |
| Nicolás Goldbart | .... | co-executive producer | |
| Yayo Guridi | .... | associate producer | |
| Axel Kuschevatzky | .... | co-executive producer | |
| Sebastian Perillo | .... | executive producer | |
| Hector Pines | .... | associate producer | |
| Steven Schneider | .... | executive producer | |
| Esteban Torres | .... | associate producer | |
Original Music by | |||
| Guillermo Guareschi | |||
Cinematography by | |||
| Lucio Bonelli | |||
Film Editing by | |||
| Pablo Barbieri Carrera | |||
| Nicolás Goldbart | |||
Art Direction by | |||
| Mariela Rípodas | |||
Production Management | |||
| Pedro Dapello | .... | production manager | |
| Agustina Maruca | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Gabriel Medina | .... | assistant director | |
Sound Department | |||
| Martín Grignaschi | .... | sound | |
| Fernando Ribero | .... | foley recordist | |
| Fernando Ribero | .... | sound effects editor | |
| Florencia González Rogani | .... | sound editor | |
Special Effects by | |||
| Franco Burattini | .... | special effects coordinator | |
Visual Effects by | |||
| Alejo Varisto | .... | visual effects artist | |
Stunts | |||
| Franco Burattini | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Mercedes Laborde | .... | second assistant camera | |
| Juan Manuel Muñoz | .... | key grip | |
Other crew | |||
| Bob Buchholz | .... | english language director | |
| Mariano Saban | .... | editor assistant | |
| Recent Posts (updated daily) | User |
|---|---|
| (SPOILER) Horatio's infection | poserpro |
| The Ending.... | kinwardog |
| Fase 7 video | doitup |
| ending? | proodense |
| What's the name of the similar film...? | Special-K99 |
| What? | SheWorksHardForTheMoney |
|
|
|
|
|
| Mulberry Street | Apartment Zero | Quarantine | Lucía, Lucía | I Am Legend |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Argentina section |
This exciting, low-budget Argentine film by Nicolas Goldbart revolves a young couple, Coco (Daniel Hendler) and Pipi (Jazmin Stuart) living in a small, high middle class apartment complex in present-day Buenos Aires City. Suddenly, the whole edifice where they live is under quarantine due to a strange high-mortality epidemic that affects the lungs of its victims. Thus, Coco and Pipi find themselves prisoners of their own apartment. The same goes for their colorful neighbors. All residents, the local sanitary authorities declare, must remain in their apartments until the quarantine is over. None knows how long would that be. Soon food supplies start to run short. Internet is down; so is television. Things take a turn for the worse and the disease becomes a global pandemic. Authorities everywhere we learn-- are overwhelmed in a matter of days or perhaps weeks. As millions of thousands of people begin to die worldwide, a state of complete chaos and anarchy follows. A maximum stage alert (Phase 6) is declared by the World Health Organization. Yet things get even worse. The apartment complex mirrors society as a whole as the desperate and paranoid neighbors start making alliances and turning on each other with deadly intentions . . .