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|Index||16 reviews in total|
I never write review. I'm not even good at writing. I was extremely
excited to see this movie. Unfortunately, after watching the movie, I
was so disappointed, that I had to register an IMDb account and post a
review. Maybe this will get me into writing more reviews in the future.
Anyway, I'll start with the positives. The story was mildly intriguing. It definitely had some potential. The music was good. OK, that's it for the positives. Not much, eh? Well...that's the reason for a 2/10.
Acting: The acting was absolutely horrible by the main character. Everyone else was mediocre. The main character did not seem believable at all. Granted, this was partially due to the things they made him say in the script, but either way, it could have been much better.
Character Development: There was none. The main character was unbelievable and was impossible to sympathize with. I could not imagine anyone reacting the way he did in the same situation as he was placed.
Story Progression: The scenes were too long and drawn out. It was so boring that I had to jump ahead 10-15 seconds at a time just to get through the movie.
Music: Way too freakin' loud and prominent all throughout the movie. I could barely hear what the characters were saying.
Overall: I thought the story was good, but could have been significantly improved. The acting needed to be improved significantly. As much as I hate to say it, I would love to see a Hollywood remake of this.
*** This review may contain spoilers ***
This seems to be becoming one of those love it or hate it kind of
films. It has either vicious haters or passionate admirers. I'm closer
to the admirers. While I do understand some of the criticisms I am
reading here (long, drawn out scenes, loud music mix, etc), the good
far outweighs the bad.
Brandon Slagle (who also wrote the film) is Lukas Reyes, and everyman who had just celebrated his wedding anniversay with his young (almost too young looking) bride, Sera (Andrea Chen).
The next morning, all evidence of their life together...is gone. The rest of his life, however, seems to be the same.
Lukas's best friend, Damon (Dee Martin) has the perfect solution...get his friend crazy drunk...and he does. The next morning Lukas wakes up, seemingly married to another woman, Nara (Devanny Pinn). He has no memory of this life and upon her claims they've been married for two years, he threatens to call the police on her and throws her out.
Sera soon appears, but not before Lukas finds himself attached by a group of mysterious men calling themselves "The Knowers", who "police and fix" any rifts in the "symbiotic relationship" between parallel worlds, which states that each world must maintain a balance, which I assume means that multiple versions of the same person cannot occupy the same world at the same time, or that world destroys itself.
It is an interesting, if slightly convoluted, storyline indeed, and quite ambitious for an independent film with no instantly marketable names in it. A lot of similar indie films rely on gore or sex to market themselves, but this one trusts its subject matter to sell it.
Does it work? For the most part, yes.
The performances are rather understated. A lot of them seem more like improvised conversations sans a few longer passages of dialogue. While this is on one hand a good thing, it also offsets the tone on occasion. Sometimes the film feels like a grandiose epic and sometimes it feels like a small "mumblecore" drama. The editing and cinematography is above average and the music, while it IS loud, is quite well done. A few licensed songs pop up here and there, and in appropriate places.
Overall this is an enjoyable effort, with room to expand upon the storyline. A film called "15 Past Midnight" is listed as in-development on IMDb, and I can only assume that is a sequel. If the right tools are given, that could very well be something to look forward to.
I really think whoever wrote the last review for this piece of
monotonous drivel was the director's Mum!!! (and I think she gave it a
10 - way more than once) Noboby else could have such excitement and
kind thoughts about this fiasco!!!
The idea behind this little flick was great, but they just failed to deliver a coherent and understandable movie that had pace, interest, suspense or any of the things that make for a semblance of entertainment.
Plot: Lost in space. Script: Drivel. Music: Contradictory and out of character to the plot - (utter excitement through the boredom). Camera: Sporadic and amateurish. Direction: Meandering and confusing. In a nutshell - don't waste your time!!
The plot, the story, was great. Original and creative, sadly that is
all that it has going for it.
The acting was nothing short of atrocious, I can see what the director was trying to do, maybe they should have sacrificed some of the plot to build character, better yet, hire some better actors. They were amateurs, there was no "oomph" behind the performance, no emotion.
The sound editors, fire them. Do they even understand what balance is? The film crew? Do not do with a camera what you cannot do with your eyes, it breaks focus. You have a long way to go, use the dolly. It's there for a reason.
I hope someone does remake this, doing it properly. It'll be much more watchable.
I'm not a professional reviewer, so I'm not going to get into all the
fine details, but felt I needed to give this film a fair shake after
seeing all the negative reviews. I can only guess they are expecting
some multi-million dollar blockbuster with city destroying explosions,
robots, and half naked chicks. This film was filmed on a shoestring
budget, over a very tight shooting window, by guys that are "semi-pro"
(for lack of a better word...)
Anyways, with that in mind, I thought the movie was excellent. First of all, it has a plot line, that's solid, and thought provoking. More than I can say for those robot films... The acting isn't bad at all, absolutely no worse than Shia's, so don't see that argument either. Yes, I will agree the soundtrack was a bit overbearing at times, so audio I would consider the weakest part of the film, the actors didn't seem mic'd properly a few times, but no where near killed the movie for me. Camera work was solid, and effects felt appropriate to the situation.
Overall, I enjoyed the film, felt the story was intriguing and deep. Which I what I watch movies for, not from eye candy. It held me through the entire film. People just need to watch it as an indie production and stop expecting a $200 million dollar budget.
The premise of the movie has the makings of a great scifi movie.
Unfortunately, this isn't it.
Amateurish acting and god-awful dialog overpower the almost acceptable photography, special effects and music and drags this film down to very pits of movie hell. And that's just the first 5 minutes.
Playing the part of the main character, Lukas Reyes, actor Brandon Slagle's delivery is totally devoid of the main ingredient that makes up even a merely good actor's repertoire--the ability to deliver up lines without appearing to be acting. The subtext of his entire delivery from the beginning to the end of this film is "I'M ACTING!!!" in capital letters and, yes, three exclamation points.
Part of Mr. Slagle's problem may have been the total lack of any character development. Not only is the main character not believable, he's pretty much devoid of any but the most rudimentary emotions making it hard to empathize or sympathize with his problems.
The rest of the cast is merely mediocre, brought on no doubt by Mr Slagle's poor performance and, again, the total lack of any character development at all.
In addition to poor acting and non-existent character development, there's the dialog. Some scenes in this movie were so long and drawn out, with no meaningful relationship to the development of the plot that I found myself wishing that someone would drive a car through the house just so I'd have something interesting see. Much like this review, this film could have been half as long as it is without any loss of context.
A couple of the previous reviews of this movie have mentioned an "intellectual storyline." If there is an intellectual storyline in this flick, it is buried under a pile of bad acting and dialog so deep that no professional well-digger or archaeologist will ever be able penetrate it.
As for becoming a cult classic. The only place this film will ever be a cult classic is in some future resurrection of "Mystery Science Theater 3000" or whatever takes its place.
I was hoping for better treatment of a concept that's been around the science fiction world for umpteen years and a plot that has been--one version or another--in at least a half dozen science fiction stories.
Summary in four words? It REALLY does suck.
I love sci fi.All kinds of it from aliens blowing us,or us them to
smithereens (Independence Day,Aliens),to more of the "thinking man's"
sci fi (Contact,Blade Runner etc). 15 Till Midnight definitely falls
into the latter category.
Seeing the budget was an estimated $27,000,I went into this with low expectations and appreciating that "low budget" doesn't automatically mean "bad movie". Apparently,this movie was shot over a seven day period.....and that I think was it's problem.
There was nothing wrong with the plot/script.
Lukas wakes up one morning to find all traces of his wife Sera's existence in his life are gone.Thinking his wife has left him during the night,he ends up in a bar later that day with a work colleague and gets slowly drunk.So drunk he brings home a girl he picks up during the night.Waking up the next morning he finds a woman in bed next to him who claims to have been in a relationship with him for some time.Something strange is obviously going on......
The problem I had with this movie is that the dialog could have been a bit more snappy.Often the actors seemed to take an age to deliver their lines which for me made some of the scenes appear unnecessarily long.And often the dialog was drowned out by overly loud and possibly unnecessary music. The special effects also for me also detracted from the movie,coming across as quite psychedelic at times and I believe the movie could have done without them entirely.
Maybe the seven day shoot was responsible for the above or not.Whatever the reason if only a bit more time and care was taken,this could have been a much better movie.The potential was obviously there.
That said this is far from being a bad movie.Just a bit more spit and polish would have put this one above the norm.
Nice idea though.
*** This review may contain spoilers ***
Let me start out first by saying that I am a science fiction nut. I
grew up on it and it is the only genre which I consistently read, so
naturally when I first heard of this film, I was intrigued. It's a
smart scifi film set in what is relatively the real world that doesn't
rely on bloated special effects or transforming robots lit by
That however, may also be its biggest detractor in this day and age of pathetic youtube videos getting 40,000,000 hits due to their banality and Snookie becoming a household name. But that's another story entirely.
This is a film that deals with the Many Worlds Theory of Quantum Mechanics and mish mashes it with a romance. That too may be its detractor here (at least on IMDb) where most users seem to be teenage boys...that like robots lit by sunflares and Megan Fox's navel.
Anyway, this is a film that deals with a young accountant (at least that's what I think he was) who seems to be jumping between different versions of his life. Brandon Slagle (who comes across a bit like an indie cinema Matt Damon) gives this character an array of levels. Lukas Reyes is your young everyman who really could be anyone who lives in the same building as you do. He also portrays a "Reverse" version of the character, who comes across more like a character out of a horror film (likely due to his filmography). Andrea Chen is the woman of his dreams who is lost between world. An interesting presence, she seems like an echo of a dream. Dee Martin portrays the best friend and Devanny Pinn the woman whom Lukas married in another life, who gets stuck in the version of his life which the story follows. Andrew Roth portrays a character named "Sarosta" who heads up what seems to be a task force called "the Knowers" which polices the parallel worlds and makes sure they don't overlap. If they do, he says, it creates an imbalance that could destroy time.
This is a decent film, and likely due to its lack of marquee names and competition from such big budget fare as the Adjustment Bureau and Inception, your casual moviegoer may overlook this film and write it off quickly. Hopefully with time it can find its audience, because there is a multilayered story to be told here.
A side note..another reviewer here posted that they didn't believe Lukas Reyes's reactions to his situation were "realistic". I found this humorous as I assume the reviewer must have also been trapped hopping different versions of their life too. Funny.
*** This review may contain spoilers ***
This may be a movie that is too highbrow for its own good. While a bit
pretentious at times, the plotting and writing here is smart, and
leaves you thinking and figuring out new plotpoints and twists long
after the credits roll.
This movie isn't a rapidfire cutting roller-coaster ride but rather a somber character study in a science fiction setting. It reminded me of the scifi of the 60's and 70's (Phillip K. Dick is acknowledged as an influence and it shows).
I do agree with a comment posted that the acting fluctuates between a "mumblecore" improv style and then "Hollywood Blockbuster" style, but that's fine as it suits the film.
Worth a shot...if you sit back and don't let smart films insult you.
*** This review may contain spoilers ***
15 Till Midnight
The phrase "High Concept Sci-Fi" is tossed around quite a bit these days, and usually directed at big budget films like Christopher Nolan's Inception or Alfonso Cuarón's Children of Men, films that take the science fiction genre into strange new worlds beyond the typical "Space Opera" genre.
15 Till Midnight is just such a film, breaking down the walls of the big budget Sci-Fi extravaganza and stripping it down to its core, proving that you don't need a multimillion dollar budget, excessive special effects or A-list actors to tell a powerful story of a man thrust into unbelievable circumstances.
The first half hour of the film is pure build up, introducing us to Lukas Reyes (Brandon Slagle) and his wife Sera (Andrea Chen), and laying the first bricks of the bizarre into the story. Lukas wakes up one morning to find that Sera has seemingly disappeared into thin air, everything she owned is gone, along with the photos of the couple together. Lukas is distraught, but heads out to a bar that night with a friend to drink away his problems, and meets the lovely Nara (Devanny Pinn) who he takes home.
The next morning Lukas wakes up to find that Nara has seemingly moved in overnight, even going so far as to claim that they've been married for two years. Lukas and the audience are left to wonder what the hell is going on, and from here on out, the film pulls out all the stops, pulling us through a mind bending, reality warping nightmare of secrets, lies and men in gas masks.
To put it bluntly, I loved 15 Till Midnight from start to finish. The story kept me engaged, the characters felt real and the dialog never felt wasted or forced in any situation. Brandon Slagle's performance as Lukas was captivating, giving the viewer a solid anchor to the ever shifting and changing world of the film. To his credit, Slagle not only portrays Lukas, but also the "Evil" Reverse Lukas who makes periodic appearances throughout the film but doesn't really get a chance to shine until the last twenty or so minutes of the film. Devanny Pinn's Nara is an intriguing character, unfortunately she's out of the story nearly as quickly as she arrives, and giving us little time to truly grow attached to her as a character. However, the raw emotion that Pinn brings to her final scenes is so heartbreakingly honest that I found myself relating to her character despite her brief screen time. The other stand out moment of the film comes near the end when Andrew Roth gives one of the most moving speeches I've heard in a sci-fi film in a long time, bringing a human element to what could be a one dimensional villain.
My only problem with the film had less to do with the film itself and more to do with my screener copy. Darker scenes were blurred and everything had that slightly washed out look of a low resolution Youtube video, but in a testament to not only the script but to the actors and everyone else involved in the film, I couldn't take my eyes off the screen for the entirety of the nearly two hour running time.
15 Till Midnight is the type of independent film that you pray for as a reviewer and fan of genre cinema, a film with a solid script, acting that actually draws you into the film instead of pulling you out, and well thought out cinematography and special effects that enhance the experience instead of distracting from it.
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