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The Girl with the Dragon Tattoo (2011)

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Journalist Mikael Blomkvist is aided in his search for a woman who has been missing for forty years by Lisbeth Salander, a young computer hacker.

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(screenplay), (novel)
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Won 1 Oscar. Another 27 wins & 90 nominations. See more awards »

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Cast

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Ulf Friberg ...
Bengt C.W. Carlsson ...
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Storyline

This English-language adaptation of the Swedish novel by Stieg Larsson follows a disgraced journalist, Mikael Blomkvist (Daniel Craig), as he investigates the disappearance of a wealthy patriarch's niece from 40 years ago. He is aided by the pierced, tattooed, punk computer hacker named Lisbeth Salander (Rooney Mara). As they work together in the investigation, Blomkvist and Salander uncover immense corruption beyond anything they have ever imagined. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

She's Coming See more »


Motion Picture Rating (MPAA)

Rated R for brutal violent content including rape and torture, strong sexuality, graphic nudity, and language | See all certifications »

Parents Guide:

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Details

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Release Date:

21 December 2011 (USA)  »

Also Known As:

La chica del dragón tatuado  »

Box Office

Budget:

$90,000,000 (estimated)

Opening Weekend:

$12,750,000 (USA) (23 December 2011)

Gross:

$102,515,793 (USA) (16 March 2012)
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Company Credits

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Technical Specs

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Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

As the Swedish landscape plays such an important part in the novel, production designer Donald Graham Burt spent a month traveling around the country. See more »

Goofs

Stockholm has two types of subway trains in use, the old original trains and the new trains. In one clip Lisbeth is sitting in a train with the old interior, i.e. an old train. The next clip shows the train from outside (meeting another train at Slussen), but both trains are new, not old. See more »

Quotes

[first lines]
Detective Inspector Gustaf Morell: What kind is it?
Henrik Vanger: I don't know. White?
Detective Inspector Gustaf Morell: And the frame?
Henrik Vanger: Dark.
Detective Inspector Gustaf Morell: Postmark?
Henrik Vanger: Same as last time.
Detective Inspector Gustaf Morell: And no note.
Henrik Vanger: No.
Detective Inspector Gustaf Morell: I'm so sorry, Henrik.
See more »

Crazy Credits

At the beginning of the film's opening studio intros of Columbia and MGM, Leo, the MGM mascot's roar is silenced. See more »

Connections

Referenced in Hilariocity Review: The Wicker Man (2014) See more »

Soundtracks

Lux Aeterna
Written by Edward Elgar
Arranged by John Cameron
Performed by The Choir of New College Oxford
Courtesy of Warner Classics
By arrangement with Warner Music Group Film & TV Licensing
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Frequently Asked Questions

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User Reviews

 
Comes forth with the Thaw
20 December 2011 | by (Dallas, Texas) – See all my reviews

Greetings again from the darkness. The character of Lisbeth Salander absolutely fascinates me. That's true whether we are discussing Stieg Larsson's Millennium trilogy novels, the Swedish film versions, or this latest film version from director David Fincher and a screenplay from Steve Zaillian. It's also true whether Lisbeth is played on screen by Noomi Rapace (Swedish films) or Rooney Mara. She is a brilliant character hiding in plain sight from a world that has fiercely mistreated her, and now misjudges and underestimates her. She is the oddest heroine I can recall ... and I can't get enough of her.

Let's start with the source material. Stieg Larsson's books are far from perfect, but addictive just the same. The first book (on which this film is based) is, at its core, a simple who-dunnit presented in a manner that is claustrophobic, paranoid and eerie. Moving on to this particular film, we find the director and screenplay holding the basic tone while making a few changes ... some minor, others more substantial. These changes may irk those fans who are a bit more loyal to the books, but Fincher surely wanted to offer more than a simple re-telling of the story.

Daniel Craig plays Mikael Blomkvist, the journalist hired to solve the 40 year old mystery of the disappearance/murder of Harriet Vanger, niece to Swedish millionaire Henrik Vanger (Christopher Plummer). To research, Blomkvist must dig into the Vanger's rotten family tree of Nazis, anti-Semites, sexual predators, anti-social fanatics, and a few just plain loony birds. You can imagine how excited this rich and once powerful family is to have someone uncovering long buried secrets. Circumstances allow for Lisbeth to assist Blomkvist in researching this.

Unlike many mysteries where assembling the clues is the most fun, the real heart of this story is the odd, somewhat uncomfortable developing relationship between Blomkvist and Lisbeth. This latest version allows this to develop relatively smoothly, but it nonetheless rattles our senses. We see the subtle changes in Lisbeth as she slowly opens up to the idea of a real friendship based on trust. Fear not mystery fans, the Vanger clan still provides more than enough juice to keep any film sleuth happy.

It's truly impossible to avoid comparisons between the two movie versions and the respective casts. It's quite obvious Mr. Fincher was working with a substantially greater budget than Niels Arden Opler had for the first Swedish film. While they are both enthralling, I actually lean a bit towards the rawer original. That takes nothing away from this latest version. Same with Noomi Rapace vs. Rooney Mara. Ms. Mara is excellent in her performance and I was fully satisfied, but Ms. Rapace brought a rougher edge to the role ... one that made it even tougher to crack that shell. The biggest difference in the casts is Daniel Craig against Michael Nyqvist. Mr. Craig is just a bit too cool for the role, while Nyqvist captured the insecurity and vulnerability that Larsson wrote about.

All of that is nit-picking. Both film versions are sterling entertainment and hopefully the Fincher version will bring the story to a much wider audience. I would encourage those that are interested to check out the Swedish version, as well as the Larsson books. Maybe that will explain my fascination with this creature known as Lisbeth Salander.


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