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The Girl with the Dragon Tattoo (2011)

R  |   |  Crime, Drama, Mystery  |  21 December 2011 (USA)
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Ratings: 7.8/10 from 310,817 users   Metascore: 71/100
Reviews: 622 user | 513 critic | 41 from Metacritic.com

Journalist Mikael Blomkvist is aided in his search for a woman who has been missing for forty years by Lisbeth Salander, a young computer hacker.



(screenplay), (novel)
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Won 1 Oscar. Another 24 wins & 80 nominations. See more awards »



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Cast overview, first billed only:
Ulf Friberg ...
Bengt C.W. Carlsson ...
Per Myrberg ...


This English-language adaptation of the Swedish novel by Stieg Larsson follows a disgraced journalist, Mikael Blomkvist (Daniel Craig), as he investigates the disappearance of a wealthy patriarch's niece from 40 years ago. He is aided by the pierced, tattooed, punk computer hacker named Lisbeth Salander (Rooney Mara). As they work together in the investigation, Blomkvist and Salander uncover immense corruption beyond anything they have ever imagined. Written by Anonymous

Plot Summary | Plot Synopsis


Evil shall with evil be expelled See more »

Motion Picture Rating (MPAA)

Rated R for brutal violent content including rape and torture, strong sexuality, graphic nudity, and language | See all certifications »

Parents Guide:



Official Sites:

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Release Date:

21 December 2011 (USA)  »

Also Known As:

La chica del dragón tatuado  »

Box Office


$90,000,000 (estimated)

Opening Weekend:

$12,750,000 (USA) (23 December 2011)


$102,515,793 (USA) (16 March 2012)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| |


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


The two main characters of the film, Mikael Blomkvist (Daniel Craig) and Lisbeth Salander (Rooney Mara) don't appear on-screen together until 76 minutes into the film. See more »


During the chase scene; when the camera is pointing back towards Lisbeth, her face is lit by the glow of the motorcycle's instrument cluster (speedometer & odometer). But when the camera switches to her point of view; the dials are dark and not lit up. See more »


[first lines]
Detective Inspector Gustaf Morell: What kind is it?
Henrik Vanger: I don't know. White?
Detective Inspector Gustaf Morell: And the frame?
Henrik Vanger: Dark.
Detective Inspector Gustaf Morell: Postmark?
Henrik Vanger: Same as last time.
Detective Inspector Gustaf Morell: And no note.
Henrik Vanger: No.
Detective Inspector Gustaf Morell: I'm so sorry, Henrik.
See more »

Crazy Credits

At the beginning of the film's opening studio intros of Columbia and MGM, Leo, the MGM mascot's roar is silenced. See more »


Referenced in House of Cards: Two Houses (2014) See more »


A Track and a Train
Written by Adam Olenius
Performed by Shout Out Louds
Courtesy of Capitol Records
Under license from EMI Film and Television Music
See more »

Frequently Asked Questions

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User Reviews

A superb and chilling thriller
20 December 2011 | by (United States) – See all my reviews

I've never read Stieg Larsson's millennium novels, so I can't say how faithful this film is to the original material, but I am a big fan of the Swedish adaptation by Danish filmmaker Niels Arden Oplev. Now, I know the fact that Hollywood is obsessed with remakes annoys the hell out of us, but I think there can always be room for different interpretation, different vision and approach and that's what David Fincher's version excels in. It's more detailed, more curious, and more unafraid. It's a superb and chilling thriller with an astounding performance by Rooney Mara. Whether or not this version is better can be argued but it certainly is a solid film…

Rooney Mara, with her skinny body and goth hairstyle and excessive piercings and tattoos and her attitude, I think Mara manages to give a more complex Lisbeth Salander than Noomi Rapace's portrayal. But it's mostly thanks to screenwriter Steven Zaillian who covers information that the previous adaptation would simply skim or just talk about instead of exposing it. Fincher and Zaillian want to seriously show how dark, troubled, but motivated Lisbeth is. And some may consider this approach to be too brutal or unnecessary but I think it's no more brutal than Fincher's previous thrillers like Se7en. This is after all, in its essence, a movie made solely for Fincher's fans or those who are comfortable with his style. Jeff Cronenweth's cinematography work is fantastic by the way, it plays on how much you can handle. It goes along with the script that tends to be explanatory. Whatever loopholes or gaps that the previous adaptation had, Fincher's film fills it and explains it in its own way.

Lisbeth Salander to me is a rebel, she lives by her own rules, but she's also by herself, this version wants to instill in her mind the idea that perhaps she could be sociable or she could be considered normal if she just gets that attention that she never did, and that's what warrants a different ending. Mara is absolutely phenomenal as Lisbeth, it's a defining role for Mara, she's made it her own. She's fierce, highly driven, but there's a sense of innocence to her as well. She thinks her anger and actions are justified and the film successfully encourages us to agree.

All those tattoos and piercings are like 'keep off' or 'stay away' sign, perhaps because of years of rough background, going from one guardian to another, so when somebody genuine like Mikael Blomkvist (Daniel Craig) comes along, he represents the safety that desperately longs for but would never admit to. I think it's smart that Fincher and Zailian shows the estranged family side of Blomkvist, they see it as important for Blomkvist to be able to relate to Henrik Vanger's (Christopher Plummer) dilemma and I think that's a smart move. Craig is the weakest link because his accent keeps going on and off, I'm not sure if he even tries to sound Swedish at all, it's quite the distraction. But he works with what's given to him, keep in mind that the title is not Blomkvist with the dragon tattoo.

Of course nowadays you can't talk about Fincher's movies without talking a bit about the unconventional score by Oscar winners Atticus Ross and Nine Inch Nail's Trent Reznor. In fact, the movie pays an amusing homage to NIN. Those of you film score aficionados would probably find Ross and Reznor's tunes for this film rather eerie and chilling, which it then pretty much serve its purpose. Having said that, at times I find the score a bit forceful and it's like the same soundwave echoing over and over again with the intent to hypnotize. I don't think the opening graphic credit is all that impressive, it's an interesting take but it looks out of place, it looks like it should be a separate music video and it doesn't necessarily introduce the tone of the film that you're about to see.

THE GIRL WITH THE DRAGON TATTOO is definitely not a movie for the faint of heart, it's a movie that would rattle your comfort cage, and I think audiences will be divided, you'll either truly love it, or truly detest it, but there will hardly be a middle ground.

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