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This English-language adaptation of the Swedish novel by Stieg Larsson follows a disgraced journalist, Mikael Blomkvist (Daniel Craig), as he investigates the disappearance of a wealthy patriarch's niece from 40 years ago. He is aided by the pierced, tattooed, punk computer hacker named Lisbeth Salander (Rooney Mara). As they work together in the investigation, Blomkvist and Salander uncover immense corruption beyond anything they have ever imagined. Written by
During the chase scene; when the camera is pointing back towards Lisbeth, her face is lit by the glow of the motorcycle's instrument cluster (speedometer & odometer). But when the camera switches to her point of view; the dials are dark and not lit up. See more »
Written by Nicky Ryan, Roma Ryan and Enya (as Eithne Ni Bhraonain)
Performed by Enya
Courtesy of Warner Music U.K. Ltd.
By arrangement with Warner Music Group Film & TV Licensing See more »
The best adaptation imaginable with an intoxicating, Oscar-worthy performance from Rooney Mara
Chilling, haunting and relentlessly thrilling, director David Fincher has created the definitive film adaptation of Larssons best seller whilst at the same time improving on the source material. A brilliant performance from Rooney Mara only elevates the film to greater heights
Ill cut to the chase: this is everything fans of the books could have hoped for, its miles better than the already good Swedish film, its more faithful to the novel, in some places it actually improves on the source material.
With "The Girl With The Dragon Tattoo" David Fincher has put his trademark darkness to fantastic use. Whether its sweeping shots of freezing, snow covered Sweden or wonderfully eerie interiors Fincher creates an unsettling atmosphere that is unrelenting and technically perfect. With Fincher i've learnt to expect a beautifully shot film and this is no exception, within this film are some of his greatest images. Regarding the disturbing nature of some scenes, Fincher is wise enough to show them in all their horror but doesn't stop to linger or exploit.
The performances are perfect all round, Its clear Fincher and the casting production went to great lengths to pick not only great actors but those who embody the very essence of their characters. Of note in the supporting characters are Yorick van Wageningen who plays the sadistic Bjurman with unsettling believability and the always great Christopher plummer who is note-perfect as the desperate, loney grandfather Henrik .- As one part of our central duo Daniel Craig puts in his finest performance, normally cast as the tough hero Craig is more subdued here, he has Blomkvist easy charm down to a T but also captures the weak, submissive aspect of his character. - Lisbeth Salander is a character unlike anything fiction has ever seen .broken,pierced, clade in leather with short black hair and a body so slight the wind could break her, she is horribly victimised but refuses to be one. To sum it up she is one of the most interesting and difficult characters an actress could ever play. I could honestly write a whole review on the brilliance of Rooney Mara's performance, she is the very essence of Lisbeth as if the character just walked off the page. Mara commands every scene with a mixture of silent burning rage and a deep rooted venerability. Her eyes are the heart of the film, her reactions are the reason myself and the others around me laughed, gasped and even cried. The character requires an actress who can internalize her emotions yet at the same time convay a wide range of feelings. Mara does this such perfect skill, every glance is charged with deep feeling as if you're looking directly into her soul. A brave performance, Mara bares all in the nude scenes and goes to frankly horribly dark places in the now informous scenes of sexual violence. Watching Rooney Mara is witnessing the birth of a star, this is the best performance of the year and if the Oscars fail to reconzie her i will lose all hope in their judgment.
The score by Trent Reznor and Atticus Ross is perfect, eerie and unsettling. It is as good as their Oscar winning score last year if not better, its more understated and does what every score should do....improves the scenes not overpower them.
This is by and large a perfect adaptation, my main issue lay with one singe sequence. There is a shot that seems to be there solely for the purpose of showing off, it serves no real purpose within the story.
The most touching scenes of the film come from the characters themselves, this is a character driven story and none are more powerful than Lisbeth and Mikeal themselves. Fincher makes their relationship the focus and it pays off, they are the heart of the books and Fincher rightfully recognises this.
Proving that sometimes "american" adaptations can actually be for the better this is a film nobody should miss...its everything the novel is, plus some. More than anything i was impressed by the humour that is added through-out, this film will make you laugh, it will break your heart and it will make you want to take a shower.
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