As homicide detective Thomas Craven investigates the death of his activist daughter, he uncovers not only her secret life, but a corporate cover-up and government collusion that attracts an agent tasked with cleaning up the evidence.
A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
Apprehended by the Mexican authorities, Driver is sent to a hardcore prison where he enters the strange and dangerous world of 'El Pueblito'. Not an easy place for an outsider, unless it's with the help of someone who knows the ropes - a 10-year-old kid. Written by
Alejandra Cuervo, a member of the production team, was hired by the producers prior to the commencement of principal photography to do extensive research, a living history, on El Pueblito that included talking with a number of its ex-inmates for first-hand experiences. See more »
When Mel Gibson's character is driving the VW into the Port Mart parking lot driver's side shot reveals driver is wearing glasses yet Mel never wore any. See more »
I need a doctor!
I'll get you a vet, you son of a bitch! You should'a shot him first!
We've got two clowns heading south on Wall 51, four miles from the border.
And stop bleeding on my money!
All units be advised, suspects are armed and dangerous.
[Clown vomiting blood]
What the fuck?
Well, hello boys and girls. there's nothing worse than a sad clown. Unless it's a clown bleeding internally and coughing it all over your money.
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The Mel Gibson vehicle we've all been waiting for!
With Mel Gibson doing himself no favors in the public media over the last six years, GET THE GRINGO is a much-needed reminder of why we loved him so much for the twenty years prior to his scandalous headlines. While it was greatly refreshing to see Gibson on screen again in EDGE OF DARKNESS and THE BEAVER after an overbearing eight year absence, GET THE GRINGO does the best of capturing everything we truly loved about Gibson's performances: charm, wit, humor, edge. The script by Gibson, director Adrian Grunberg and producer Stacey Persky is an original and tight balance of humor, edge, and danger that can very easily be considered an unofficial sequel to the theatrical cut of Gibson's cult favorite, PAYBACK. While the character of GRINGO's Driver never reveals his actual name, he possesses a lot of the same qualities as PAYBACK's Porter, including a U.S. military tattoo, a chain-smoking habit, sticky fingers, an iron jaw, and a penchant for bloodshed. Grunberg's direction is also solid with an obvious love for Sam Peckinpah paraded throughout.
For those of us who endured so many years of understandable negativity towards Gibson for his personal troubles, GET THE GRINGO is the film we've long awaited. It's truly a shame this film won't be seen wide in the U.S. It would've been a better comeback vehicle than EDGE OF DARKNESS was meant to be. GET THE GRINGO practically screams, "Remember me? I'm still here, and I still got it!"
But if one thing is certain in the age of home entertainment, it is that every good film gets discovered by an audience. Sooner or later...
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