1-20 of 29 items from 2015 « Prev | Next »
With £2.66m including previews, Adam Sandler sci-fi comedy Pixels storms to the top of the UK box office, dethroning Fantastic Four. However, the key words here are “including previews”, since the Pixels number is, in fact, based on seven days of play, including takings the previous Saturday and Sunday as well as Wednesday and Thursday last week. All of that added up to £1.33m, essentially doubling the Pixels opening tally. Without previews, Pixels opened in fourth place, behind Inside Out, Mission: Impossible – Rogue Nation and newcomer The Man from Uncle. Even so, the real weekend number represented the best opening for a Sandler film since Grown Ups 2 began with £1.65m plus £421,000 previews two years ago. That film was an ensemble. »
- Charles Gant
Smith will play a mild-mannered advertising executive battling with depression, requiring the aid of his friends and colleagues to snap him out of the sickness. Rooney Mara and Jason Segel are also attached, presumably as some of Smith’s saviours.
The project will be directed by Alfonso Gomez-Rejon (also behind next month’s much hyped Me, Earl & The Dying Girl) and is based on a screenplay by Allan Loeb (Just Go With It). Loeb’s script sold to PalmStar Media for a hefty $2.25 Million, so it should be no surprise development has promptly realigned with another A-lister.
- Daniel Kelly
Whatever is in the script for "Collateral Beauty" penned by Allan Loeb ("The Dilemma," "Just Go With It," "Rock Of Ages," and "Here Comes The Boom"), it has attracted some big attention. Hugh Jackman was attached for a spell before he dropped out when his scheduling couldn't work, and then Johnny Depp was taking a peek for a moment. Now a big name has finally signed up to replace Jackman and star opposite Rooney Mara in the film. The usually quite picky Will Smith is putting his name down for the flick, reports Deadline. "Me And Earl And The Dying Girl" director Alfonso Gomez-Rejon will helm the tale that follows a New York City ad executive who slips into depression following a tragedy and embarks on an unconventional method to get out of his funk. Read More: Director Alfonso Gomez-Rejon Talks “Me & Earl & The Dying Girl,” Brian Eno & The Movie Being Compared To ‘The. »
- Kevin Jagernauth
As recently reported, there's been a change at the top of Alfonso Gomez-Rejon's Collateral Beauty, with Hugh Jackman forced to drop out due to a schedule clash with Wolverine 3. There was some talk of Johnny Depp being sought to step in, but apparently that went nowhere, because the official word this morning is that Will Smith has picked up the baton. He'll co-star with Rooney Mara.Allan Loeb wrote the screenplay, which revolves around a New York advertising agency, and a man - presumably now Smith - struggling with depression after a tragedy that turns his world upside down.Loeb has recently been churning out comedies like Here Comes The Boom, Just Go With It and The Dilemma, but his earlier work on dramas like Things We Lost In The Fire and Wall Street: Money Never Sleeps is probably a more relevant touchstone here...Gomez-Rejon, meanwhile, got his start »
Dennis Dugan and Adam Sandler are a comedy dream team, according to the director himself. The two have worked together on a number of films, including Happy Gilmore, Big Daddy, I Now Pronounce You Chuck and Larry, You Don't Mess With the Zohan, Grown Ups, Just Go with It, Jack and Jill and Grown Ups 2. Sandler has been slammed in the press after the poor performance of Pixels, which didn't meet box office expectations in its opening weekend and was savaged by critics and moviegoers alike. Dugan, however, has Sandler's back, telling The Hollywood Reporter, "How f--king dare anybody say that he's a s---ty [entertainer]!" Pixels is playing in 42 percent of the international marketplace, where it »
Is it game over for Adam Sandler? His new comedy, “Pixels,” opened over the weekend to a mediocre $24 million, a disappointing result for the $88 million project. Sandler’s latest box office lemon comes on the heels of “The Cobbler” (Sandler’s lowest-grossing title ever, which opened to just $24,000 from 20 theaters in March), 2014’s “Blended” (the Drew Barrymore reteaming that mustered $46 million), “That’s My Boy” (a pairing with Andy Samberg that eked out $37 million) and “Jack and Jill” (the cross-dressing comedy that landed some of the worst reviews of his career). His only recent hits have been the 2013 sequel to “Grown Ups” (which netted $133 million) and “Hotel Transylvania,” an animated film that didn’t require him to be onscreen.
Here’s how Sandler’s box office career went from $4 billion in ticket sales to ice cold.
1. He aged out of his material
Sandler, 48, spent the ’90s playing the eternal teenage »
- Ramin Setoodeh
Nobody expected "Pixels," Adam Sandler's homage to Pac-Man and other vintage video games, to gobble up dollars the way Sandler's movies used to. Yet "Pixels" still disappointed, even by Sandler's declining standards.
Predictions were in the range of $25 to $35 million for the debut of the action comedy. At least it was supposed to premiere in first place. But the movie may not even have reached those low bars. It opened this weekend with an estimated $24.0 million, putting it about $800,000 behind the week-old "Ant-Man." Those numbers may change by the time final figures are released on Monday, and "Pixels" could come out on top by the time all the quarters are spent. But it would still be one of the lowest opening weekends of Sandler's career.
It would also be the latest in a downward trend that's marked the comedian's box office for at least four years. Aside from his »
- Gary Susman
Adam Sandler’s star appears to have dimmed significantly, after “Pixels,” a slice of arcade game nostalgia that recruited the likes of Pac-Man and Donkey Kong to appear alongside the funnyman, opened to a disappointing $24 million at the domestic box office.
The critically derided comedy finished up just behind Disney and Marvel’s “Ant-Man,” which picked up first place and $24.8 million in its second weekend. That marks the weakest chart-topping performance since April 24 when “Furious 7,” then in its fourth week of release, bested all challengers with $17.8 million. So far, “Ant-Man” has earned $106.1 million stateside.
The weekend box office race unfolded in the shadow of a shocking act of violence after a gunman opened fire during a Thursday night screening of “Trainwreck” in Louisiana, killing two women and injuring nine people before turning the weapon on himself. Safety concerns across the country may have caused some consumers to steer clear of cinemas. »
- Brent Lang
Despite near universal scorn from the critics, Adam Sandler's latest comedy "Pixels" (Sony), his first release since announcing a four-film production and playoff deal with Netflix, topped Friday's grosses with a $9.2 million take. Overall, the Top Ten totaled around $46 million, on par with the same weekend last year. It's a glass half-full/half-empty win for "Pixels." On the plus side, apart from its one-day victory, Sony is reporting about $22 million yesterday in 56 foreign markets (about 40% of the world), with huge numbers in Latin America and mainly equal with "Ant-Man" openings in Europe. The number domestically is also in the same $9 million range as his "Jack and Jill" and "Just Go With It" among his other lead roles in the last five years, double last year's "Blended" and the earlier "That's My Boy," lagging behind only "Grown Ups 2" ($16.3 million) since 2010. Less encouraging for »
- Tom Brueggemann
The King of Kong: Columbus Peddles Dopey Sandler Comedy
Hailing from some parallel universe where Never Never Land must be the capital is Pixels, a Chris Columbus directed Adam Sandler comedy pasted together by his usual writer, Tim Herlihy and returning collaborator Timothy Dowling (Just Go With It, 2011). If there’s anyone to pity here, it’s Patrick Jean, the director of the 2010 short film upon which this concept is based. As far as Sandler’s handlers go, it’s uncertain who or what this feature length version is geared towards, a family friendly package severely dumbed down for the enjoyment of today’s tots yet emblazoned with obsolete video games two generations removed from the only audience members unoffended by the laziness and stupidity of the final product. Though some supporting players escape less scathed by this misbegotten lump of a film, Sandler and co. seem tone deaf »
- Nicholas Bell
Even as an Adam Sandler/Kevin James-vehicle, Pixels deserves to be more inspired. The arcade-loving, '80s-centric action-comedy transitioned to the big screen from Patrick Jean's inventive world-domination-by-8-bits short film wields the fine set pieces, tech resources and token-required games to earn a top score. But Sandler and his team don't even attempt to advance to the next level, constantly drawing on the comedian's trademark sophomoric cheat codes to hastily produce what's essentially the poor man's Scott Pilgrim vs. The World, global-annihilation movie. Make no mistake: this is a Happy Madison production through-and-through. Minus extensive pratfall jokes with James or unnecessary Rob Schneider or Steve Buscemi pop-ups, almost every check mark from the Sandler production list is marked. Cheap insults directed towards one physical trait from different supporting charactersc Check. Sandler getting the out-of-his-league girl (in this case, Michelle Monaghan) because he's our main slubby do-gooderc You bet. »
- Will Ashton
An adorable life-sized version of Q*bert is easily the most engaging character in “Pixels,” a dimwitted ’80s nostalgia trip best appreciated by those who have waited years for Adam Sandler’s fine-grained intelligence and Chris Columbus’ filmmaking mastery to finally converge. For the remaining 99% of the moviegoing population, this slapdash, casually sexist revenge-of-the-nerds fantasy offers some mild visual distraction with its massive CGI renderings of Pac-Man, Donkey Kong and other old-school videogame characters that have been co-opted here by malevolent space invaders, challenging Earth to the mother of all intergalactic arcade battles. Commercially, the somewhat novel combination of Sandler’s bro-comedy antics and an unexpected dose of geek appeal should help Sony’s July 24 Stateside release enjoy a few late-summer bonus rounds at the box office, aided by strong awareness and 3D ticket premiums.
Commercial returns should remain steady even if word-of-mouth reactions fail to rise much above the level of “Well, »
- Justin Chang
Although Hugh Jackman will soon say goodbye to Wolverine with X-Men: Apocalypse and James Mangold's upcoming Wolverine sequel, in the process of putting away the claws the actor has to give away some other roles in the meantime. That would include the lead role in Alfonso Gomez-Rejon's much talked-about Me & Earl & the Dying Girl follow-up Collateral Beauty, also starring Rooney Mara. It was only last month when the Aussie actor signed onto the project, but time commitments apparently won't let Jackman play the role when production begins this fall. Producers don't seem too discouraged, though, for they've taken their efforts towards bagging another big-name star: Johnny Depp. Even if the Mortdecai's star seems to be fading these days, Depp does have the buzzed Black Mass coming up, in addition to another Pirates of the Caribbean sequel set for release in two years time. So don't rule out a comeback, »
- Will Ashton
Maybe this is the reason why Hugh Jackman is finally ready to lose Wolverine's mutton chops —playing the marquee X-Man gets in the way of other projects. The actor's about to start shooting "The Wolverine 3" soon, which has seen him removed from starring in the developing "Collateral Beauty" co-starring Rooney Mara and set to be helmed by "Me And Earl And The Dying Girl" director Alfonso Gomez-Rejon. But another big name might step in. Read More: 5 Ways Johnny Depp Can Get His Career Back On Track Post-'Mortdecai' Deadline reports that the producers are reaching out to Johnny Depp to take over for Jackman. Penned by Allan Loeb ("The Dilemma," "Just Go With It," "Rock Of Ages," and "Here Comes The Boom"), the story follows a New York City ad executive who slips into depression following a tragedy and embarks on an unconventional method to get out of his funk. »
- Kevin Jagernauth
Key players from two of this year’s biggest indie darlings are teaming up, with word that The End of the Tour star Jason Segel is joining the cast of Collateral Beauty, the next film from Me, Earl & the Dying Girl helmer Alfonso Gomez-Rejon.
Segel will join the already-cast Hugh Jackman and Rooney Mara in the pic, which follows a New York advertising executive (Jackman) who experiences a crippling personal tragedy. His co-workers devise an unusual way to break him out of his depression, and the results are far different than anything that they could have expected. Gomez-Rejon is expected to shoot the project this fall.
Though the actor’s involvement isn’t a done deal yet, it’s a great move for Segel, who ventured into more dramatic territory recently when playing tormented novelist David Foster Wallace in the James Ponsoldt-directed End of the Tour. Simply put, he delivered a career-best, »
- Isaac Feldberg
Following Joe Wright's Pan, Hugh Jackman and Rooney Mara are already both set to work together again on Collateral Beauty, Alfonso Gomez-Rejon's follow-up to his Sundance hit Me And Earl And The Dying Girl. Now it's looking as if they'll be joined by Jason Segel, who's in talks to take on an as-yet unspecified role.Allan Loeb wrote the screenplay, which revolves around a New York advertising agency, and a man - presumably Jackman's character - struggling with depression after a tragedy that turns his world upside down. Loeb has recently been churning out comedies like Here Comes The Boom, Just Go With It and The Dilemma, but his earlier work on dramas like Things We Lost In The Fire and Wall Street: Money Never Sleeps is probably a more relevant touchstone here...Gomez-Rejon, meanwhile, got his start on television with Glee and American Horror Story. He also »
One of the big breakout films of Sundance this year is Me and Earl and the Dying Girl, which won the Audience Award and Grand Jury Award at the festival in January. It's the second feature film directed by up-and-comer Alfonso Gomez-Rejon, who also directed The Town That Dreaded Sundown (the remake) before Me and Earl. Deadline has announced his next project, titled Collateral Beauty, from a screenplay written by Allan Loeb (21, Wall Street: Money Never Sleeps, The Switch, Just Go with It, Rock of Ages). Not only that but Gomez-Rejon has lined up talented performers Hugh Jackman and Rooney Mara to star in the film, which has financing in place from PalmStar Media and Likely Story. So what is the new film about? According to Deadline, Collateral Beauty has a plot that centers on a New York advertising executive who experiences a "deep personal tragedy. When his colleagues devise »
- Alex Billington
Having just worked together as, respectively, Blackbeard and Tiger Lily on Joe Wright's Pan, Hugh Jackman and Rooney Mara are set to be reunited. They've both signed on for Collateral Beauty, Alfonso Gomez-Rejon's follow-up to his Sundance hit Me And Earl And The Dying Girl.Allan Loeb wrote the screenplay, which according to Variety revolves around a New York advertising agency, and a man - presumably Jackman's character - struggling with depression after a tragedy that turns his world upside down. Loeb has recently been churning out comedies like Here Comes The Boom, Just Go With It and The Dilemma, but his earlier work on dramas like Things We Lost In The Fire and Wall Street: Money Never Sleeps is probably a more relevant touchstone here...Gomez-Rejon, meanwhile, got his start on television with Glee and American Horror Story. He also directed this last year's clever remake of »
Later this summer fall, Hugh Jackman and Rooney Mara will bring audiences into Joe Wright's "Pan." Iit seems the pair hit off because they've quickly lined up a new movie together. Read More: Joe Wright Enters Fairy Tale Land With First Trailer For 'Pan' With Hugh Jackman And Rooney Mara The duo will star in the indie drama "Collateral Beauty." Alfonso Gomez-Rejon, who is running hot following the huge Sundance reception — which included two awards — for "Me And Earl And The Dying Girl," will direct the story about a New York City ad executive who slips into depression following a tragedy. So it sounds very promising, but our only reservation is that the script is from Allan Loeb, who tends to churn out stuff like "The Dilemma," "Just Go With It," "Rock Of Ages," and "Here Comes The Boom." No word on when it will shoot, but »
- Kevin Jagernauth
Sunday (May 3) night's "Last Man on Earth" finale brought Will Forte's Phil Miller full circle, which has been a long, 13-episode process. First he was the last person on Earth. Then Carol arrived and he was just the last man on Earth. Then Todd came and he wasn't even the last man on Earth. Then there were more people and soon he wasn't even the last Phil Miller on Earth. Over 13 episodes, Phil went from alone, to living what he thought was the dream, to realizing his dream was a nightmare and, by the finale, he was sent packing by the community that he brought together and he was, briefly, isolated again before Carol look pity on him. And, at the very end of the episode, Phil Miller was going off to a different location with the woman he thinks he loves for now, but we discovered that he »
- Daniel Fienberg
1-20 of 29 items from 2015 « Prev | Next »
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners