Directed by | |||
| Jerzy Skolimowski | |||
Writing credits | ||
| Jerzy Skolimowski | (screenplay) and | |
| Ewa Piaskowska | (screenplay) | |
| James McManus | (additional writing) | |
Produced by | |||
| József Berger | .... | co-producer (as Joszef Berger) | |
| Bjarne Bjørndalen | .... | line producer: Norway | |
| Ed Guiney | .... | co-producer | |
| Ingrid Lill Høgtun | .... | co-producer | |
| Andrew Lowe | .... | executive producer | |
| Ewa Piaskowska | .... | producer | |
| Marek Rozenbaum | .... | line producer: Israel | |
| Jerzy Skolimowski | .... | producer | |
| Jeremy Thomas | .... | executive producer | |
| Peter Watson | .... | executive producer | |
Original Music by | |||
| Pawel Mykietyn | |||
Cinematography by | |||
| Adam Sikora | (director of photography) | ||
Film Editing by | |||
| Réka Lemhényi | (chief editor) | ||
| Maciej Pawlinski | |||
Production Design by | |||
| Joanna Kaczynska | |||
Costume Design by | |||
| Anne Hamre | |||
Makeup Department | |||
| Barbara Conway | .... | makeup designer | |
| Marta Domagala | .... | makeup assistant: Poland | |
| Robert Kupisz | .... | hair stylist: Poland | |
| Tomasz Matraszek | .... | special makeup effects artist: Poland | |
| Gabriella Németh | .... | hair designer | |
| Janne Røhmen | .... | special makeup effects artist: Norway | |
| Rick Glassman | .... | additional special effects makeup (uncredited) | |
Production Management | |||
| Jakub Chilczuk | .... | post-production supervisor | |
| Bjørn Fjærestad | .... | production manager: Norway | |
| Dávid Jancsó | .... | post-production supervisor | |
| Neseser | .... | post-production supervisor | |
| Malgorzata Sandecka | .... | post-production supervisor | |
| Andrzej Stempowski | .... | production manager: Poland | |
| Itai Tamir | .... | production supervisor: Israel | |
| Sebastian Zakowski | .... | set manager: Poland | |
| Judit Schmidt | .... | production manager (uncredited) | |
Art Department | |||
| Per Henry Borch | .... | property master: Norway | |
| Jacek Czechowski | .... | art director: Poland | |
| Lukasz Dobosz | .... | stagehand: Poland | |
| Ariel Glazer | .... | set decorator: Israel | |
| Marek Janik | .... | dressing prop hand: Poland | |
| Krzysztof Jerzak | .... | stagehand: Poland | |
| Julia Kasprzak | .... | set decorator: Poland | |
| Marcin Kaweczynski | .... | stagehand: Poland | |
| Anders Lunde | .... | scenographer: Norway | |
| Bogdan Piotrowski | .... | property master: Poland | |
| Manolo Schor | .... | art department assistant: Israel (as Manuel Schor) | |
| Robert Senderowski | .... | dressing prop hand: Poland | |
| Marcin Trybulski | .... | construction manager: Poland | |
| Arie Weiss | .... | property master: Israel | |
| Piotr Zimon | .... | stagehand: Poland | |
| Frank Rizzo | .... | poster artist (uncredited) | |
Sound Department | |||
| Rune Baggerud | .... | boom operator: second unit, Norway | |
| Michelle Cunniffe | .... | recording mixer | |
| Caoimhe Doyle | .... | foley artist | |
| Robert Flanagan | .... | sound | |
| Aza Hand | .... | dialogue editor | |
| Aza Hand | .... | foley editor | |
| Iwo Klimek | .... | adr editor | |
| Fiadhnait McCann | .... | supervising sound editor | |
| Eoghan McDonnell | .... | foley assistant | |
| Jean McGrath | .... | foley recordist | |
| Tomas Naug | .... | sound engineer: second unit, Norway (as Thomas Naug) | |
| Paul Naughton | .... | boom operator | |
| Garret Farrell | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Janusz Bykowski | .... | special effects coordinator: Poland | |
| Andreas Johannesen | .... | special effects technician: Norway | |
| Pini Klavir | .... | special effects: Israel | |
| Kai Kolstad Rødseth | .... | special effects technician: Norway | |
Visual Effects by | |||
| Tadeusz Chmiel | .... | compositor: Platige Image | |
| Tadeusz Chmiel | .... | textures: Platige Imagr | |
| Marek Gajowski | .... | visual effects artist: Alvernia Studios | |
| Jakub Grygier | .... | matte paint: Platige Image | |
| Jakub Grygier | .... | textures: Platige Image | |
| Katarzyna Jarzyna | .... | visual effects production supervisor: Platige Image | |
| Adam Kaluski | .... | offline support: Platige Image | |
| Marcin Klicki | .... | modeling: Platige Image | |
| Jakub Knapik | .... | 3d animation: Platige Image | |
| Jakub Knapik | .... | lead compositor: Platige Image | |
| Jakub Knapik | .... | shading and lighting artist: Platige Image | |
| Jakub Knapik | .... | visual effects supervisor: Platige Image | |
| Urszula Piekarska | .... | assistant to visual effects production supervisor: Platige Image | |
| Lukasz Poninski | .... | visual effects production supervisor: Alvernia Studios | |
| Piotr Popielawski | .... | titles and credits: Platige Image | |
| Jaroslaw Sawko | .... | visual effects producer: Platige Image | |
| Edyta Sek | .... | visual effects production manager: Alvernia Studios | |
| Piotr Sikora | .... | visual effects producer: Platige Image | |
| Lukasz Sobisz | .... | simulations: Platige Image | |
| Albert Szostkiewicz | .... | effects technical director: Platige Image | |
| Mateusz Tokarz | .... | visual effects artist: Alvernia Studios | |
| Mikolaj Valencia | .... | visual effects supervisor: Alvernia Studios | |
| Adam Wierzchowski | .... | technical director: Platige Image | |
| Witold Wnuk | .... | visual effects artist: Alvernia Studios | |
| Juliusz Zenkner | .... | compositor: Platige Image | |
| Juliusz Zenkner | .... | rotoscopy: Platige Image | |
| Juliusz Zenkner | .... | titles and credits: Platige Image | |
| Piotr Dutkiewicz | .... | online support: Platige Image (uncredited) | |
Stunts | |||
| Robert Brzezinski | .... | stunt coordinator: Poland | |
| Jacek Dlugosz | .... | stunts: POland | |
| Johannes Eilertsen | .... | stunt performer: Norway | |
| Grzegorz Jurek | .... | stunts: Poland | |
| Kristoffer Jørgensen | .... | stunt coordinator: Norway | |
| Sergei Klimkin | .... | stuntman (as Sergey Klimkin Kepa) | |
| Tomasz Krzemieniecki | .... | stunt performer: Poland | |
| Tomasz Krzyzanowski | .... | stunts: Poland | |
| Maciej Kubica | .... | stunts: Poland | |
| Joe Perez | .... | stunt rigger: Norway | |
| Pawel Pliszka | .... | stunts: Poland | |
| Krzysztof Sztabinski | .... | stunts: Poland | |
| Stefan Wójcicki | .... | stunts: Poland | |
Casting Department | |||
| Pawel Czajor | .... | casting: Poland | |
Costume and Wardrobe Department | |||
| Adi Hahn | .... | assistant costume designer: Israel | |
| Linn Henriksen | .... | assistant costume designer: Norway | |
| Katarzyna Jarosinska | .... | second assistant costume designer: Poland | |
| Malgorzata Karpiuk | .... | assistant costume designer: Poland | |
Editorial Department | |||
| Glen Castinho | .... | digital colorist | |
| Glen Castinho | .... | digital intermediate supervisor | |
| Attila Csabai | .... | assistant editor | |
| Sandra Falkowski | .... | assistant editor | |
| Dávid Jancsó | .... | additional editor | |
| Adam Kaluski | .... | assistant editor | |
| Wanda Kiss | .... | additional editor | |
| Sebastian Korwin-Kulesza | .... | assistant editor | |
| Piotr Krasny | .... | 4k scanning and film printing: Alvernia Studios | |
| Lukasz Poninski | .... | digital intermediate production supervisor | |
| Edyta Sek | .... | digital intermediate production supervisor | |
| Cezary Szumski | .... | assistant editor | |
| Piotr Zmyslony | .... | scanning assistant: Alvernia Studios | |
| László Kovács | .... | telecine colorist: dailies (uncredited) | |
Music Department | |||
| Piotr Dominksi | .... | additional music preparation | |
| Janice Ginsberg | .... | music advisor | |
| Karol Ludew | .... | musician: percussion soloist | |
| Marta Maslanka | .... | musician: santur soloist | |
| Pawel Mykietyn | .... | musician: keyboard soloist | |
| Rafal Paczkowski | .... | recording and mixing engineer | |
| Jaroslaw Regulski | .... | recording and mixing engineer | |
| Robert Siwak | .... | musician: daf soloist | |
| Pawel Stankiewicz | .... | musician: electric guitar soloist | |
| Maciej Szczycinski | .... | musician: bass guitar soloist | |
| Sebastian Wieladek | .... | musician: ney/duduk soloist | |
| Fabian Wlodarek | .... | musician: accordion soloist | |
Transportation Department | |||
| Vidar Falck-Muus | .... | provider: Chevrolet Tahoe | |
| Wojo Jakus | .... | transportation coordinator: Poland | |
| Helge Lier | .... | provider: Chevrolet Tahoe | |
| Andrej Litawinski | .... | unit driver: Poland | |
| Per Mathiesen | .... | provider: Chevrolet Tahoe | |
| Ofer Netzer | .... | driver: Israel | |
| Waldemar Piasecki | .... | unit driver: Poland | |
| Shlomo 'Momo' Raz | .... | driver: Israel | |
| Adam Rychtarczyk | .... | unit driver: Poland | |
| Ola Røstbakken | .... | provider: Chevrolet Tahoe | |
| Meital Sarusi | .... | driver: Mr. Gallo, Israel | |
| Krzysztof Stepkowski | .... | unit driver: Poland | |
| Marcin Szczepaniak Garcia | .... | unit driver: Poland | |
| Wojciech Tlustowski | .... | unit driver: Poland | |
| Leszak Turowski | .... | unit driver: Poland | |
| Øystein Velund | .... | driver: Mr. Gallo, Norway | |
| Wieslaw Wiercicoch Wiertara | .... | unit driver: Poland | |
| Krzysztof Zarecki | .... | driver: Mr. Gallo, Poland | |
| Jacek Zastawny | .... | unit driver: Poland | |
| Robert Zielinski | .... | driver: Ms. Seigner, Poland | |
| Torgim Ødegård | .... | driver: Ms. Skolimowski, Norway | |
Thanks | |||
| Truls Kontny | .... | special thanks | |
|
|
|
|
|
| Defiance | As Far As My Feet Will Carry Me | Dreamcatcher | Avatar | The Road |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb Poland section |
This film defies almost every cinematic convention in the book. In many ways it reminds me of the style of Tarkovsky. Of course, as with Tarkovsky, this will likely leave those with conventional expectations confused, bored and thinking it makes no sense. It uses a lot of metaphorical and allegorical imagery and if people a. expect things to be literal and clearly spelled out with an obvious narrative or b. don't have the background or context to understand these metaphors they are probably going to find the film awful. It also lacks a clear moral position or message as we normally expect from movies. The atmosphere of the movie evokes the tone of Kosinski's book "The Painted Bird" to me in an odd way; another stranger in - the same - strange land.
The movie is surprisingly non-political and doesn't seem to ask the viewer to agree with or condemn the character (though sympathies are challenged). It reminds me very much of the old ink-blot tests and leaves A LOT for the viewer to fill in. The resulting interpretation *may* even be correct BUT not the only way it can be interpreted and I think people's predispositions very much effect how they see the movie and, like the ink-blot tests, the assumptions one makes can be revealing. If one is inclined to see the west's incursions into the mid-east as imperialistic or otherwise wrong-headed, they are likely to see the lead actor as a victim or as an any-man trying to escape the inescapable. If a viewer is biased to assume anyone that looks middle-eastern is likely guilty of being a terrorist, they will probably view him as a Taliban or Al Qaeda member and have little or no sympathy for him or his plight. (i.e. note the extremes in the reviews on this board.) And it is open for interpretations beyond these. Despite advertising, when we first see him he is unarmed it is not clearly indicated that he is a Taliban, a terrorist, or even a militant at all. Though he might be...
Excellent camera work. The music is jarring and angular but fits. Huge kudos to Gallo. Unlike anything else he's done and he seems incredibly right for the role.
A great movie but more for the cinephile and not for the mainstream. Definitely not a Hollywood movie.