Thou shall not steal! Chief Inspector Douglas tries piece together the puzzle of the massacre in UGC Cinema. The only survivor and key witness, a broken and terrified employee named Stanley... See full summary »
David R. Montgomery,
Set in Paisley, the 'NED' capital of Scotland, this film provides a comprehensive and candid look at the daily lives and habits of these "Non Educated Delinquents", from their pulling ... See full summary »
Interlocking interviews of 4 women interred in various Magdalene asylums and/or orphanages because of out-of-wedlock pregancies, being sexually assaulted, or just being "too pretty" (believe it or not).
Despite having a drunken, abusive father and a brother who leads a local gang John McGill is a studious boy for whom a bright educational future seems to beckon. However his studiousness isolates him and when he is invited to join the gang it gives him a sense of belonging. However he becomes increasingly more violet, stabbing a boy in the neck, for which his brother is blamed and jailed, and dropping a breeze block on a rival gang leader, causing him permanent brain damage. John is temporarily thrown out of his home by his mother and suspended from school though when he is readmitted he is placed in the remedial class. John now has no interest in education but in being the top boy amongst the NEDS or non-educated delinquents. He is invincible, and even the lions at the local safari park let him pass without attacking him. Written by
don @ minifie-1
The film uses "Non-Educated DelinquentS" as a "backronym" for "neds" as it is commonly used in modern day Scotland since the 90s. The English equivalent is chav. Many people including police officials and politicians (including famously Rosie Kane MSP) have discussed the term ned using this definition. As the term ned has been used far longer and dates back to the 19th century according to the OED it is not proven that this is the true origin of the term. See more »
The film starts in 1972. The film ends in 1974. The film starts in 1972 whilst John is leaving primary education. The disco in question happens when John is in third year at secondary school. This is autumn of 1974.
So playing a song from January of 1974 is absolutely no problem. See more »
Benny McGill's wee brother's a smart wee cunt. How do you no' know I'm no' on my way to go stab fuck out of him right now? And how do you know I wouldnae take it out on you? See that there? That's a fucking blade. Know what that's used for? For gutting daft wee fucking boys like you, you wee cunt. Luckily for you, however, I'm a fuckin' good guy, and me and Benny are good pals.
See more »
STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
John (Connor McCarron) excels as a child in his studies, but the rough, hard environment around him soon has an effect on his personal character and, as he grows up in 1970s Glasgow, he moulds into one of the pack, as problems at home and school breed the violent character within him, going up against the hard drinking, knife wielding thugs that are the sworn enemies of the hard drinking, knife wielding thugs he's in with.
Glasgow still holds the notorious accolade of being 'the knife crime capital of Great Britain', so this could have been just as hard hitting and unflinching as it was setting out to be being a modern day drama. Instead, director Peter Mullan has presented a sprawling, overlong if I'm brutally honest, exploration of a young man's despairing, senseless dessension into mindless thuggery, possibly based on his own experiences. As a result of this, it comes off as very hard to get into to start with, lost as it is in it's own mood, atmosphere and style. But it's these same things that somehow manage to make it a more absorbing experience if you stick with it long enough, slowly drawing you into the life of this troubled character and the various ups and downs he encounters as he trawls through the rough landscape of his youth. Still, this feels like quite an undisciplined effort from Mullan, which veers into outlandish, arty moments (such as the lead character duking it out with the Lord Jesus Christ) that only serve to make it an even more alienating experience than it already is. ***
2 of 3 people found this review helpful.
Was this review helpful to you?