A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
The film uses "Non-Educated DelinquentS" as a "backronym" for "neds" as it is commonly used in modern day Scotland since the 90s. The English equivalent is chav. Many people including police officials and politicians (including famously Rosie Kane MSP) have discussed the term ned using this definition. As the term ned has been used far longer and dates back to the 19th century according to the OED it is not proven that this is the true origin of the term. See more »
The film is set in 1973. In the disco scene, "Teenage Rampage" by The Sweet is one of the records played. "Teenage Rampage" was released in January 1974. The band's previous single, "Ballroom Blitz" (September 1973) would fit with the film's chronology, but "Teenage Rampage" is better suited to the narrative which may explain the decision to use the later recording. See more »
Benny McGill's wee brother's a smart wee cunt. How do you no' know I'm no' on my way to go stab fuck out of him right now? And how do you know I wouldnae take it out on you? See that there? That's a fucking blade. Know what that's used for? For gutting daft wee fucking boys like you, you wee cunt. Luckily for you, however, I'm a fuckin' good guy, and me and Benny are good pals.
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STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
John (Connor McCarron) excels as a child in his studies, but the rough, hard environment around him soon has an effect on his personal character and, as he grows up in 1970s Glasgow, he moulds into one of the pack, as problems at home and school breed the violent character within him, going up against the hard drinking, knife wielding thugs that are the sworn enemies of the hard drinking, knife wielding thugs he's in with.
Glasgow still holds the notorious accolade of being 'the knife crime capital of Great Britain', so this could have been just as hard hitting and unflinching as it was setting out to be being a modern day drama. Instead, director Peter Mullan has presented a sprawling, overlong if I'm brutally honest, exploration of a young man's despairing, senseless dessension into mindless thuggery, possibly based on his own experiences. As a result of this, it comes off as very hard to get into to start with, lost as it is in it's own mood, atmosphere and style. But it's these same things that somehow manage to make it a more absorbing experience if you stick with it long enough, slowly drawing you into the life of this troubled character and the various ups and downs he encounters as he trawls through the rough landscape of his youth. Still, this feels like quite an undisciplined effort from Mullan, which veers into outlandish, arty moments (such as the lead character duking it out with the Lord Jesus Christ) that only serve to make it an even more alienating experience than it already is. ***
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