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Neds (2010)

 -  Drama  -  20 April 2011 (USA)
7.0
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Ratings: 7.0/10 from 5,831 users  
Reviews: 37 user | 78 critic

Encompassed by violent street gangs, neglectful parents, bullying teachers and a dearth of positive role models, a studious but emotionally abandoned kid turns thug.

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Cast

Cast overview, first billed only:
Conor McCarron ...
John McGill
Greg Forrest ...
Young John (as Gregg Forrest)
Joe Szula ...
Benny McGill
Mhairi Anderson ...
Elizabeth
Gary Milligan ...
Canta
John Joe Hay ...
Fergie
Christopher Wallace ...
Wee T
Richard Mack ...
Gerr
Paul Smith ...
Key Man
Khai Nugent ...
Tam
Ryan Walker ...
Sparra
Lee Fanning ...
Minty
Ross Greig ...
Fifey
Greg McCreadie ...
Tora
Scott Ingram ...
Casper
Edit

Storyline

Encompassed by violent street gangs, neglectful parents, bullying teachers and a dearth of positive role models, a studious but emotionally abandoned kid turns thug.

Add Full Plot | Plot Synopsis

Taglines:

Some people need to be taught a lesson.

Genres:

Drama

Certificate:

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Parents Guide:

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Details

Official Sites:

Country:

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Language:

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Release Date:

20 April 2011 (USA)  »

Also Known As:

Chuligani  »

Box Office

Budget:

£4 (estimated)

Opening Weekend:

£283,210 (UK) (21 January 2011)

Gross:

£632,204 (UK) (28 January 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The film uses "Non-Educated DelinquentS" as a "backronym" for "neds" as it is commonly used in modern day Scotland since the 90s. The English equivalent is chav. Many people including police officials and politicians (including famously Rosie Kane MSP) have discussed the term ned using this definition. As the term ned has been used far longer and dates back to the 19th century according to the OED it is not proven that this is the true origin of the term. See more »

Goofs

The film is set in 1973. In the disco scene, "Teenage Rampage" by The Sweet is one of the records played. "Teenage Rampage" was released in January 1974. The band's previous single, "Ballroom Blitz" (September 1973) would fit with the film's chronology, but "Teenage Rampage" is better suited to the narrative which may explain the decision to use the later recording. See more »

Quotes

Aunt Beth: They love us 'cause we tell it like it is, and we don't bow down to anybody.
See more »

Connections

References Daktari (1966) See more »

Soundtracks

You Won't Find Another Fool Like Me
Written by Tony Macaulay (as Mac) and Geoff Stephens (as Stephens)
Performed by The New Seekers
See more »

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User Reviews

 
when lions lay down
16 July 2011 | by (Japan) – See all my reviews

Growing up in inner city Glasgow in the Seventies, gangs are ubiquitous. The stories of stabbings and kickings have an awful, magnetic allure. Jimmy Boyle, mythologised by his lack of presence due to incarceration, like an Anti-Mandela figure, is the archetypal hardman in a town still nicknamed No Mean City. Glasgow's Miles Better has yet to be thought of. And school is not where you learn, it is where you survive.

Like Lynne Ramsey's Ratcatcher, Neds resonates with Glaswegians born in the Sixties who grew up in this mayhem, and now look at it with the benefit of age and distance and wonder how we ever took it for normality.

John is the academically gifted younger brother of a locally respected/ feared ned. His father is mostly missing or drunk, his mother struggles to cope. Like many Scots, the family role model is the one who has exiled herself. Joe's big brother Benny (a charismatic Joe Szula) provides a buffer between him and the worst of the violence - but also gives him a free pass towards initiation. Mean, visceral humiliation from local bully Kanta propels John away from study and towards Benny's sphere of influence. After many trials and betrayals, John survives that, till another humiliation at the point of a crossbow pushes him again to the brink.

Cinematically, Mullen is playful and challenging here. The director says Kubrick and Peckinpah were evoked in keeping with the time; the duct taping of knives to hands is pure Peckinpah, and the juxtaposition of foot-tapping music with jaw-breaking violence recalls Kubrick. The ending is big canvas cinema, but it worked for me. There is also a lovely rhythm here, the gangs running toward and away from each other more often than not. That's how I remember it in Maryhill - big boys always running after or away from other big boys.

Drunk Dads (Mullen in an acting career best), Bolan, six of the belt, winchin' up the graveyard, change on the buses, Provvie cheques - I loved it. But then I grew up with it. Outside Glasgow, and a certain generation, this might be more difficult to access. It will do better in Europe and Asia where the subtitles will help, and the essential coming-of-age story will rise to the fore more.


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