An unusual personal obsession is at the center of a BAU abduction case. Meanwhile, Hotch struggles with his return to work.

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(as Anna J. Foerster)

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Cast

Episode cast overview, first billed only:
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Dr. Arthur Malcolm
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Samantha Malcolm
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Bethany Wallace
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Detective Marty Cotrone
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Linda Jackson
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Shop Manager
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M.E.
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Karl Wallace
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Storyline

In Atlantic City, New Jersey, two women have thus far been identified as having died at the hands of the same killer. Both victims were drug-induced paralyzed and still conscious during their two-month abduction, but otherwise well taken care of. Both were also petite but physically fit, and in life were fashion conscious, although the clothes in which they were found did not match what they would have worn in real life, these new clothes which were more doll-like. And both dead bodies were found in a place that represents a fun childhood, one on a playground swing, another on an amusement park carousel. Because the two women have no other similar characteristics beyond their small stature, the BAU believe the unsub to be a woman who is "collecting" the victims as surrogates for a doll collection that the unsub has lost. When the BAU learn more about the doll line that the unsub is mimicking and after one of the pieces of clothing is analyzed, they stumble across a lead to the unsub ... Written by Huggo

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13 January 2010 (USA)  »

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1.78 : 1
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Did You Know?

Trivia

Once the team figures out the unsub, Garcia says "She was doomed... Like red shirted ensign in Star Trek doomed." The unsub's father is played by Jonathan Frakes who played Commander Riker on Star Trek: The Next Generation (1987) See more »

Goofs

The New Jersey license plates on the cars are shown to have a bright yellow stripe of about 2 inches across the top with the remainder of the plate being white. In actuality, New Jersey plates have a more beige-yellow tint at the top which fades very gradually toward the whiter bottom, so that there is no noticeable line differentiating the colors. See more »

Quotes

Penelope Garcia: Okay, guys, I just got Samantha Malcolm's medical records, and... oh, my God, she was doomed. Like Emily Bronte doomed, like Shakespeare doomed, like red-shirted ensign in "Star Trek" doomed.
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Connections

References Star Trek (1966) See more »

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User Reviews

 
Both creepy and sad
25 November 2016 | by (United Kingdom) – See all my reviews

Season 5 has had its ups and downs (though much less so than the succeeding seasons, with the exception of perhaps "The Fight" none of its lesser episodes come close to the low-points of Season 9 and 11).

Most of the season's episodes are decent to very good. There are disappointing episodes such as "Parasite", "The Performer", "Hopeless" and especially "The Fight" (the last one being a rare example of a Season 1-5 episode of 'Criminal Minds' that didn't feel like an episode of 'Criminal Minds' at all). At the same time, there are some great to outstanding episodes such as "100", "...A Thousand Words", "Mosley Lane" and this episode "The Uncanny Valley".

It is a shame that for my money a few of the BAU members are very underused, particularly Hotch and Morgan, particularly disappointing in the case of the former when from the IMDb summary you naturally assume that him struggling with work would feature more heavily. It is true also that the science is ludicrous, and while some will be willing to suspend disbelief (which was successful on my part) it is not hard to see why it won't be so easy for others.

All this aside, "The Uncanny Valley" strictly speaking is one of Season 5's best episodes. Particularly standing out here is the story, which is unsettlingly creepy but also equally sad that tearing up is guaranteed no matter how hard anybody tries to resist. Love the beginning and end scenes with the Reid and how the chess is incorporated. The episode also features one of the show's most sympathetic unsubs, despite her actions this is one that we do feel sorry for for her traumatic past and child-like and docile manner that makes one really believe that she is unstable and not that bad a person.

Production values as always are top-notch, with classy yet gritty photography. A huge kudos has to go to the make-up and costume department on the work they did on the victims, how they are made up is incredibly eerie and they actually do look like dolls. The music is one of the season's, and perhaps even the show's, most disturbing while also being emotion-filled being especially good at the end.

Writing has a great mix of eeriness and pathos, while the story is absorbing and rich in atmosphere. The direction is solid as rocks, doing nothing to hinder the tone and atmosphere of the storytelling, the pace is never rushed or dull and the acting from all is very good indeed. An ever excellent Matthew Gray Gubler (after not seeing enough Reid generally in the season it was wonderful to have him at the forefront, and the episode develops him splendidly) and an understated and moving but also somewhat chillingly psychotic Jennifer Hasty are the standouts. The victims are also wonderfully played.

To conclude, a creepy and sad episode and one of the best of the season. 9/10 Bethany Cox


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