A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
Five people's lives that are curiously intertwined happen to all be at a diner at the same time. An old man (Hall) gives advice to a young man (Baltz) about his cheating wife and best ... See full summary »
Paul Thomas Anderson
Philip Baker Hall,
Returning from Navy service in World War II, Freddie Quell drifts through a series of breakdowns. Finally he stumbles upon a cult which engages in exercises to clear emotions and he becomes deeply involved with them. Written by
Alan Young, edit Hal Issen
Paul Thomas Anderson premiered the film in a surprise 70mm screening at the American Cinematheque in Los Angeles in August 2012 following a 4k restoration of The Shining (1980), almost a full month before the official world premiere at the Venice Film Festival. Those in attendance were told before the start of The Shining (1980) that there would be a special free screening after the film, but did not reveal that the screening would be the world premiere of this film. See more »
When Freddie is first seen visiting Doris' house, aluminum stick-on numbers are visible in the establishing shot, giving a street number. These numbers didn't' come onto the market until the 1960s. See more »
What a horrible young man you are. This is acting like an animal. A dirty animal that eats it's own faeces when hungry.
See more »
The DVD special-features menu has a reversed image of Joaquin Phoenix's face. You can tell by the scar above his lip. See more »
I know, everyone is gushing about this movie. That, on top of the fact that I am a PT Anderson fan (Magnolia, for one, is probably a top 10 favorite of mine), is what made this so disappointing.
First, the good. Amy Adams does very well in a supporting role. The whole thing is beautifully filmed, and I liked the music as well. I thought it captured the feel of the time period very well.
On to the bad (of which there is substantially more, in my view). I'll start with the plot. There is almost none, and the movie has no hook. It never made me forget I was sitting in a movie theater. Its pace is maddeningly slow, and it is too long. A good portion of the film is spent watching Phoenix walk back and forth between a window and a wall for reasons that remain rather opaque. Yes, it's that kind of movie.
I didn't care at all about Phoenix's character or Hoffman's, and despite the rave reviews, I think neither actor brought their A-game to this one. Their characters were one dimensional, unsympathetic, and unrelatable. They didn't feel like real people. They don't really change much over the course of the movie.
What irked me most, though, was that the movie really didn't have anything to say. It had no real insights into anything. It didn't make me think or challenge my mind in any way.
When a movie fails to make me think or feel, as this one did, I can't help but regret spending money on it.
187 of 363 people found this review helpful.
Was this review helpful to you?