A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
Returning from Navy service in World War II, Freddie Quell drifts through a series of breakdowns. Finally he stumbles upon a cult which engages in exercises to clear emotions and he becomes deeply involved with them. Written by
Alan Young, edit Hal Issen
In order to achieve the effect of clenching his mouth and talking out of one side, Joaquin Phoenix had his dentist attach metal plates to his teeth with rubber bands to hold them shut. The rubber bands weren't strong enough to hold his mouth shut, so he removed them. But the metal plates, complete with screws that slightly cut up the inside of his cheek, were enough of a constant reminder that it allowed him to play that aspect of the character. See more »
At the beginning of the film, when the end of W.W.II is announced (August 15, 1945), the U.N. is mentioned. The U.N. did not yet exist. It was established October 24, 1945. Additional Information: During WWII the allied nations (Great Britain, Canada, Australia, USA etc.) sometimes also were known as the United Nations, so this identification would have been possible. See more »
You're the bravest girl I've ever met. Now stick it back in, it fell out.
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After its title, this film has no further opening credits. See more »
I know, everyone is gushing about this movie. That, on top of the fact that I am a PT Anderson fan (Magnolia, for one, is probably a top 10 favorite of mine), is what made this so disappointing.
First, the good. Amy Adams does very well in a supporting role. The whole thing is beautifully filmed, and I liked the music as well. I thought it captured the feel of the time period very well.
On to the bad (of which there is substantially more, in my view). I'll start with the plot. There is almost none, and the movie has no hook. It never made me forget I was sitting in a movie theater. Its pace is maddeningly slow, and it is too long. A good portion of the film is spent watching Phoenix walk back and forth between a window and a wall for reasons that remain rather opaque. Yes, it's that kind of movie.
I didn't care at all about Phoenix's character or Hoffman's, and despite the rave reviews, I think neither actor brought their A-game to this one. Their characters were one dimensional, unsympathetic, and unrelatable. They didn't feel like real people. They don't really change much over the course of the movie.
What irked me most, though, was that the movie really didn't have anything to say. It had no real insights into anything. It didn't make me think or challenge my mind in any way.
When a movie fails to make me think or feel, as this one did, I can't help but regret spending money on it.
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