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The Master (2012)

 -  Drama  -  21 September 2012 (USA)
7.1
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Ratings: 7.1/10 from 75,999 users   Metascore: 86/100
Reviews: 373 user | 521 critic | 43 from Metacritic.com

A Naval veteran arrives home from war unsettled and uncertain of his future - until he is tantalized by The Cause and its charismatic leader.

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Title: The Master (2012)

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Nominated for 3 Oscars. Another 82 wins & 106 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
V.A. Doctor
...
Rorschach Doctor
Sarah Shoshana David ...
V.A. Nurse
...
V.A. Doctor / Interview
Matt Hering ...
V.A. Patient
Dan Anderson ...
V.A. Patient
...
V.A. Patient
...
V.A. Patient
Patrick Biggs ...
V.A. Patient
Ryan Curtis ...
V.A. Patient
Jay Laurence ...
V.A. Patient
Abraxas Adams ...
V.A. Patient
Tina Bruna ...
Portrait Customer
...
Portrait Customer
Edit

Storyline

Returning from Navy service in World War II, Freddie Quell drifts through a series of breakdowns. Finally he stumbles upon a cult which engages in exercises to clear emotions and he becomes deeply involved with them. Written by Alan Young, edit Hal Issen

Plot Summary | Plot Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for sexual content, graphic nudity and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

Release Date:

21 September 2012 (USA)  »

Also Known As:

Master  »

Filming Locations:

 »

Box Office

Budget:

$32,000,000 (estimated)

Opening Weekend:

$736,311 (USA) (14 September 2012)

Gross:

$16,377,274 (USA) (15 March 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

In order to achieve the effect of clenching his mouth and talking out of one side, Joaquin Phoenix had his dentist attach metal plates to his teeth with rubber bands to hold them shut. The rubber bands weren't strong enough to hold his mouth shut, so he removed them. But the metal plates, complete with screws that slightly cut up the inside of his cheek, were enough of a constant reminder that it allowed him to play that aspect of the character. See more »

Goofs

When Freddie is first seen visiting Doris' house, aluminum stick-on numbers are visible in the establishing shot, giving a street number. These numbers didn't' come onto the market until the 1960's- long after the time when the scene takes place. See more »

Quotes

Lancaster Dodd: [Lancaster and Freddie have been imprisoned in two separate cells, sharing a wall] Your fear of capture and imprisonment is an implant from millions of years ago. This battle has been with you from before you know. This is not you.
Freddie Quell: SHUT THE FUCK UP!
Lancaster Dodd: It's not you.
Freddie Quell: SHUT. THE FUCK. UP!
Lancaster Dodd: It's not you. You are asleep. Your spirit was free. Moving from body, to the next body. Free. Free for a moment. Then it was captured by an invader force, bent on turning you to the darkest way, you've been implanted...
[...]
See more »

Crazy Credits

This film has no opening credits. See more »

Connections

References Melvin and Howard (1980) See more »

Soundtracks

Sweet Sue, Just You
Written by Victor Young and Will J. Harris (as Will Harris)
Performed by Noro Morales
Courtesy of RCA Records Label
By arrangement with Sony Music Licensing
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The Master in action.
8 August 2012 | by (Los Angeles USA) – See all my reviews

I was fortunate enough to see this film much earlier than most. To me it seems like Anderson is really hitting his stride with this one. It was odd to me that upon exiting the theater the thing that I wondered about most of all is what the hell is he going to do next!

The Master is not an easy movie to sit through, and at times you don't even know what the movie wants. But then you realize that the movie doesn't want anything. All it asks is for you to observe. More so than his earlier films, "The Master" and "There Will Be Blood" really venture into the realm of the film as being a purely cinematic presentation of a life. Anderson doesn't pass judgment or any point of view, he merely stretches the canvas which allows his characters to speak for themselves.

Yes, there is a beginning, middle and an end, but is there? Do we really have a sense of catharsis at the end of "There Will Be Blood"? or do we simply understand "man" a little better?

Anderson insisted, as I'm sure he would say the same for this film, that "There Will Be Blood" wasn't a metaphor for anything. It was what it was. No hidden meaning, no sophisticated and often formulaic subtext. It's simply man. As Hoffman's character says in the trailer for "The Master" - "But above all, I am a man".

The movie deals with an interesting idea of the leader vs. the soldier, master vs. slave. It breaks down the anatomy of a relationship so you may interpret it in any way you'd like.

It's beautifully shot on 65/70mm film which is the way I saw it and the way I recommend for you to see it if you get a chance to. Feels almost as if Anderson is giving the finger to the digital revolution by shooting his film on a resolution so high that digital can only dream of getting there in about ten years or so.

The acting and the dialog is superb as you'd expect. Phoenix and Hoffman are on a different level here, especially Phoenix in a role of a life time. There are definitely times in this film that he completely disappears into that role. There is also some great supporting work from Laura Dern and others.

It would be difficult to place this film in his body of work. More than anything it feels like the natural continuation of what he started with "There Will Be Blood". Not to say that he will continue on this path but just that this is definitely a more narrowly focused film than some of his earlier ensemble work.

I found it to be less engaging than some of his other work and yet there was never a dull moment. You're always on your toes, trying to understand what's going on and where the movie is leading you.

It really is simply, just like man, a fascinating piece of work.


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