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The Master (2012)

R  |   |  Drama  |  21 September 2012 (USA)
7.1
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Ratings: 7.1/10 from 87,895 users   Metascore: 86/100
Reviews: 387 user | 532 critic | 43 from Metacritic.com

A Naval veteran arrives home from war unsettled and uncertain of his future - until he is tantalized by The Cause and its charismatic leader.

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Title: The Master (2012)

The Master (2012) on IMDb 7.1/10

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Nominated for 3 Oscars. Another 88 wins & 127 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
V.A. Doctor
...
Rorschach Doctor
Sarah Shoshana David ...
V.A. Nurse
...
V.A. Doctor / Interview
Matt Hering ...
V.A. Patient
Dan Anderson ...
V.A. Patient
...
V.A. Patient
...
V.A. Patient
Patrick Wilder ...
V.A. Patient (as Patrick Biggs)
Ryan Curtis ...
V.A. Patient
Jay Laurence ...
V.A. Patient
Abraxas Adams ...
V.A. Patient
Tina Bruna ...
Portrait Customer
...
Portrait Customer
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Storyline

Returning from Navy service in World War II, Freddie Quell drifts through a series of breakdowns. Finally he stumbles upon a cult which engages in exercises to clear emotions and he becomes deeply involved with them. Written by Alan Young, edit Hal Issen

Plot Summary | Plot Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for sexual content, graphic nudity and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

Language:

Release Date:

21 September 2012 (USA)  »

Also Known As:

Master  »

Filming Locations:

 »

Box Office

Budget:

$32,000,000 (estimated)

Opening Weekend:

$736,311 (USA) (14 September 2012)

Gross:

$16,377,274 (USA) (15 March 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Paul Thomas Anderson has acknowledged that L. Ron Hubbard and the Church of Scientology served as partial basis for the character of Lancaster Dodd and his cult, "The Cause." This revelation sparked much discussion in the press, as the Church of Scientology has a long history of litigation against critics of Hubbard. Though the Church released no official comment on the film, Anderson claims that when he screened the film for his friend Tom Cruise an outspoken Scientology advocate, Cruise erupted with anger, specifically objecting to scenes where Dodd's son Val admits that Dodd made up the tenants of "The Cause," which parallel's real-life admissions by Hubbard's son. Anderson has admitted to a heated exchange with Cruise, though both the actor and director have kept details of their argument, and the outcome private. See more »

Goofs

The architectural style of the house where they stay in Philadelphia is known as California craftsman, which is not found anywhere in or near Philadelphia. See more »

Quotes

John More: I belong to no club, and if you're unwilling to allow any discussion...
Lancaster Dodd: No, this isn't a discussion, it's a grilling! There's nothing I can do for you, if your mind has been made up. You seem to know the answers to your questions, why do you ask?
John More: I'm sorry you're unwilling to defend your beliefs in any kind of rational...
Lancaster Dodd: If, if you already know the answers to your questions, then why ask PIG FUCK? We are not helpless. And we are on a journey that risks the dark. If you don't mind, a good night...
See more »

Crazy Credits

This film has no opening credits. See more »

Connections

References Baraka (1992) See more »

Soundtracks

You Go To My Head
Written by Haven Gillespie and J. Fred Coots
Performed by Larry Clinton and His Orchestra
Courtesy of RCA Records Label
By arrangement with Sony Music Licensing
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

"I am a writer, a doctor, a nuclear physicist, a theoretical philosopher, but above all, I am a man, just like you"
15 September 2012 | by (Los Angeles, CA) – See all my reviews

Paul Thomas Anderson has grown as perhaps the greatest American auteur of his generation. At 42, this is his 6th film (following 1996's "Hard Eight", 1997's "Boogie Nights", 1999's "Magnolia" - my all-time favorite -, 2002's "Punch-Drunk Love", and 2007's "There Will Be Blood"). Like the late master Kubrick and the aging master Terrence Malick (who, coincidentally, just debuted his 6th film, "To the Wonder", at the latest Venice Film Festival where PTA won the Silver Lion for Best Director), he isn't the most prolific of filmmakers; but his perfectionist creations, cerebral yet strikingly cinematic and emotional, always leave an indelible mark (polarizing audiences but usually earning critical acclaim). "The Master" is no exception. Shot on 70mm film, it is not so much of an "outside" epic as you'd imagine - although every single image is stunning and perfectly composed (courtesy of cinematographer Mihai Malaimare Jr., who replaced Robert Elswit, Anderson's usual collaborator). It closely resembles "There Will Be Blood" in tone and content, but it stands on its own (Jonny Greenwood is once again responsible for the score).

Freddie Quell (Joaquin Phoenix) is a troubled and troubling drifter who becomes the right-hand man of Lancaster Dodd (actor extraordinaire Philip Seymour Hoffman), "the master" of a cult named The Cause in post-WWII America. Their strange, ambiguous relationship is the center of the film. "The Master" is a thought-provoking indictment of cult fanaticism and lies sold as religion, which has caused controversy and concern among Scientologists even before its release. By not mentioning real names, Anderson is capable of broadening the scope of his story and making it richer - and subtler - than a straightforward "Scientology flick" would have been. Like his previous films, there's more than meets the eye at a single viewing, and his attention to detail pays off (there's also a visual homage to Jonathan Demme's "Melvin and Howard", another favorite of Anderson's, in a motorcycle racing scene). Hoffman is as good as ever, and Amy Adams is highly effective (slowly depriving herself of cutesy mannerisms) as his wife. David Lynch's golden girl Laura Dern has a small role as well. But this is Joaquin Phoenix's hour, all the way. River Phoenix's younger brother has become a fascinating actor himself since Gus Van Sant's dark comedy "To Die For" (1995), and, after his much publicized "retirement from acting" and music career hoax in 2009, he managed to come back with a performance for the ages, which shall culminate in Oscar gold. As for Anderson, it is unsure whether the Academy will finally recognize him as he deserves. His films may still be too outlandish for the Academy's taste (he's announced his next project will be an adaptation of Thomas Pynchon's crime novel "Inherent Vice", a seemingly less ambitious project he hopes to make in less than five years). Regardless of Oscar numbers, we can rest assured that in a world where PTA gets to make such personal and original work and find his audience, there is still hope, and room, for intelligent filmmaking.


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Performance of the Decade so far? PolythenePaul
'Slow Boat to China' and homosexual overtones... strikefire83
Boring ...opaque, vague, dull and great for mental masturbation janandersonco
This film IS NOT about Scientology! tph890
Only 7.1??!!!! JoeSchmoe19941997
2nd veiwing better? snoochieboocher1978
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