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The Master (2012)

 -  Drama  -  21 September 2012 (USA)
7.1
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Ratings: 7.1/10 from 79,182 users   Metascore: 86/100
Reviews: 379 user | 524 critic | 43 from Metacritic.com

A Naval veteran arrives home from war unsettled and uncertain of his future - until he is tantalized by The Cause and its charismatic leader.

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Nominated for 3 Oscars. Another 86 wins & 118 nominations. See more awards »

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A montage of unused scenes, shots and takes from Paul Thomas Anderson's 'The Master'.

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Cast

Cast overview, first billed only:
...
...
V.A. Doctor
...
Rorschach Doctor
Sarah Shoshana David ...
V.A. Nurse
...
V.A. Doctor / Interview
Matt Hering ...
V.A. Patient
Dan Anderson ...
V.A. Patient
...
V.A. Patient
...
V.A. Patient
Patrick Biggs ...
V.A. Patient
Ryan Curtis ...
V.A. Patient
Jay Laurence ...
V.A. Patient
Abraxas Adams ...
V.A. Patient
Tina Bruna ...
Portrait Customer
...
Portrait Customer
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Storyline

Returning from Navy service in World War II, Freddie Quell drifts through a series of breakdowns. Finally he stumbles upon a cult which engages in exercises to clear emotions and he becomes deeply involved with them. Written by Alan Young, edit Hal Issen

Plot Summary | Plot Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for sexual content, graphic nudity and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

Release Date:

21 September 2012 (USA)  »

Also Known As:

Master  »

Filming Locations:

 »

Box Office

Budget:

$32,000,000 (estimated)

Opening Weekend:

$736,311 (USA) (14 September 2012)

Gross:

$16,377,274 (USA) (15 March 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The very first line in the film, where Freddie is talking on the beach, was entirely improvised. See more »

Goofs

In the "pacing" scene, as Quell goes from wooden paneled wall to window and back, the second time he goes to he wooden paneling, he breaks out a panel when he pounds it with rage. In the numerous successive shots, the wood panel is restored. See more »

Quotes

Freddie Quell: What do you do?
Lancaster Dodd: I am a writer, a doctor, a nuclear physicist and a theoretical philosopher. But above all, I am a man, a hopelessly inquisitive man, just like you.
See more »

Crazy Credits

This film has no opening credits. See more »

Connections

Alternate-language version of Let There Be Light (1946) See more »

Soundtracks

Sweetness of Freddie
(uncredited)
Written by Jonny Greenwood
Performed by London Contemporary Orchestra
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Slow boat to nowhere
17 November 2012 | by (Texas) – See all my reviews

Well, I really wanted to like this one. On paper it's perfect. Director/writer Paul Thomas Anderson, cast headed by Joaquin Phoenix, Phillip Seymour Hoffman, and Amy Adams. What could go wrong? The script. If a movie doesn't start with a good script, it can't turn out well. And this doesn't. There is no crest to this story. And there is no denouement. It lays flat for over two hours. The actors give great performances and the scenes are constructed well. Joaquin Phoenix has moments that are tragic. And then the movie just continues to plod along. I am fine with a film that develops slowly. I'm not fine with a film that never develops, and this one doesn't. Is it about an alcoholic? No. Is it about a cult leader? No. It's random moments, between an alcoholic and a cult leader, strung together, with no direction, and no point. You could extract any scene from this film, and on it's own it would stand up well. Pieced together, however, they don't add up to a story.

A story has to be about something. It has to start somewhere and it has to go somewhere. This story starts, and then goes nowhere. It is fine if the resolution of a story is simply it's endlessness. This film, however, never establishes where it's going. And, therefore, can't simply, go on forever. It never went anywhere to begin with. The actors are left to spluge all over the audience for no discernible reason. I'm over Phillip Seymour Hoffman, and have been for a while. In this role, as a sort of L. Ron Hubbard figure, he overacts to the point of caricature. For my money, the best Seymour Hoffman is "Boogie Nights", "Happiness", or "The Talented Mr. Ripley". Joaquin Phoenix is probably the most talented American actor working today, but his physically contorted, repetitive, mentally tortured, alcoholic, Freddie Quell, was never given the opportunity to become real or sympathetic, or even vile. He just, like the rest of the movie, went on. This actor, Joaquin Phoenix, has the chops to do anything. Check him out in "Reservation Road", "Gladiator", "Walk The Line", and his BEST, "Two Lovers". In "Two Lovers" Phoenix draws the portrait of an emotionally crippled man whose life crumbles beyond all hope (in his eyes), but through an accident of fate finds a path through which to go on living. He is riveting. There isn't anything he can't do given the opportunity. But he doesn't get the opportunity here.

Clearly this film was trying to comment on cultism. We know too much, however (Jonestown, Waco, Warren Jeffs), about cults to accept this fraction of a story. Clearly the main character was an alcoholic. Yet the film never explored his turmoil, or addiction, the way even a dumb show like "Celebrity Rehab" would. We were almost brought close enough to his story to care during his first session with Phillip Seymour Hoffman, but that was not developed and ultimately went nowhere. Just like the rest of the film.

There are some shocking scenes in this film. But there is no story that justifies them. It is like watching a big screen version of "Americas Most Shocking Videos", - for over two hours. They are independently compelling, but ultimately unrelated. And they never amount to a story about anything I could wrap my arms around. For me the ultimate failure of this film is that there was no point to it. It is not an art film. It is a pointless film. And it's not that I don't get "it". There's nothing to get. Better to spend your time watching car crashes, on TV, shot from dash cams. At least you won't expect much going in.


176 of 336 people found this review helpful.  Was this review helpful to you?

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Boring ...opaque, vague, dull and great for mental masturbation janandersonco
Only 7.1??!!!! JoeSchmoe19941997
The ending jimmyr5595
2nd veiwing better? snoochieboocher1978
End Scene madison_70
why the semi low rating? devilsplaythang
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