Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has an attack. The couple's bond of love is severely tested.
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
Returning from Navy service in World War II, Freddie Quell drifts through a series of PTSD-driven breakdowns. Finally he stumbles upon a cult which engages in exercises to clear emotions and he becomes deeply involved with them. Written by
The ship carrying the cult is named "Alethia", the Greek word for "Truth". See more »
When Freddie is first seen visiting Doris' house, aluminum stick-on numbers are visible in the establishing shot, giving a street number. These numbers didn't' come onto the market until the 1960's- long after the time when the scene takes place. See more »
What a horrible young man you are. This is acting like an animal. A dirty animal that eats it's own faeces when hungry.
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I know, everyone is gushing about this movie. That, on top of the fact that I am a PT Anderson fan (Magnolia, for one, is probably a top 10 favorite of mine), is what made this so disappointing.
First, the good. Amy Adams does very well in a supporting role. The whole thing is beautifully filmed, and I liked the music as well. I thought it captured the feel of the time period very well.
On to the bad (of which there is substantially more, in my view). I'll start with the plot. There is almost none, and the movie has no hook. It never made me forget I was sitting in a movie theater. Its pace is maddeningly slow, and it is too long. A good portion of the film is spent watching Phoenix walk back and forth between a window and a wall for reasons that remain rather opaque. Yes, it's that kind of movie.
I didn't care at all about Phoenix's character or Hoffman's, and despite the rave reviews, I think neither actor brought their A-game to this one. Their characters were one dimensional, unsympathetic, and unrelatable. They didn't feel like real people. They don't really change much over the course of the movie.
What irked me most, though, was that the movie really didn't have anything to say. It had no real insights into anything. It didn't make me think or challenge my mind in any way.
When a movie fails to make me think or feel, as this one did, I can't help but regret spending money on it.
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