A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
Returning from Navy service in World War II, Freddie Quell drifts through a series of breakdowns. Finally he stumbles upon a cult which engages in exercises to clear emotions and he becomes deeply involved with them. Written by
Alan Young, edit Hal Issen
Paul Thomas Anderson has acknowledged that L. Ron Hubbard and the Church of Scientology served as partial basis for the character of Lancaster Dodd and his cult, "The Cause." This revelation sparked much discussion in the press, as the Church of Scientology has a long history of litigation against critics of Hubbard. Though the Church released no official comment on the film, Anderson claims that when he screened the film for his friend Tom Cruise, an outspoken Scientology advocate, Cruise erupted with anger, specifically objecting to scenes where Dodd's son Val admits that Dodd made up the tenets of "The Cause," which parallels real-life admissions by Hubbard's son. Anderson has admitted to a heated exchange with Cruise, though both the actor and director have kept details of their argument, and the outcome private. See more »
In the "pacing" scene, as Quell goes from wooden paneled wall to window and back, the second time he goes to he wooden paneling, he breaks out a panel when he pounds it with rage. In the numerous successive shots, the wood panel is restored. See more »
I don't remember when was the last time I got so engrossed in a film that the ending felt like snapping out of a trance. Remarkable in every detail but the detail I appreciate the most is the acting, if one can call it that. Joaquin Phoenix introduced us to a character I had never seen before on the screen. I was compelled, mesmerized. A sensation I hadn't experience since Colin Firth gave us Adrian LeDuc in 1989's "Apartment Zero". A total original but solidly planted in a reality that is undeniable. Shattering. Love him or hate him, he's not asking for sympathy on the contrary. He is defiant. Philip Seymour Hoffman adds another spellbinding character to his already extraordinary collection. And you, Mr. Anderson, who are you? Long Live The Cinema!
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