A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
John has lost all his money. He sits outside a diner in the desert when Sydney happens along, buys him coffee, then takes him to Reno and shows him how to get a free room without losing ... See full summary »
Paul Thomas Anderson
Philip Baker Hall,
John C. Reilly,
In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
Returning from Navy service in World War II, Freddie Quell drifts through a series of breakdowns. Finally he stumbles upon a cult which engages in exercises to clear emotions and he becomes deeply involved with them. Written by
Alan Young, edit Hal Issen
Paul Thomas Anderson has acknowledged that L. Ron Hubbard and the Church of Scientology served as partial basis for the character of Lancaster Dodd and his cult, "The Cause." This revelation sparked much discussion in the press, as the Church of Scientology has a long history of litigation against critics of Hubbard. Though the Church released no official comment on the film, Anderson claims that when he screened the film for his friend Tom Cruise an outspoken Scientology advocate, Cruse erupted with anger, specifically objecting to scenes where Dodd's son Val admits that Dodd made up the tenants of "The Cause," which parallel's real-life admissions by Hubbard's son. Anderson has admitted to a heated exchange with Cruise, though both the actor and director have kept details of their argument, and the outcome private. See more »
Although some of the nurses in the hospital scenes could have been at a V.A., the doctors could not. The V.A. is not staffed by military, and the doctors do not wear military uniforms. See more »
[Lancaster and Freddie have been imprisoned in two separate cells, sharing a wall]
Your fear of capture and imprisonment is an implant from millions of years ago. This battle has been with you from before you know. This is not you.
SHUT THE FUCK UP!
It's not you.
SHUT. THE FUCK. UP!
It's not you. You are asleep. Your spirit was free. Moving from body, to the next body. Free. Free for a moment. Then it was captured by an invader force, bent on turning you to the darkest way, you've been implanted...
[...] See more »
I don't remember when was the last time I got so engrossed in a film that the ending felt like snapping out of a trance. Remarkable in every detail but the detail I appreciate the most is the acting, if one can call it that. Joaquin Phoenix introduced us to a character I had never seen before on the screen. I was compelled, mesmerized. A sensation I hadn't experience since Colin Firth gave us Adrian LeDuc in 1989's "Apartment Zero". A total original but solidly planted in a reality that is undeniable. Shattering. Love him or hate him, he's not asking for sympathy on the contrary. He is defiant. Philip Seymour Hoffman adds another spellbinding character to his already extraordinary collection. And you, Mr. Anderson, who are you? Long Live The Cinema!
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