A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
Returning from Navy service in World War II, Freddie Quell drifts through a series of breakdowns. Finally he stumbles upon a cult which engages in exercises to clear emotions and he becomes deeply involved with them. Written by
Alan Young, edit Hal Issen
After Freddie's moonshine poisons one of the migrant workers at the cabbage farm and Freddie flees on foot, one of the migrant workers shouts "Boricua!" Boricua is not profanity, it is actually a Spanish word meaning a Puerto Rican living in the United States. Joaquin Phoenix was born and spent the first few years of his life living in Puerto Rico before coming to the states, so calling him a boricua is an apt title. See more »
At the beginning of the film, when the end of W.W.II is announced (August 15, 1945), the U.N. is mentioned. The U.N. did not yet exist. It was established October 24, 1945. Additional Information: During WWII the allied nations (Great Britain, Canada, Australia, USA etc.) sometimes also were known as the United Nations, so this identification would have been possible. See more »
I don't think Freddie is as committed to the cause as the cause is committed to him.
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After its title, this film has no further opening credits. See more »
I don't remember when was the last time I got so engrossed in a film that the ending felt like snapping out of a trance. Remarkable in every detail but the detail I appreciate the most is the acting, if one can call it that. Joaquin Phoenix introduced us to a character I had never seen before on the screen. I was compelled, mesmerized. A sensation I hadn't experience since Colin Firth gave us Adrian LeDuc in 1989's "Apartment Zero". A total original but solidly planted in a reality that is undeniable. Shattering. Love him or hate him, he's not asking for sympathy on the contrary. He is defiant. Philip Seymour Hoffman adds another spellbinding character to his already extraordinary collection. And you, Mr. Anderson, who are you? Long Live The Cinema!
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