In this comedy special taped at DAR Constitution Hall, his first solo special on the network in seven years, Williams covers such topics as global warming, sex and politics, the state of ...
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Stand-up comic Robin Williams performs his act in San Francisco's Great American Music Hall. Although he does do some of his more well known routines, much of the footage is devoted to ... See full summary »
This documentary feature film tells a story of life and death in South Central Los Angeles. A struggle beyond the nearby Hollywood limelight among people for whom state intervention comes mostly with a siren attached.
George Carlin brings his comedy back to New Jersey and this time talks about Offensive Language, Euphemisms, They're Only Words, Dogs, Things you never hear, see or wanna hear, Some people ... See full summary »
Part live stand-up performance, part documentary, this film is one of comedian Richard Pryor's later stand-up performances. As foul-mouthed as ever, Pryor touches on most of the same topics as in his previous live shows.
After viewing this provocative documentary, you will never look at Wikipedia the same way. Filmmakers Scott Glosserman and Nic Hill engagingly explore the history and cultural implications ... See full summary »
In this comedy special taped at DAR Constitution Hall, his first solo special on the network in seven years, Williams covers such topics as global warming, sex and politics, the state of health care in the country (suggesting a cash for clunkers program for elderly relatives, among other things), drugs - recreational and otherwise - and more personal topics, including his recent heart surgery. Written by
The hurricanes have been getting bigger and fucking bigger. And they usually give them names that don't really inspire fear. Like "Hurricane Terrence" does not inspire fear. It just sounds like a slightly gay hurricane.
"Where are you going?"
[in a stereotypical gay voice]
I might go to Boca, I might go to South Beach, I don't know. All I know is blowing is involved.
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It would be a safe bet to claim mercurial funny man Robin Williams hasn't been funny since the last century. Age and stale material repackaged with the same zany but winded nuances stopped being amusing some time back. With a film career on life support Williams returns to the place where he got his start, stand-up, and promptly falls on his ass.
From the outset Williams sweats and shrinks before our eyes in a hallowed cavernous DC auditorium as he huffs and puffs his way about the stage with the same routine worn paper thin by decades of the same shtick on endless talk shows and incorporated into films that won him critical praise. In Destruction he leaps on today's topics with the same manic enthusiasm he did in his youth but the novelty and Puckish charm are long gone and instead we get a sloven heavily caffeinated, perspiring old man where the cutesy gets creepy.
Williamsis somewhere between Ork and Dangerfield and incapable of handling it with Rodney's unique savoir faire. It is a cringing performance to witness, made even more evident by the audience response where the only thing that brings down the house is the wistful sentimentality for this over the hill repetitive dinosaur who now has to resort to dick and pussy jokes to get forced laughs from hipsters as he enters and exits, albeit a decade or two too late.
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