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Boy (I) (2010)

7.4
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Ratings: 7.4/10 from 5,522 users   Metascore: 70/100
Reviews: 28 user | 70 critic | 19 from Metacritic.com

Set on the east coast of New Zealand in the year 1984, Boy, an 11-year-old kid and devout Michael Jackson fan gets a chance to know his father, who has returned to find a bag of money he buried years ago.

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Title: Boy (2010)

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Cast

Cast overview, first billed only:
...
Boy
Te Aho Eketone-Whitu ...
...
Moerangi Tihore ...
Cherilee Martin ...
RickyLee Waipuka-Russell ...
Chardonnay (as Rickylee Waipuka-Russell)
Haze Reweti ...
Maakariini Butler ...
Rajvinder Eria ...
Manihera Rangiuaia ...
Darcy Ray Flavell-Hudson ...
Rachel House ...
Waihoroi Shortland ...
...
...
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Storyline

It's 1984, and Michael Jackson is king-even in Waihau Bay, New Zealand. Here we meet Boy, an 11-year-old who lives on a farm with his gran, a goat, and his younger brother, Rocky (who thinks he has magic powers). Shortly after Gran leaves for a week, Boy's father, Alamein, appears out of the blue. Having imagined a heroic version of his father during his absence, Boy comes face to face with the real version-an incompetent hoodlum who has returned to find a bag of money he buried years before. This is where the goat enters. Written by Sundance Film Festival

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

25 March 2010 (New Zealand)  »

Filming Locations:


Box Office

Opening Weekend:

$15,569 (USA) (23 March 2012)

Gross:

$255,179 (USA) (22 June 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Director Taika Waititi was less than a week away from filming when he realised the boy he had as lead wasn't working out. Three days before filming began, James Rolleston, who was hanging around on set as an extra, was given the lead by Taika Waititi. See more »

Goofs

While driving, Boy and his Dad pass a yellow warning sign. These signs were not used in New Zealand at the time of the film. See more »

Quotes

Dynasty: She reckons it's better to be risk your money on something big and be real poor, than sit around being a bit poor.
See more »

Crazy Credits

Mid credits scene: Spoof of Michael Jackson's Thriller See more »

Connections

References E.T. the Extra-Terrestrial (1982) See more »

Soundtracks

Here We Are
(Samuel Scott (as S Scott)/Will Ricketts (as W Ricketts)/Lukasz Pawel Buda (as L Buda)/Conrad Wedde (as C Wedde)/Richie Singleton (as R Singleton)/Warner Emery (as W Emery))
Control
Performed by The Phoenix Foundation
See more »

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User Reviews

 
Man
16 May 2010 | by (Virginia Beach) – See all my reviews

Introspective narrative can work profound change, and this is a good example.

The story is simple enough: New Zealand native village; extreme poverty; passel of young kids establishing the world of the narrative.

One of these is our narrator, the Boy, about ten. His primary concern is how he appears to his mates and the local girls. Various comic devices set the tone before his father arrives back from prison. We then see some endearing shared fantasies, before Boy gets the truth about his Dad as selfishly irresponsible. The shape is generally called "coming of age." Thousands of these have been made. They have a built in minimal appeal, and great constraints on the ability to say anything new.

But this does have something new, thanks to the apparently limitless gateway of self- reference. We watch the movie that includes an inner movie of the boy's life, composed of fragments of other movies. We've had this since "Breathless," of course. The fragments have to do with roles associated with the father, mostly war movies, and about Boy, mostly Michael Jackson videos.

Here's something new: after we get all that settled, there is a second inner movie fold that appears, the Dad and his cohorts. He brings his own inner movie, different than Boy's. It is one of a rebel gang: James Dean, Marlon Brando. Boy tries to adapt his inner movie to his dad's and in the process breaks both.

Along the way, there is a spectrum of what we see: the narrator in the film, his ordinary life, his fantasies as he sees them. His fantasies as we see them. His dad's fantasies as he, we and Boy sees them.

Taika Cohen wrote, directed and stars as the dad. It is good, very good.

Ted's Evaluation -- 3 of 3: Worth watching.


23 of 37 people found this review helpful.  Was this review helpful to you?

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