| Videos (see all 10) |
| The Men of Battle Company 2nd of the 503rd Infantry Regiment 173rd Airborne Brigade Combat Team | ... | Themselves | |
| Juan 'Doc Restrepo | ... | Himself | |
| Dan Kearney | ... | Himself | |
| LaMonta Caldwell | ... | Himself | |
| Aron Hijar | ... | Himself | |
| Misha Pemble-Belkin | ... | Himself | |
| Miguel Cortez | ... | Himself | |
| Sterling Jones | ... | Himself | |
| Brendan O'Byrne | ... | Himself | |
| Joshua McDonough | ... | Himself | |
| Kyle Steiner | ... | Himself | |
| Angel Toves | ... | Himself | |
| Mark Patterson | ... | Himself | |
| Stephen Gillespie | ... | Himself | |
| Marc Solowski | ... | Himself | |
| Kevin Rice | ... | Himself | |
| Tanner Sichter | ... | Himself | |
| William Ostlund | ... | Himself |
Directed by | |||
| Tim Hetherington | |||
| Sebastian Junger | |||
Produced by | |||
| John Battsek | .... | executive producer | |
| Tim Hetherington | .... | producer | |
| Sebastian Junger | .... | producer | |
| Nick Quested | .... | executive producer | |
Cinematography by | |||
| Tim Hetherington | |||
| Sebastian Junger | |||
Film Editing by | |||
| Michael Levine | |||
Production Management | |||
| Mike Harrop | .... | post-production supervisor | |
| Gretchen McGowan | .... | head of production: Goldcrest Production Services | |
Sound Department | |||
| Coll Anderson | .... | sound re-recording mixer | |
| Coll Anderson | .... | supervising sound editor | |
| Stephen Barden | .... | dialogue editor | |
| Grahame Davies | .... | sound mixer: additional | |
| Paul Miller | .... | sound assistant: weapons specialist (as OFC Paul Miller) | |
| Matt Snedecor | .... | sound effects editor | |
| Michael Suarez | .... | sound | |
Camera and Electrical Department | |||
| Jake Clennell | .... | director of photography: Itaky | |
| Brendan O'Byrne | .... | additional camera operator | |
| Misha Pemble-Belkin | .... | additional camera operator | |
| Rudy Varner | .... | additional camera operator | |
| Teun Voeten | .... | additional camera operator | |
| Derek Wiesehahn | .... | camera operator: Italy | |
Editorial Department | |||
| Alex Albers | .... | post-production intern | |
| Timothy Baker | .... | post-production intern | |
| Meghna Damani | .... | post-production intern | |
| Anja Dornieden | .... | post-production intern | |
| John Dowdell | .... | colorist | |
| Kathryn Drury | .... | post-production intern | |
| Alex Godin | .... | post-production intern | |
| Peter Heady | .... | digital intermediate finishing artist | |
| Jeremy Kaplan | .... | post-production intern | |
| Jean Lane | .... | digital intermediate producer | |
| Christy MacKarrell | .... | digital intermediate finishing artist | |
| Corinne Manabat | .... | post-production intern | |
| William Michals | .... | post-production intern | |
| Maya Mumma | .... | associate editor | |
| Meredith Patten | .... | post-production intern | |
| Adele Pham | .... | post-production intern | |
| Trina Rodriguez | .... | post-production intern | |
| Jeanne Sison | .... | digital intermediate producer | |
| Jeff Smithwick | .... | color timer | |
| Tim Spitzer | .... | digital intermediate supervisor | |
| Elizabeth Walter | .... | post-production intern | |
| Chloe Walters-Wallace | .... | post-production intern | |
| Carl Ayala | .... | assistant on-line editor (uncredited) | |
Music Department | |||
| Ruy García | .... | music supervisor | |
Other crew | |||
| Victor Barroso | .... | titles and credits: Worlds Away Productions | |
| Marc Chamin | .... | legal service: Outpost Films, Loeb & Loeb | |
| Sinead Duell | .... | business manager: Outpost Films | |
| Richard Koenigsberg | .... | accountant: Outpost Films | |
| Ben Lay | .... | head technician | |
| Márcia Nunes | .... | production coordinator: Goldcrest Production Services | |
| Karen Shatzkin | .... | additional legal services: Outpost Filmms | |
Thanks | |||
| Brian Beckno | .... | special thanks (as Major Brian Beckno) | |
| Graydon Carter | .... | special thanks | |
| Tony Gerber | .... | thanks | |
| Donna Gutkin | .... | thanks | |
| Miles Levine | .... | thanks | |
| Simon Levine | .... | thanks | |
| Andrew Mumma | .... | thanks | |
| Karen Schmeer | .... | thanks | |
| Jonathan Stack | .... | thanks | |
| Nicole Stott | .... | thanks | |
| Doug Stumpf | .... | thanks | |
| Jamie Wellford | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
This is where documentary filmmaking becomes serious. Whatever you are expecting out of this film, chances are you will get a whole lot more. Restrepo follows a platoon of soldiers in Afghanistan who are defending a valley, Korgengal. It is said to be one of the most dangerous valleys in the entire country and these brave men take fire every single day of their brutal campaign. This is a riveting film and it is one of those that you cannot shake. It gives you a glance into the absolute darkest depths of modern warfare and just how demanding the fighting is both physically and mentally. It is a film that gives you a rare look into the horrors of war. And it is absolutely astounding.
Restrepo is shot at a very personal level. The camera never intrudes on the soldiers during their work, and thank God considering some of the harrowing things they go through in this movie. This film hardly even feels like a documentary in the sense of what we think of documentary today. It is filled with interviews, but the bulk of the movie is truly documenting the lives of these soldiers. We get to see all sides of the emotional spectrum that can be afflicted through trauma. We get to look at how different people cope with such horrors as are experienced in this film. And it is all through such respectful eyes. I never once thought, 'Wow, they should really stop filming this.' Every moment of the film feels so important and the fact that all this was so clearly and eloquently caught on camera is astounding.
The unequivocally greatest thing about this film is the fact that it has absolutely no political agenda. It really has no alternative motive other than telling the story of these incredibly brave soldiers. The film only seeks to honor the brave men who served our country in the most dangerous area imaginable. This film isn't for the political leaders responsible for the war. It isn't for the military commanders that send these soldiers into battle. This movie is for the soldiers themselves. It is a true soldier's film in every sense. It has a very stern focus on the individual. It makes such an important point out of this aspect that it could have possibly gone even further. There are a lot of men in this platoon and thus we don't get to know any one person particularly well. We get to know the platoon well as a whole and how each man interacts with his fellow soldiers and how they all deal with loss and tragedy. Each individual soldier in this movie is important and the movie strives to show how meaningful that is. It is a remarkably important aspect of the film.
You won't see many documentaries like this, and there's probably a good reason for this. The kind of footage captured in Restrepo isn't easy to get and you have to be just as brave as the soldiers themselves if you are to accompany them into battle to document their bravery. But thankfully when the opportunity to get such unforgettable footage arose, it was all put together extremely well. This is not an easy film to watch, but in the end it is so remarkably worth it.