Amber dreams of escaping her small town existence and persuades her friends to accompany her to find an apartment in the big city. When their transportation breaks down, she and her friends...
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Laura Ashley Samuels
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EXTERIORS is a film by Patrik Syversen and Marie Kristiansen. Its a poetic, realistic, surrealistic and somewhat experimental drama. The film features two girls, PEARL and SKYE, both ... See full summary »
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Sarah Tyler returns to her troubled family home in the isolated countryside, for a much put-off visit. As a storm rages outside, Sarah, her family and friends shore up for the night, cut ... See full summary »
Amber dreams of escaping her small town existence and persuades her friends to accompany her to find an apartment in the big city. When their transportation breaks down, she and her friends gratefully accept a ride in the back of a semi. But when the driver refuses to stop and they discover the cargo is hundreds of cartons of blood, they panic. Their panic turns to terror when the truck disgorges them into a dark, abandoned warehouse where blood-thirsty creatures learn to hunt human prey, which, the friends realize, is what they now are the human prey fighting to save their lives the realize they must work together but will they survive.. Written by
If this film mugged me, I wouldn't be able to pick it out in a line-up.
En route to Chicago, a bunch of young friends experience engine trouble and stupidly accept a ride from a passing trucker. He traps them in his trailer. Stuff happens. There's some vampire/monster/creature thingies that attack them. Some of the teenagers die. Yadda, yadda, yadda...
I almost rated Prowl 1/10, not because it's particularly awful, but because I've had a gut-full of mediocre modern horror as of late, and this was very nearly the final straw that broke the camel's backjust another forgettable, bland, derivative scary flick with a pretty female protagonist, an unimaginative threat, lots of dreary and often shaky cinematography, predictable loud noises to make you jump, and a 'surprise' ending that's not all that surprising. It's been less than a day since I finished the film, and I cannot recall a single image that impressed me enough to bother retaining it in my mind.
To be fair, Prowl is probably worth a 4 or 5 out of 10 (although I'll err on the less generous side): it starts out promisingly, is technically proficient, the cast do a good job of looking terrified even if I sported an expression of abject boredom throughout, and there's also some pretty effective gore. But in this day and age where horrors proliferate, a film needs to be so much more in order to make a lasting impression.
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