After a prison riot, former-Captain Nascimento, now a high ranking security officer in Rio de Janeiro, is swept into a bloody political dispute that involves government officials and paramilitary groups.
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A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
Juan José Campanella
The story follows an underground weapons manufacturer in Belgrade during WWII and evolves into fairly surreal situations. A black marketeer who smuggles the weapons to partisans doesn't ... See full summary »
After a bloody invasion of the BOPE in the High-Security Penitentiary Bangu 1 in Rio de Janeiro to control a rebellion of interns, the Lieutenant-Colonel Roberto Nascimento and the second in command Captain André Matias are accused by the Human Right Aids member Diogo Fraga of execution of prisoners. Matias is transferred to the corrupted Military Police and Nascimento is exonerated from the BOPE by the Governor. However, due to the increasing popularity of Nascimento, the Governor invites him to team-up with the intelligence area of the Secretary of Security. Along the years, Fraga, who is married with Nascimento's former wife, is elected State Representative and Nascimento's son Rafael has issues with his biological father. Meanwhile Nascimento and the BOPE expel the drug dealers from several slums but another enemy arises: the militia led by Major Rocha and supported by the Governor, the Secretary of Security and politicians interested in votes. Nascimento is manipulated to help ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
I saw the film in its world premiere in Paulinia, São Paulo. !.500 people in the audience. Perhaps, 1/3 industry members and 2/3 non-industry members. It was a collective catharsis, I only remember a group experience of the same intensity watching Crouching Tiger in its Cannes premiere.
The audience applauded the film five times, the last a standing ovation. Capitão Nascimento has become the alter ego of every Brazilian, seeking a secure place to live. I think the film will find an echo in neighboring Latin American countries.
Compared to Tropa de Elite 1, the second delivery is a much more mature picture, a deeper look into the issues that plague every Latin American major city- citizen's security, human rights, and political responsibility.
Since City of God, I have not seen such a round and impactful film about the social reality in Brazil. Remarkable work of José Padilha, Braulio Mantovani with a seamless screenplay. Lula Carvalho's precise work as a DOP, Daniel Rezende's brilliant editing, not to mention Wagner Moura's surprising delivery as a mature Nascimento.
A total must see, and absolute award season favorite
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