After a prison riot, former-Captain Nascimento, now a high ranking security officer in Rio de Janeiro, is swept into a bloody political dispute that involves government officials and paramilitary groups.
Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man, threatening to shoot all the passengers. Transmitted live on all ... See full summary »
Sandro do Nascimento,
Luiz Eduardo Soares
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The lively João Grilo and the sly Chicó are poor guys living in the hinterland who cheat a bunch of people in a small Northeast Brazil town. But when they die, they have to be judged by ... See full summary »
After a bloody invasion of the BOPE in the High-Security Penitentiary Bangu 1 in Rio de Janeiro to control a rebellion of interns, the Lieutenant-Colonel Roberto Nascimento and the second in command Captain André Matias are accused by the Human Right Aids member Diogo Fraga of execution of prisoners. Matias is transferred to the corrupted Military Police and Nascimento is exonerated from the BOPE by the Governor. However, due to the increasing popularity of Nascimento, the Governor invites him to team-up with the intelligence area of the Secretary of Security. Along the years, Fraga, who is married with Nascimento's former wife, is elected State Representative and Nascimento's son Rafael has issues with his biological father. Meanwhile Nascimento and the BOPE expel the drug dealers from several slums but another enemy arises: the militia led by Major Rocha and supported by the Governor, the Secretary of Security and politicians interested in votes. Nascimento is manipulated to help ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
About 11.1 million paying viewers made it the most seen movie in Brazilian cinema history. It also became the highest-grossing film of all time in Brazil, beating Avatar (2009)'s record. See more »
I hate those human rights mantras! "You can't touch the scumbag..." "You can't touch the scumbag..." "Here, have some candy, scumbag..." "Take those flowers, dealer!" What a joke!
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The beginning credits feature scenes from the first film. See more »
I saw the film in its world premiere in Paulinia, São Paulo. !.500 people in the audience. Perhaps, 1/3 industry members and 2/3 non-industry members. It was a collective catharsis, I only remember a group experience of the same intensity watching Crouching Tiger in its Cannes premiere.
The audience applauded the film five times, the last a standing ovation. Capitão Nascimento has become the alter ego of every Brazilian, seeking a secure place to live. I think the film will find an echo in neighboring Latin American countries.
Compared to Tropa de Elite 1, the second delivery is a much more mature picture, a deeper look into the issues that plague every Latin American major city- citizen's security, human rights, and political responsibility.
Since City of God, I have not seen such a round and impactful film about the social reality in Brazil. Remarkable work of José Padilha, Braulio Mantovani with a seamless screenplay. Lula Carvalho's precise work as a DOP, Daniel Rezende's brilliant editing, not to mention Wagner Moura's surprising delivery as a mature Nascimento.
A total must see, and absolute award season favorite
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