After a prison riot, former-Captain Nascimento, now a high ranking security officer in Rio de Janeiro, is swept into a bloody political dispute that involves government officials and paramilitary groups.
Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man, threatening to shoot all the passengers. Transmitted live on all ... See full summary »
Sandro do Nascimento,
Luiz Eduardo Soares
In 1986, in the province of Gyunggi, in South Korea, a second young and beautiful woman is found dead, raped and tied and gagged with her underwear. Detective Park Doo-Man and Detective Cho... See full summary »
Brazilian MD Drauzio Varella starts AIDS prevention in Brazil's largest prison, Carandiru, in São Paulo, where the population is nearly double its 4,000 maximum. Doc learns from experience ... See full summary »
A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
Juan José Campanella
After a bloody invasion of the BOPE in the High-Security Penitentiary Bangu 1 in Rio de Janeiro to control a rebellion of interns, the Lieutenant-Colonel Roberto Nascimento and the second in command Captain André Matias are accused by the Human Right Aids member Diogo Fraga of execution of prisoners. Matias is transferred to the corrupted Military Police and Nascimento is exonerated from the BOPE by the Governor. However, due to the increasing popularity of Nascimento, the Governor invites him to team-up with the intelligence area of the Secretary of Security. Along the years, Fraga, who is married with Nascimento's former wife, is elected State Representative and Nascimento's son Rafael has issues with his biological father. Meanwhile Nascimento and the BOPE expel the drug dealers from several slums but another enemy arises: the militia led by Major Rocha and supported by the Governor, the Secretary of Security and politicians interested in votes. Nascimento is manipulated to help ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
During an aerial shoot over Favela Dona Marta the camera crew's helicopter almost collided with the helicopter Nascimento (Wagner Moura) was in after they crossed over one another on a bold maneuver. See more »
I hate those human rights mantras! "You can't touch the scumbag..." "You can't touch the scumbag..." "Here, have some candy, scumbag..." "Take those flowers, dealer!" What a joke!
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The beginning credits feature scenes from the first film. See more »
Padilha has definitely excelled himself... instead of going into the usual and expected cliché of making a sequel with the exact same formula as the first movie, he goes out of the box and makes a wonderful, completely new, movie. If you are one of those movie fans who would like to see a reproduction of the first movie, who is eager to hear famous lines such as "você é um moleque" or "pede pra sair" once again coming out of Capitão Nascimento's mouth, who wants to see more and more torture, more and more violence. Forget about all of that... this movie has nothing of the sort. Of course there is a lot of shootings, and some torture scenes, but they are nothing compared to the ones in the first movie, they are quick and do not show as much! But do not let this keep you from watching this movie. In fact, what makes this sequel so special is that it doesn't even feel like a sequel, it feels more like a SAGA, Capitão Nascimento's SAGA, his quest for justice and against crime. Its a deeper voyage into Nascimento's feelings and also into the inner workings of the CRIME machine. Its a more mature and better developed movie which will make you think. It will make you angry, and it will make you mad... but in the end it will make you want to cry out loud: GO CAPITÃO NASCIMENTOOOOOOO!!! And cheer for him!
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