After a prison riot, former-Captain Nascimento, now a high ranking security officer in Rio de Janeiro, is swept into a bloody political dispute that involves government officials and paramilitary groups.
The lively João Grilo and the sly Chicó are poor guys living in the hinterland who cheat a bunch of people in a small Northeast Brazil town. But when they die, they have to be judged by ... See full summary »
Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man, threatening to shoot all the passengers. Transmitted live on all ... See full summary »
Sandro do Nascimento,
Luiz Eduardo Soares
Brazilian MD Drauzio Varella starts AIDS prevention in Brazil's largest prison, Carandiru, in São Paulo, where the population is nearly double its 4,000 maximum. Doc learns from experience ... See full summary »
Best buddies Acerola and Laranjinha, about to turn 18, discover things about their missing fathers' pasts which will shatter their solid friendship, in the middle of a war between rival drug gangs from Rio's favelas.
Lisbela is a young woman who loves going to the movies. Leléu is a con man, going from town to town selling all sort of things and performing as master of ceremonies for some cheesy numbers... See full summary »
André, relatively poor, falls in love with Silvia, a neighbor whom he spies with a telescope. Falling more and more in love with her, he begins to follow her around the city and realizes ... See full summary »
Renata de Lélis,
The life and times of Cazuza, Brazilian singer/poet/enfant terrible, from his start with rock group "Barão Vermelho", to his death from Aids, in 1990, showing his career, love affairs, and involvement with drugs.
Daniel de Oliveira,
After a bloody invasion of the BOPE in the High-Security Penitentiary Bangu 1 in Rio de Janeiro to control a rebellion of interns, the Lieutenant-Colonel Roberto Nascimento and the second in command Captain André Matias are accused by the Human Right Aids member Diogo Fraga of execution of prisoners. Matias is transferred to the corrupted Military Police and Nascimento is exonerated from the BOPE by the Governor. However, due to the increasing popularity of Nascimento, the Governor invites him to team-up with the intelligence area of the Secretary of Security. Along the years, Fraga, who is married with Nascimento's former wife, is elected State Representative and Nascimento's son Rafael has issues with his biological father. Meanwhile Nascimento and the BOPE expel the drug dealers from several slums but another enemy arises: the militia led by Major Rocha and supported by the Governor, the Secretary of Security and politicians interested in votes. Nascimento is manipulated to help ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Brazil's official submission to the Best Foreign Language Film category of the 84th Academy Awards 2012. See more »
What's happening to our city Rio de Janeiro? What's happening to our wonderful city? Thugs come into a police station and steal weapons. Weapons from inside a police station! This isn't crime, no sir. This is terrorism! Don't talk to me about human rights, because terrorists, to me, aren't people. It's because of "blah, blah, blah, human rights". Can't touch the thugs Don't touch the thugs. Don't touch the thugs. Give candy to the thugs. Send roses to the thugs. This is a circus, man. Here, ...
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The beginning credits feature scenes from the first film. See more »
I saw the film in its world premiere in Paulinia, São Paulo. !.500 people in the audience. Perhaps, 1/3 industry members and 2/3 non-industry members. It was a collective catharsis, I only remember a group experience of the same intensity watching Crouching Tiger in its Cannes premiere.
The audience applauded the film five times, the last a standing ovation. Capitão Nascimento has become the alter ego of every Brazilian, seeking a secure place to live. I think the film will find an echo in neighboring Latin American countries.
Compared to Tropa de Elite 1, the second delivery is a much more mature picture, a deeper look into the issues that plague every Latin American major city- citizen's security, human rights, and political responsibility.
Since City of God, I have not seen such a round and impactful film about the social reality in Brazil. Remarkable work of José Padilha, Braulio Mantovani with a seamless screenplay. Lula Carvalho's precise work as a DOP, Daniel Rezende's brilliant editing, not to mention Wagner Moura's surprising delivery as a mature Nascimento.
A total must see, and absolute award season favorite
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