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Young writer Sal Paradise has his life shaken by the arrival of free-spirited Dean Moriarty and his girl, Marylou. As they travel across the country, they encounter a mix of people who each impact their journey indelibly.
A legendary cop's twin boys disappeared into an MKUtra program, wrecking his life. When they show up in a Macau casino thirty years later where the cop is a pit boss, something big is in the works. And revenge is right around the corner.
A drama centered on a rising country-music songwriter (Hedlund) who sparks with a fallen star (Paltrow). Together, they mount his ascent and her comeback, which leads to romantic complications involving her husband/manager (McGraw) and a beauty queen-turned-singer (Meester). Written by
Much of Beau Hutton's appearance is modeled after Texan singer-songwriter, Hayes Carll, who wrote several of the songs performed by the character in the movie. See more »
When reading her flash cards in the van, Chiles (Leighton Meester) claims that General MacArthur returned to the Philippines in 1946. World War II was well over by then. He actually returned in 1944 after the battle of Leyte. He then uttered the famous words "I have returned". See more »
I liked the opening.It showed a humble, scruffy young country singer playing a non-descript low-brow gig, then driving his old pick up truck, while changing into his uniform for his shift at a psychiatric hospital.
Oh jeez...Gwyneth Paltrow as a famous country singer? Give me a break. In fact, Gwyneth Paltrow as anything other than the untalented daughter of a Hollywood writer? Give me a break. I didn't buy it for a second.
Nothing against Tim McGraw, but one has to have more than a Southern accent to be an effective actor. What are his qualifications? He's awkward.
The best thing about this movie is Garrett Hedlund. He has charisma like a big movie star might. The music sucked and the plot was non-existent. But this actor kept me watching for about half the film, before I gave up.
Alcoholism is such a boring and clichéd plot device. The screw-up country star and the hungry up-and-coming, aspiring country singer theme is equally clichéd.
Show me something different. How about a country singer who wants to sing opera or funk? Or a country singer who wants to be a reporter, but can't break free from who they are? I don't see how anyone could actually believe that this sanctimonious, paint-by-numbers trash would entertain anyone. Yet plenty of reviewers here liked it. Go figure.
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