| Episode Crew |
Directed by | |||
| Philip Martin | |||
Writing credits | ||
| Agatha Christie | (novel) | |
| Stewart Harcourt | (screenplay) | |
Original Music by | |||
| Christian Henson | |||
Cinematography by | |||
| Alan Almond | (director of photography) | ||
Film Editing by | |||
| Kristina Hetherington | |||
Casting by | |||
| Susie Parriss | |||
Production Design by | |||
| Jeff Tessler | |||
Art Direction by | |||
| Miranda Cull | |||
Costume Design by | |||
| Sheena Napier | |||
Makeup Department | |||
| Bee Archer | .... | makeup artist | |
| Pamela Haddock | .... | hair and make-up designer | |
| Tony Lilley | .... | makeup artist | |
| Eva Marieges Moore | .... | Mr Suchet's make-up artist | |
| Hannah Proverbs | .... | makeup artist | |
Production Management | |||
| Colin Azzopardi | .... | production supervisor: Malta | |
| Ian Hopkins | .... | production supervisor: Switzerland | |
| Kate Stannard | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Sean Clayton | .... | second assistant director | |
| Lydia Currie | .... | first assistant director | |
| Tussy Facchin | .... | third assistant director | |
Art Department | |||
| Tim Bonstow | .... | production buyer | |
| Dave Channon | .... | construction manager | |
| Ron Dawling | .... | stand-by props (as Ron Dowling) | |
| Fred Foster | .... | stand-by construction | |
| Paul Gilpin | .... | supervising art director | |
| Jim Grindley | .... | property master | |
| Andrew Lavin | .... | stand-by art director | |
| Richard MacMillan | .... | stand-by props (as Richard Macmillian) | |
| Robert Muskett | .... | stand-by construction (as Bob Muskett) | |
| Jay Pales | .... | dressing props | |
| Mike Rawlings | .... | dressing props | |
| Mike Syson | .... | dressing props | |
| Rachel Garlick | .... | storyboard artist (uncredited) | |
Sound Department | |||
| John Downer | .... | supervising sound editor | |
| Sarah Morton | .... | dialogue editor | |
| Ashley Reynolds | .... | sound maintenance | |
| Andrew Sissons | .... | sound recordist | |
| Nigel Squibbs | .... | re-recording mixer | |
| Simon Epstein | .... | foley mixer (uncredited) | |
| Marc Hope | .... | foley editor (uncredited) | |
| Scott Jones | .... | adr mixer (uncredited) | |
| Ashley Reynolds | .... | boom operator (uncredited) | |
| Richard Williams | .... | foley editor (uncredited) | |
Special Effects by | |||
| Kenneth Cassar | .... | special effects supervisor (uncredited) | |
| Roderick Pulis | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Tanvir Hanif | .... | visual effects supervisor | |
Stunts | |||
| Crispin Layfield | .... | stunt coordinator | |
| Wolfgang Raach | .... | stunt coordinator (uncredited) | |
| Curtis Rivers | .... | stunt performer (uncredited) | |
Camera and Electrical Department | |||
| Ben Gibb | .... | focus puller | |
| Jimmy Harris | .... | best boy | |
| Dermot Hickey | .... | focus puller | |
| Dean Murray | .... | clapper loader | |
| Steve Murray | .... | camera operator | |
| Jim Philpott | .... | camera grip | |
| Gavin Walters | .... | gaffer | |
| Peter Davies | .... | electrician (uncredited) | |
| Greg Murray | .... | grip assistant (uncredited) | |
| John Preca Trapani | .... | camera loader (uncredited) | |
Casting Department | |||
| Jina Jay | .... | international casting | |
Costume and Wardrobe Department | |||
| Anne-Marie Bigby | .... | Mr Suchet's dresser | |
| Tracy McGregor | .... | costume supervisor | |
| Philip O'Connor | .... | assistant costume designer (as Phil O'Connor) | |
| Steve O'Sullivan | .... | costume assistant | |
| Sarah Ward | .... | costume assistant | |
| Carmen Agius | .... | set costumer (uncredited) | |
| Ernest Camilleri | .... | wardrobe coordinator (uncredited) | |
| Polly Smyth | .... | set costumer (uncredited) | |
Editorial Department | |||
| John Claude | .... | colourist | |
| Simon Giblin | .... | on-line editor | |
| Vicky Tooms | .... | assistant editor | |
| Garry Maddison | .... | assistant colorist (uncredited) | |
Music Department | |||
| Christopher Gunning | .... | composer: Poirot theme | |
| Samuel Karl Bohn | .... | assistant to composer (uncredited) | |
| Samuel Karl Bohn | .... | composer: additional music (uncredited) | |
| Goetz Botzenhardt | .... | music mixer (uncredited) | |
| Joe Henson | .... | music programming (uncredited) | |
| Dom Kelly | .... | musician: oboe (uncredited) | |
Other crew | |||
| Pierre Agius | .... | location manager | |
| Meriel Baistow-Clare | .... | script editor | |
| Sam Baker | .... | production coordinator | |
| Natasha Bayford | .... | press officer | |
| Simon Blakey | .... | production secretary | |
| Julie Burnell | .... | production executive | |
| Sue Hills | .... | script supervisor | |
| Caroline Russell | .... | production accountant | |
| Joanna Sanders | .... | assistant production accountant | |
| Jennie Scanlon | .... | script executive | |
| Patrick Smith | .... | picture publicist | |
| Mark Walledge | .... | assistant location manager | |
| Chris White | .... | location manager | |
| Winston Azzopardi | .... | production consultant: Malta (uncredited) | |
| Julie Burnham | .... | unit nurse (uncredited) | |
| Rebecca Kemp | .... | location assistant (uncredited) | |
| Ray Leek | .... | title designer (uncredited) | |
| Donna Shakesheff | .... | production runner (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Sound Department | |||
| Lionel Strutt | .... | adr mixer | |
Other crew | |||
| Mark Albela | .... | location manager | |
| Daren Thomas | .... | location runner | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Drama section | IMDb UK section |
As an avid Agatha Christie reader, and a long time fan of David Suchet I was awaiting the release of this episode of Poirot for over a year.
I was amazed at how perfectly the actors were casted, so they perfectly fitted Christie's description of them in the book. However, we're talking about a long book that requires time for digestion of details, development, and also to avoid monotonousness in the rhythm of the movie.
Aside from the fact that numerous details of the case were omitted presumably because of time limitations, Poirot's character was perverted with the added religious characteristics (catholic, praying type, etc.) which is not part of the book and the description of character in any of the Christie books. I believe her original ending is much more fitting and in accordance with Poirot's character description.
To this day, I always thought what would have happened if David Suchet had starred in the original 1974 Murder on the Orient Express, instead of Albert Finney, and I can now say for certain that I will never find out! The original enjoyed a great director, an amazing all star cast and enough time for the development of the plot, none of which was present in the 2010 version. I only wish that the great David Suchet was there present in the original.