IMDb > "Agatha Christie's Poirot" Murder on the Orient Express (2010)
"Agatha Christie's Poirot: Murder on the Orient Express (#12.4)"
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"Agatha Christie's Poirot" Murder on the Orient Express (2010)

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Overview

User Rating:
7.8/10   1,574 votes »
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Director:
Writers:
Agatha Christie (novel)
Stewart Harcourt (screenplay)
Contact:
View company contact information for Murder on the Orient Express on IMDbPro.
Original Air Date:
11 July 2010 (Season 12, Episode 4)
Genre:
Plot:
Poirot investigates the murder of a shady American businessman stabbed in his compartment on the Orient Express when it is blocked by a blizzard in Croatia. Full summary » | Add synopsis »
User Reviews:
Suchet & Murder on the Orient Express - A Masterpiece Mystery See more (63 total) »

Cast

 (Episode Cast) (in credits order)

David Suchet ... Hercule Poirot
Tristan Shepherd ... Lieutenant Morris

Sam Crane ... Lieutenant Blanchflower

Toby Jones ... Samuel Ratchett

Brian J. Smith ... Hector MacQueen (as Brian J Smith)

David Morrissey ... John Arbuthnot

Jessica Chastain ... Mary Debenham

Stewart Scudamore ... Concierge

Serge Hazanavicius ... Xavier Bouc

Eileen Atkins ... Princess Dragomiroff

Susanne Lothar ... Hildegarde Schmidt

Denis Ménochet ... Pierre Michel (as Denis Menochet)

Barbara Hershey ... Caroline Hubbard

Hugh Bonneville ... Edward Masterman

Marie-Josée Croze ... Greta Ohlsson

Stanley Weber ... Count Andrenyi

Elena Satine ... Countess Andrenyi

Joseph Mawle ... Antonio Foscarelli

Samuel West ... Dr Constantine
rest of cast listed alphabetically:
Tiziana Azzopardi ... Adulteress Wife (uncredited)

Ekaterina Botziou ... Passenger (uncredited)

Manuel Cauchi ... Turkish Husband (uncredited)

David Lyddon ... Train Engineer (uncredited)
Darren Petrucci ... Yugolslavian Police Captain (uncredited)

Umit Ulgen ... Hawker (uncredited)
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Episode Crew
Directed by
Philip Martin 
 
Writing credits
Agatha Christie (novel)

Stewart Harcourt (screenplay)

Produced by
Michele Buck .... executive producer
Mary Durkan .... executive producer: for Chorion
Rebecca Eaton .... executive producer: for WGBH Boston
Matthew Hamilton .... line producer
Mathew Prichard .... executive producer: for Chorion
David Suchet .... associate producer
Karen Thrussell .... producer
Damien Timmer .... executive producer
 
Original Music by
Christian Henson 
 
Cinematography by
Alan Almond (director of photography)
 
Film Editing by
Kristina Hetherington 
 
Casting by
Susie Parriss 
 
Production Design by
Jeff Tessler 
 
Art Direction by
Miranda Cull 
 
Costume Design by
Sheena Napier 
 
Makeup Department
Bee Archer .... makeup artist
Pamela Haddock .... hair and make-up designer
Tony Lilley .... makeup artist
Eva Marieges Moore .... Mr Suchet's make-up artist
Hannah Proverbs .... makeup artist
 
Production Management
Colin Azzopardi .... production supervisor: Malta
Ian Hopkins .... production supervisor: Switzerland
Kate Stannard .... post-production supervisor
 
Second Unit Director or Assistant Director
Sean Clayton .... second assistant director
Lydia Currie .... first assistant director
Tussy Facchin .... third assistant director
 
Art Department
Tim Bonstow .... production buyer
Dave Channon .... construction manager
Robert Channon .... chargehand painter
Ron Dawling .... stand-by props (as Ron Dowling)
Fred Foster .... stand-by construction
Paul Gilpin .... supervising art director
Jim Grindley .... property master
Andrew Lavin .... stand-by art director
Richard MacMillan .... stand-by props (as Richard Macmillian)
Robert Muskett .... stand-by construction (as Bob Muskett)
Jay Pales .... dressing props
Mike Rawlings .... dressing props
Mike Syson .... dressing props
Rachel Garlick .... storyboard artist (uncredited)
 
Sound Department
John Downer .... supervising sound editor
Sarah Morton .... dialogue editor
Ashley Reynolds .... sound maintenance
Andrew Sissons .... sound recordist
Nigel Squibbs .... re-recording mixer
Simon Epstein .... foley mixer (uncredited)
Marc Hope .... foley editor (uncredited)
Scott Jones .... adr mixer (uncredited)
Ashley Reynolds .... boom operator (uncredited)
Richard Williams .... foley editor (uncredited)
 
Special Effects by
Kenneth Cassar .... special effects supervisor (uncredited)
Roderick Pulis .... special effects technician (uncredited)
 
Visual Effects by
Tanvir Hanif .... visual effects supervisor
 
Stunts
Crispin Layfield .... stunt coordinator
Wolfgang Raach .... stunt coordinator (uncredited)
Curtis Rivers .... stunt performer (uncredited)
 
Camera and Electrical Department
Ben Gibb .... focus puller
Jimmy Harris .... best boy
Dermot Hickey .... focus puller
Dean Murray .... clapper loader
Steve Murray .... camera operator
Jim Philpott .... camera grip
Gavin Walters .... gaffer
Peter Davies .... electrician (uncredited)
Greg Murray .... grip assistant (uncredited)
John Preca Trapani .... camera loader (uncredited)
 
Casting Department
Jina Jay .... international casting
 
Costume and Wardrobe Department
Anne-Marie Bigby .... Mr Suchet's dresser
Tracy McGregor .... costume supervisor
Philip O'Connor .... assistant costume designer (as Phil O'Connor)
Steve O'Sullivan .... costume assistant
Sarah Ward .... costume assistant
Carmen Agius .... set costumer (uncredited)
Ernest Camilleri .... wardrobe coordinator (uncredited)
Polly Smyth .... set costumer (uncredited)
 
Editorial Department
John Claude .... colourist
Simon Giblin .... on-line editor
Vicky Tooms .... assistant editor
Garry Maddison .... assistant colorist (uncredited)
 
Music Department
Ben Foskett .... orchestrator
Christopher Gunning .... composer: Poirot theme
English Session Orchestra .... orchestra
Samuel Karl Bohn .... assistant to composer (uncredited)
Samuel Karl Bohn .... composer: additional music (uncredited)
Goetz Botzenhardt .... music mixer (uncredited)
Joe Henson .... music programming (uncredited)
Dom Kelly .... musician: oboe (uncredited)
 
Other crew
Pierre Agius .... location manager
Meriel Baistow-Clare .... script editor
Sam Baker .... production coordinator
Natasha Bayford .... press officer
Simon Blakey .... production secretary
Julie Burnell .... production executive
Sue Hills .... script supervisor
Samantha-Jane Hunt .... utility stand in / runner
Caroline Russell .... production accountant
Joanna Sanders .... assistant production accountant
Jennie Scanlon .... script executive
Patrick Smith .... picture publicist
Mark Walledge .... assistant location manager
Chris White .... location manager
Winston Azzopardi .... production consultant: Malta (uncredited)
Julie Burnham .... unit nurse (uncredited)
Rebecca Kemp .... location assistant (uncredited)
Ray Leek .... title designer (uncredited)
Donna Shakesheff .... production runner (uncredited)
 

Series Crew
These people are regular crew members. Were they in this episode?
Sound Department
Lionel Strutt .... adr mixer
 
Other crew
Mark Albela .... location manager
Daren Thomas .... location runner
 
Production CompaniesDistributorsOther Companies
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Additional Details

Runtime:
80 min (approx.) | 89 min (DVD release) | UK:89 min (9 episodes)
Country:
Language:
Color:
Aspect Ratio:
1.78 : 1 See more »
Sound Mix:
Certification:
Australia:M | UK:15 (video rating) (2011) | USA:Not Rated
Filming Locations:

Did You Know?

Trivia:
As the end credits roll, seemingly random letters highlighted in red spell out the words "Venice Simplon".See more »
Goofs:
Errors made by characters (possibly deliberate errors by the filmmakers): Much of the Hungarian spoken by the Andrényis is mispronounced or grammatically incorrect.See more »
Quotes:
[first lines]
Hercule Poirot:No! Lieutenant, you lie to Poirot. You say that you were in the barracks by midnight, but Poirot has proved this to be false. At a quarter to one in the morning you were seen over two miles away in the company of the woman who died. General, this is not a murder...
See more »
Movie Connections:

FAQ

How closely does this follow the book?
See more »
55 out of 91 people found the following review useful.
Suchet & Murder on the Orient Express - A Masterpiece Mystery, 12 July 2010
Author: dennis_chiu1 from United States

David Suchet gives a towering and commanding performance as famed Belgium detective Hercule Poirot in this latest version of "Murder on the Orient Express" based on the novel by Dame Agatha Christie. There is such fire and passion in Suchet's eyes that I scarcely recognized his Poirot from the other times he has performed Poirot throughout his many years in this role. I literally could not take my eyes off of him.

This 2010 version of Murder on the Orient Express chooses to focus on the character of Poirot, his belief in justice, and his inner turmoil on how to reconcile the solution to the mystery with his own values. This is done rather than focus on the glamorous suspects on the train, which has been done in other versions. As the reality of who the murderer or murderers becomes clear, Poirot becomes visibly weary at the path that lay before him. Will he make an exception and let the murderer or murderers go?

Mr. Suchet knows the inner workings of Poirot's mind so intimately from having played the character more times than any other actor in history that he is explosive on the screen as he portrays Poirot's soul in turmoil. Mr. Suchet's performance is the reason to watch this version.

My one criticism that prevents me from giving the film a 10th star, is the use of religion as something that would enter Poirot's consideration. The film conveniently omits reference to Poirot's reference to his "little gray cells" because the logical mind of Hercule Poirot is not affected by religious considerations. I believe that Suchet could have portrayed Poirot's inner conflict with a secular opposition to murder as the break down of society. In this 2010 film, Poirot says as much when he savagely defends the rule of law to prevent man from descent into anarchy on the train. The introduction that Poirot was a Catholic was a cheap shortcut to clarify Poirot's decision as to what to do with the murderer or murderers at the end. Instead of using Catholicism, Poirot's open and often spoken belief in the value of life could have been used to justify Poirot's final decision.

Regardless of the screenwriter's choice to make Poirot unnecessarily ultra religious (even going so far as to have Poirot clutching rosary beads in the last shot of the film), I strongly recommend this 2010 version of Murder on the Orient Express to your kind attention.

Was the above review useful to you?
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